Shin'ya Tsukamoto

Highest Rated: 100% Killing (Zan) (2018)
Lowest Rated: 38% Marebito (2005)
Birthday: Jan 1, 1960
Birthplace: Shibuya, Tokyo, Japan
Constant comparisons to such distinctive celluloid experimentalists as David Cronenberg and David Lynch may give the uninitiated an idea of what to expect aesthetically and thematically from the works of renegade Japanese filmmaker/actor Shinya Tsukamoto, though as complimentary as they may be, the comparisons ultimately don't do justice to the remarkably original and frantic essence of his hauntingly jarring cinematic nightmares. From the cringe-inducing, hyper-kinetic body horror of Tetsuo: The Iron Man to the creeping deliberation of Gemini, Tsukamoto's intriguing body of work has isolated critics and audiences while building a strong fan base who share his technophobe paranoia and cyber-punk sensibility. Born in Shibuya, Tokyo, in 1960, Tsukamoto found inspiration early in his childhood from the television series Ultra-Q. Making his directorial debut via Super-8 film around the age of 14, the future director later found creative outlet in painting and theater. Briefly putting his filmmaking on the backburner to concentrate on writing, directing, and acting in the theater troupe he created at the Fine Arts division of Nihon University, Tsukamoto briefly took a job at a commercial film studio upon graduation, and soon after quit to again purse stage work with his troupe, Phantom Theater, in 1985. Resurrecting his filmmaking dreams the following year, Tsukamoto began work on The Phantom of Regular Size, a film that would ultimately be the precursor to his breakout hit, Tetsuo: The Iron Man (1989). Though he would further flex his punk sensibilities with The Adventure of Denchu Kozo the following year, it was the all-out sensory assault of Tetsuo that would make Tsukamoto an international cult figure. Its use of nearly every cinematic trick in the book gave the tale of urban industrialization and its frightening effect on man a remarkably distinct energy and though it isolated audiences, it provided solid proof that the developing visionary possessed a strong aesthetic sensibility. His next film, Hiruku the Goblin, took a more conventional approach to horror that, while not altogether ineffective, still found the director attempting to find a balance between the chaos of Tetsuo and a subdued approach more palatable to the masses. Following shortly after with the more traditional but equally disturbing Tetsuo II (1992) proved slightly more successful in regards to finding this balance, and fans fearing a sell-out were relieved to find his uniquely frightening vision undiluted by success and larger budgets. Although his next film, Tokyo Fist, was remarkably free of the industrial paranoia of his previous works, the tale of a salary-man turned viciously determined pugilist retained his themes of pain and transformation, albeit internalizing it more in flesh and mind than with metal. And though Bullet Ballet failed to live up to the growing expectations of his hungry fan base, Tsukamoto gracefully hit his stride with perhaps his most effective film to date, the viscerally chilling and sometimes Kubrick-esque Gemini (1999). Inspired by the Edogawa Rampo story Soseiji (The Twins), Gemini constructed an almost unbearable dread in its tale of unbridled lust and brotherly conflict, while taking Tsukamoto's usual theme of transformation to a whole new level. In addition to directing, Tsukamoto also appears as an actor in both his own films and those of his contemporaries, working and forming bonds with such filmmakers as Naoto Takenaka (119 [1994]) and the similar-minded Takashi Miike (Dead or Alive 2 [2000] and Ichi the Killer [2001]).

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Highest Rated Movies

Filmography

MOVIES

CREDIT
100% Killing (Zan) Screenwriter Actor Director 2018
No Score Yet Ichi The Killer: Definitive Remastered Edition Actor $6.9K 2017
83% Silence Mokichi $7.1M 2017
No Score Yet Nobi (Fires on the Plain) Director 2014
No Score Yet Kotoko Tanaka Director 2011
No Score Yet Tetsuo: The Bullet Man Director The Guy Screenwriter 2009
No Score Yet Akumu Tantei 2 (Nightmare Detective 2) Screenwriter Director 2008
No Score Yet Quiet room ni yôkoso (Welcome to the Quiet Room) Actor 2007
No Score Yet Akumu tantei (Nightmare Detective) Director Screenwriter Zero 2006
38% Marebito Masuoka 2005
No Score Yet Haze Director 2005
No Score Yet Fîmeiru ,(Female) Screenwriter Director 2005
88% Vital Screenwriter 2005
No Score Yet Otakus in Love Actor 2004
No Score Yet Kanzen-naru Shiiku: Onna Rihatsushi no Koi (Perfect Education 5: Amazing Story) (The Hairdresser) Actor 2003
No Score Yet Basic Tsukamoto (Tsukamoto zukan) Actor 2003
60% A Snake of June (Rokugatsu no hebi) Igushi Director 2002
64% Ichi the Killer (Koroshiya 1) Jijii 2001
No Score Yet The Most Terrible Time in My Life Yamaguchi 2000
No Score Yet Dead or Alive 2: Birds (Dead or Alive 2: Tôbôsha) (Dead or Alive 2: Runaway) Actor 2000
No Score Yet A Drowning Man Tokio 2000
No Score Yet Gemini (Sôseiji) Director 1999
No Score Yet Bullet Ballet Director Actor 1998
No Score Yet Sunday Drive Okamura 1998
No Score Yet Tokyo Fist Tsuda Director 1998
No Score Yet Tetsuo II: Body Hammer Director Actor Screenwriter 1997
No Score Yet Harukana jidai no kaidan o (Stairway to the Distant Past) Actor 1995
No Score Yet Hiruko the Goblin Director 1991
77% Tetsuo: The Ironman Young Metals Fetishist Director 1989
No Score Yet Denchu Kozo no boken (The Adventure of Denchu Kozo) (The Great Analog World) Actor Director 1987
No Score Yet The Phantom of Regular Size (Futsu saizu no kaijin) Actor Director 1986

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