John Hughes

Lowest Rated: 0% Nate and Hayes (1983)
Birthday: Feb 18, 1950
Birthplace: Lansing, Michigan
Once dubbed the "philosopher of adolescence" by film critic and fellow Chicagoan Roger Ebert, John Hughes made his mark as the man most frequently associated with the 1980s teen angst genre. With his name attached in some form to such genre classics as Sixteen Candles, The Breakfast Club, Pretty in Pink, Ferris Bueller's Day Off, and Some Kind of Wonderful, Hughes was in large part responsible for defining the cinematic mood of a certain era. From Molly Ringwald's red hair to Ben Stein's monotonous "Bueller....Bueller," the characters and images in his films are still able to evoke a certain nostalgia in people who suffered through adolescence during the 1980s and remain as much of an embodiment of the decade's culture as shoulder pads and junk bonds. Originally hailing from Lansing, MI, where he was born February 18, 1950, Hughes was 13 when he moved with his family to the Chicago suburbs. His adopted city would figure largely in his films, providing both a source of inspiration and a familiar setting for his stories. Hughes also found a good deal of inspiration in old Three Stooges movies, and hoped to one day bring his own spin on the Stooges' brand of slapstick to his own movies. His dreams of providing such slapstick for future generations were interrupted by a brief stint at Arizona State University (he dropped out during his junior year) and a subsequent job as an advertising copywriter, although he spent much of his spare time writing short stories, magazine articles, some unpublished novels, and jokes for stand-up comedians. In 1979, Hughes was made the editor of National Lampoon magazine, which at the time was basking in the warm glow of the success of joyfully ribald National Lampoon's Animal House (1978). The film's popularity led Hollywood to recruit various Lampoon writers to come up with movie ideas, which effectively provided Hughes with his first break as a professional screenwriter. While penning scripts for National Lampoon's Class Reunion (1982), Mr. Mom (1983), and National Lampoon's Vacation (1983) -- the last of which was based on a short story he had written about his family's own disastrous vacation -- Hughes saw a number of early '80s teen films, including WarGames (1983) and Fast Times at Ridgemont High (1982), and decided that he had the ability to produce teen films of superior quality. In 1984, he entered the arena and emerged triumphant with his directorial debut, Sixteen Candles. Starring Molly Ringwald as its embattled teen heroine, the film was funny but never condescending in its treatment of the woes of Ringwald's protagonist, a girl whose 16th birthday is ignored as her family prepares for her older sister's wedding. Sixteen Candles launched the career of both its director and its star, and laid the foundation for the niche Hughes went on to build for himself as the foremost purveyor of '80s adolescent misery. The following year, Hughes entered into a multiple-picture contract with Paramount and began producing films under his own banner, the John Hughes Company. He scored a double hit that year as the director, writer, and producer of Weird Science and The Breakfast Club, the latter of which was written before Sixteen Candles. The Breakfast Club proved to be a particular success for Hughes, an earnest, at times amiably dopey drama about a group of high school archetypes (the nerd, the jock, the social queen, the delinquent, the freak) finding common ground during a Saturday detention session; the film became a cult favorite for millions of teens. It also helped give rise to the Brat Pack, a moniker attached to a group of young actors -- Ringwald, Ally Sheedy, Anthony Michael Hall, Judd Nelson, Emilio Estevez, to name a few -- many of whom populated Hughes' films. Hughes scored his next major triumph with Ferris Bueller's Day Off (1986), a film that was both an ode to Chicago and one of the most popular teen comedies of all time. Starring Matthew Broderick as its titular hero (and partially

Highest Rated Movies

Filmography

MOVIES

CREDIT
No Score Yet Beethoven's 5th Producer 2003
39% Maid in Manhattan Screenwriter 2002
33% Just Visiting Screenwriter 2001
38% Reach the Rock Screenwriter Producer 1998
30% Home Alone 3 Screenwriter Producer 1997
24% Flubber Producer Screenwriter 1997
71% The Fifth Element Head of Military 1997
39% 101 Dalmatians Screenwriter Producer 1996
59% Miracle on 34th Street Producer 1994
20% Baby's Day Out Actor Producer Screenwriter 1994
28% Dennis the Menace Producer Screenwriter 1993
30% Home Alone 2: Lost in New York Screenwriter Producer 1992
13% Curly Sue Director Producer Screenwriter 1991
14% Dutch Screenwriter Producer 1991
64% Only the Lonely Producer 1991
38% Career Opportunities Producer Screenwriter 1991
64% Home Alone Producer Screenwriter 1990
65% National Lampoon's Christmas Vacation Screenwriter Producer 1989
61% Uncle Buck Producer Director Screenwriter 1989
40% The Great Outdoors Executive Producer Producer Screenwriter 1988
38% She's Having a Baby Director Producer Screenwriter 1988
93% Planes, Trains and Automobiles Screenwriter Director Producer 1987
81% Some Kind of Wonderful Producer Screenwriter 1987
79% Ferris Bueller's Day Off Producer Screenwriter Director 1986
78% Pretty in Pink Screenwriter Executive Producer 1986
54% Weird Science Director Screenwriter Producer 1985
36% National Lampoon's European Vacation Producer Screenwriter 1985
88% The Breakfast Club Producer Director Screenwriter 1985
86% Sixteen Candles Director Screenwriter 1984
0% Nate and Hayes Screenwriter 1983
93% National Lampoon's Vacation Producer 1983
No Score Yet That Sinking Feeling Vic 1979

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