You Only Live Once

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Total Count: 6


Audience Score

User Ratings: 1,113
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Movie Info

Archetypal depression-era stars Henry Fonda and Sylvia Sidney are felicitously teamed in Fritz Lang's You Only Live Once. Fonda plays an ex-convict who can't get a break on the "outside". He marries Sidney, who like her husband is one of life's losers. Framed on a murder rap, Fonda is forced to take it on the lam, with his wife and baby in tow. In trying to avoid capture, Fonda becomes a murderer for real, condemning himself and Sidney to an early demise. Partly based on the legend of Bonnie and Clyde, the Gene Towne-Graham Baker screenplay stacks the deck against its protagonists to such an extent that the audience is virtually forced to hate their various antagonists. As superb as Henry Fonda is in portraying the foredoomed hero, Sylvia Sidney is even better as his wife; her reading of such lines as "We just call" are enough to shrivel the heart even after six decades.


Henry Fonda
as Eddie Taylor
Sylvia Sidney
as Joan "Jo" Graham
Barton MacLane
as Stephen Whitney
William Gargan
as Father Dolan
Jean Dixon
as Bonnie Graham
Jerome Cowan
as Dr. Hill
John Wray
as Warden
Jonathan Hale
as District Attorney
Ward Bond
as Guard
Ben Hall
as Messenger
Jean Stoddard
as Stenographer
Wade Boteler
as Policeman
Taylor Henry
as Kozderonas
Jack Carson
as Gas Station Attendant
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Critic Reviews for You Only Live Once

All Critics (6)

Audience Reviews for You Only Live Once

  • Oct 06, 2010
    This film features a similar storyline to the Pre-Code Hollywood classic "I Am a Fugitive from a Chain Gang," without the drama of it being a true story. This film also adds a fresh faced romantic interest, who powers much of the story and serves as the protagonist's main motivation. The narrative follows the story of former convict Eddie Taylor (Ford) who is finally going straight, as he marries his sweetheart Joan (Sidney) and tries to get a job. Though he tries to do good he's framed for theft and murder, and the rest of the film features him trying to clear his name and get back to his wife. The main moral of the story is not to discount those who are trying to get their lives back together, and the more important lesson is that when you believe someone will commit a crime, eventually they will have to, to be free. This is a narrative that could use more attention in our modern times, when recidivism is at an all-time high, and police brutality is in the national spotlight. While the film overall plies itself with melodrama all too often, it's a classic example of the way Fritz Lang made his films, utilizing the emotions of his audience while also showing a story steeped in violence. This isn't his absolute best film, but it is one of the more memorable, and one that I would recommend wholeheartedly.
    Spencer S Super Reviewer
  • Oct 02, 2010
    This movie reminded me of better movies from the 40s. It's an alright story and all, but I couldn't get into it, the dialogue was less than average, and so was the acting. Overall, not a great movie, but not horrible, it does have a realistic story.
    Aj V Super Reviewer
  • Jul 13, 2009
    Sad tale of a luckless man and the woman who stands by him no matter what. Of course the acting is very fine and the direction good but the hopelessness of the film makes it more something to appreciate then actually enjoy.
    jay n Super Reviewer
  • Aug 01, 2008
    quite good early lang and henry fonda and sylvia sidney have lovely chemistry together. it's an early 'lovers on the run' story, similar to ray's 'they live by night'. i don't really see how this isn't considered film noir except that it's just outside the time frame
    Stella D Super Reviewer

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