David Edelstein Movie Reviews & Previews - Rotten Tomatoes

David Edelstein

David Edelstein
Tomatometer-approved critic

Movie Reviews Only

Rating T-Meter Title | Year Review
93% Tully (2018) The Tully-Marlo relationship is born of solipsism and inner drama, and Cody turns out to be amazingly gifted at it.‐ New York Magazine/Vulture
Read More | Posted Apr 20, 2018
41% Marrowbone (2018) Marrowbone is proof that with a strong sense of place and characters an audience cares about, you can make a good horror movie without games, gimmicks, or even much narrative coherence.‐ New York Magazine/Vulture
Read More | Posted Apr 14, 2018
60% 10x10 (2018) A critic can't say much about this movie except it works up a good amount of lather and how much you like it will depend on how surprised you are by its zigs and zags.‐ New York Magazine/Vulture
Read More | Posted Apr 14, 2018
15% Blumhouse's Truth or Dare (2018) Everything here...feels slotted into an existing template.‐ New York Magazine/Vulture
Read More | Posted Apr 14, 2018
78% Beirut (2018) In the tightly plotted espionage thriller Beirut, Jon Hamm has finally gotten a movie script that lets him strut his stuff.‐ New York Magazine/Vulture
Read More | Posted Apr 10, 2018
78% Where Is Kyra? (2018) Michelle Pfeiffer is stunning as a desperate, near-destitute woman whose life is shrouded in darkness.‐ New York Magazine/Vulture
Read More | Posted Apr 6, 2018
82% Blockers (2018) Beneath the whacking, smutty, in-your-face teen sex farce, Blockers is a mature, thoughtful exploration of parental responsibility and the capacity of burgeoning adults to navigate life's difficult choices.‐ New York Magazine/Vulture
Read More | Posted Apr 5, 2018
74% Paterno (2018) Paterno's makers, director Barry Levinson and writers Debora Cahn and John C. Richards, have a risky idea that mostly pays off: They've constructed their film around a vacuum.‐ New York Magazine/Vulture
Read More | Posted Apr 4, 2018
77% Chappaquiddick (2018) Plays out simultaneously like a political thriller, a tale of injustice, and a rewriting of a beloved public figure - and had me immediately searching Wikipedia to devour more details.‐ New York Magazine/Vulture
Read More | Posted Apr 4, 2018
95% A Quiet Place (2018) Krasinski gets terrific performances from everyone: It's a convincing family. Which is nice, in a way, despite the ghastliness of the situation.‐ New York Magazine/Vulture
Read More | Posted Apr 3, 2018
48% The Last Movie Star (2018) The Last Movie Star strikes a note of banality in its first sequence from which it rarely deviates.‐ New York Magazine/Vulture
Read More | Posted Apr 2, 2018
95% Love After Love (2018) I found it a great masochistic experience.‐ New York Magazine/Vulture
Read More | Posted Mar 30, 2018
73% Ready Player One (2018) A lively and agreeable work of fanboy art - a first-rate film fashioned from secondhand materials.‐ New York Magazine/Vulture
Read More | Posted Mar 29, 2018
94% Loveless (Nelyubov) (2018) Loveless is about a state of mind, a lament, an indictment of crimes against the human spirit.‐ New York Magazine/Vulture
Read More | Posted Mar 26, 2018
91% Isle of Dogs (2018) Wes Anderson's animated feature Isle of Dogs might be the most lyrically disjunctive movie ever made: Nothing fits together and everything harmonizes, magically.‐ New York Magazine/Vulture
Read More | Posted Mar 22, 2018
72% Final Portrait (2018) Tucci settles in behind the camera with what I imagine to be a tiny smile, savoring the step-by-step process of creation from both his characters and his actors. They're fun to watch.‐ New York Magazine/Vulture
Read More | Posted Mar 21, 2018
79% Unsane (2018) In spite of the somewhat-cheesy climax, I came away admiring Unsane.‐ New York Magazine/Vulture
Read More | Posted Mar 20, 2018
49% Tomb Raider (2018) A tight, fast, well-made B picture that delivered exactly what it promised. I liked it much.‐ New York Magazine/Vulture
Read More | Posted Mar 15, 2018
39% A Wrinkle in Time (2018) Let me put a more positive spin on a negative review. The book is still out there for everyone to read: Please do so.‐ New York Magazine/Vulture
Read More | Posted Mar 7, 2018
96% The Death of Stalin (2018) It takes some time to adjust to the mix of silly, peevish bureaucrats and the serious atrocities they inflict. But that's the beauty of the thing.‐ New York Magazine/Vulture
Read More | Posted Mar 7, 2018
45% 90th Academy Awards (2018) This was the best, most inspiring, and most sheerly likable Academy Awards telecast I've ever seen and I've seen 'em all.‐ New York Magazine/Vulture
Read More | Posted Mar 5, 2018
15% Mute (2018) Mute is pretty meh but gets points for randomness.‐ New York Magazine/Vulture
Read More | Posted Mar 2, 2018
47% Red Sparrow (2018) Figuring out whether someone is a double, triple, or quadruple agent isn't a brain-teaser, it's a brain-irritant, especially when the script is so convoluted.‐ New York Magazine/Vulture
Read More | Posted Mar 1, 2018
96% Foxtrot (2018) No scene unfolds in a straight line, and Ashkenazi carries so much inner tension that even in repose he seems in furious motion - cognitively foxtrotting, if you will.‐ New York Magazine/Vulture
Read More | Posted Feb 27, 2018
81% The Party (2018) It's easier to respect a filmmaker's sense of hopelessness when it's mixed with this much affection.‐ New York Magazine/Vulture
Read More | Posted Feb 16, 2018
