Thelma Ritter

Highest Rated: 100% The Misfits (1961)
Birthday: Feb 14, 1905
Birthplace: Not Available
At the tender age of eight, Thelma Ritter was regaling the students and faculty of Brooklyn's Public School 77 with her recitals of such monologues as "Mr. Brown Gets His Haircut" and "The Story of Cremona". After appearing in high school plays and stock companies, Ritter was trained at the American Academy of Dramatic Arts. Throughout the Depression years, she and her actor husband Joe Moran did everything short of robbing banks to support themselves; when vaudeville and stage assignments dried up, they entered slogan and jingle contests. Moran forsook performing to become an actor's agent in the mid-1930s, while Ritter also briefly gave up acting to raise a family. She started working professionally again in 1940 as a radio performer. In 1946, director George Seaton, an old friend of Ritter, offered her a bit role in the upcoming New York-lensed Miracle on 34th Street. Ritter's single scene as a weary Yuletide shopper went over so well that 20th Century-Fox head Darryl F. Zanuck insisted that the actress' role be expanded. After Ritter garnered good notices for her unbilled Miracle role, Joseph L. Mankiewicz wrote a part specifically for her in his 1948 film A Letter to Three Wives (1949). She was afforded screen billing for the first time in 1949's City Across the River. During the first few years of her 20th Century-Fox contract, Ritter was Oscar-nominated for her performance as Bette Davis' acerbic maid in All About Eve, and for her portrayal of upwardly mobile John Lund's just-folks mother in The Mating Season (1951). In all, the actress would receive five nominations -- the other three were for With a Song in My Heart (1952), Pickup on South Street (1953) and Pillow Talk (1959) -- though she never won the gold statuette. Ritter finally received star billing in the comedy/drama The Model and the Marriage Broker (1952), in which she assuages her own loneliness by finding suitable mates for others. After a showcase part as James Stewart's nurse in Hitchcock's Rear Window (1954), Ritter made do with standard film supporting parts and starring roles on TV. In 1957, Ritter appeared as waterfront barfly Marthy in the Broadway musical New Girl in Town, a bowdlerization of Eugene O'Neill's Anna Christie. Ritter interrupted her still-thriving screen career in 1965 for another Broadway appearance in James Kirkwood's UTBU. Shortly after a 1968 guest appearance on TV's The Jerry Lewis Show, Ritter suffered a heart attack which would ultimately prove fatal; the actress' last screen appearance, like her first, was a cameo role in a George Seaton-directed comedy, What's So Bad About Feeling Good? (1968). Ritter's daughter, Monica Moran, also pursued an acting career from the 1940s through the 1970s.

Highest Rated Movies



No Score Yet What's So Bad About Feeling Good? Mrs. Schwartz 1968
83% The Incident Bertha Beckerman 1967
No Score Yet Boeing (707) Boeing (707) Bertha 1965
No Score Yet Move Over Darling Grace Arden 1963
0% A New Kind of Love Leena 1963
90% How the West Was Won Agatha Clegg 1963
84% Birdman of Alcatraz Elizabeth Stroud 1962
No Score Yet The Second Time Around Aggie 1961
100% The Misfits Isabelle 1961
92% Pillow Talk Alma 1959
71% A Hole in the Head Sophie Manetta 1959
No Score Yet Lucy Gallant Molly Basserman 1955
No Score Yet Daddy Long Legs Alicia Pritchard 1955
100% Rear Window Stella 1954
No Score Yet The Farmer Takes a Wife Lucy Cashdollar 1953
91% Pickup on South Street Moe 1953
90% Titanic Mrs. Maude Young 1953
60% With a Song in My Heart Clancy 1952
No Score Yet As Young as You Feel Della Hodges 1951
No Score Yet The Mating Season Ellen McNulty 1951
No Score Yet The Model and the Marriage Broker Mae Swazey 1951
No Score Yet Perfect Strangers Lena Fassler 1950
100% All About Eve Birdie Coonan 1950
No Score Yet City Across the River Mrs. Katie Cusack 1949
94% A Letter to Three Wives Sadie 1949
No Score Yet Father Was a Fullback Geraldine 1949
96% Miracle on 34th Street Peter's Mother 1947


No Score Yet Alfred Hitchcock Presents
Lottie Slocum
  • 1956