Cast & Crew
Mr. Gallant/Tate Langdon
Mr. Jingles/Benjamin Richter
Woman in Diner
Twisty is my least favorite part of the season so far, but the throat-clenching tension of "Massacres And Matinees"'s cold open uses John Carroll Lynch's character to marvelous effect.
The second episode of Freak Show was directed by Alfonso Gomez-Rejon, whose sensibility is garish and loopy but also precise and formalist, like Wes Anderson directing a snuff film.
The novelty and newness of the season premiere has worn off, the world building has mostly subsided, and the show has to start digging into its mystery and plotting. To say that's been a sore spot for much of the FX series' run would be accurate.
The second episode of American Horror Story: Freak Show allows us to leisurely soak in the considerable atmospherics of Elsa's (Jessica Lange) financially imperiled Cabinet of Curiosities.
Massacres and Matinees was exciting to watch and had some serious OMFGWHATISTHAT moments, so I'm feeling kinda great about this season right now.
But - again, compared to other seasons - they're letting this one take its time... We sense some confidence in the scripts this time, as if people know exactly where they want to go and how they're going to get there.
As early as it may be in the season, I'm enjoying the Freak Show characters and story.
In the early going anyway, Freak Show is more concerned with serving up a series of indelible moments than connecting them via a strong, compelling narrative. And that's okay for now.
This season is dark, dark, dark. Basically: It's "Asylum" with a prettier coat of paint on top.
It's probably way too early to make a judgment call on this season of the show so far, but it's essentially a slightly lighter-toned version of season two, aka Asylum, only much more colorful.
"Massacres and Matinees" was both scary and relaxed and set up a lot of very compelling threads that will probably be tugged on for the next few episodes.