No Score Yet What They Had (2018) There's raw power in Chomko's writing, but so much scrupulousness and craft that you feel safe when the time comes to weep.‐ New York Magazine/Vulture
Read More | Posted Feb 14, 2018
96% Black Panther (2018) Coogler has proven he can play in the big boys' house.‐ New York Magazine/Vulture
Read More | Posted Feb 6, 2018
59% Juliet, Naked (2018) [Rose] Byrne is the heart of Juliet, Naked, and she's so winning I was willing to forgive even the odd spasm of Meg Ryan-ish mugging. ‐ New York Magazine/Vulture
Read More | Posted Jan 29, 2018
58% Please Stand By (2018) You can guess how most of its scenes will play before you even come to them, and it has a circumspect, sanitized quality, as if meant to be shown in group homes without causing undue upset.‐ New York Magazine/Vulture
Read More | Posted Jan 26, 2018
81% I Think We're Alone Now (2018) After its intriguing start, the movie gets dumb and dumberer.‐ New York Magazine/Vulture
Read More | Posted Jan 25, 2018
61% A Futile and Stupid Gesture (2017) An impishly meta cartoon that manages to squeeze in some serious themes - although I'm not sure it leaves you with more than a desire to read (or reread) Kenney's most famous Lampoon works.‐ New York Magazine/Vulture
Read More | Posted Jan 25, 2018
100% Wildlife (2018) This is a superb film.‐ New York Magazine/Vulture
Read More | Posted Jan 25, 2018
79% Damsel (2018) I was alternately delighted and irritated, though mostly a very happy camper.‐ New York Magazine/Vulture
Read More | Posted Jan 24, 2018
42% Ophelia (2018) This is the ultimate female take-back-the-narrative movie, and frankly a lot of it is silly and sophomoric. But it's also juicy and fun ...‐ New York Magazine/Vulture
Read More | Posted Jan 23, 2018
70% Lizzie (2018) The problem is the enervated pacing and ludicrous depiction - after much fancy skipping back and forth in time - of the murders themselves.‐ New York Magazine/Vulture
Read More | Posted Jan 22, 2018
74% Don't Worry, He Won't Get Far on Foot (2018) Phoenix tends to get lost in his parts, which can lead him (along with his films) astray. But when his high-wire emotional arc suits the movie, there are few who can touch him.‐ New York Magazine/Vulture
Read More | Posted Jan 21, 2018
54% 12 Strong (2018) The Horse Soldiers' story is unconventional, and the film-produced by uber-slickster Jerry Bruckheimer-has been shaped along conventional war-movie lines.‐ New York Magazine/Vulture
Read More | Posted Jan 20, 2018
94% Private Life (2018) Jenkins' writing underlines the fundamental instability at the heart of all our lives, while proposing that most universal of remedies: empathy, love.‐ New York Magazine/Vulture
Read More | Posted Jan 20, 2018
84% The Final Year (2018) At least one viewer wept all the way through the credits.‐ New York Magazine/Vulture
Read More | Posted Jan 19, 2018
89% The Insult (L'insulte) (2018) The Insult fairly hurtles along, throwing not just Muslims against Christians, but also husbands against wives and fathers against daughters. Part of the film is a crackerjack courtroom drama. What's dull is the trajectory.‐ New York Magazine/Vulture
Read More | Posted Jan 16, 2018
28% Proud Mary (2018) You'd think a movie called Proud Mary would be sonically sensational, but the busy score is so ineffectual that it might as well be coming from the next multiplex screen over.‐ New York Magazine/Vulture
Read More | Posted Jan 12, 2018
58% The Strange Ones (2018) The Strange Ones is a perfect demonstration of how the craft of storytelling is also the craft of withholding - of revealing as little as possible in carefully parceled-out amounts.‐ New York Magazine/Vulture
Read More | Posted Jan 8, 2018
74% In the Fade (Aus dem Nichts) (2017) Diane Kruger is in nearly every shot, and her wide, open face with its hollow eyes says more in silence than other actors do in lengthy perorations.‐ New York Magazine/Vulture
Read More | Posted Dec 22, 2017
76% Jumanji: Welcome to the Jungle (2017) The movie has amusingly broad performances; good, bloodless scares ... and self-empowering life lessons too bland to be specious. You could do far worse.‐ New York Magazine/Vulture
Read More | Posted Dec 21, 2017
78% All the Money in the World (2017) Through the tension in her body and intensity of her voice, Williams conveys not just the terror of losing a son but the tragic absurdity of bearing the illustrious name Getty when family ties confer zero power.‐ New York Magazine/Vulture
Read More | Posted Dec 21, 2017
91% Star Wars: The Last Jedi (2017) [Rian Johnson] achieves what no one else has since The Empire Strikes Back: a fusion of junkyard genre parts and passion.‐ New York Magazine/Vulture
Read More | Posted Dec 12, 2017
91% Phantom Thread (2018) We're not so much watching Woodcock the rarefied designer as Day-Lewis the rarefied actor, his immersion so uncanny that he can illuminate a soul at once titanic and stunted.‐ New York Magazine/Vulture
Read More | Posted Dec 7, 2017
87% The Post (2018) It's a joy to see Streep and Hanks play together, big movie stars locked into each other's fields of gravity.‐ New York Magazine/Vulture
Read More | Posted Dec 6, 2017
90% I, Tonya (2018) It's a black comedy, and parts of it are too broad, like a second-rate Coen brothers movie. Many of the meta-jokes feel cheap. The story is good enough not to need them.‐ New York Magazine/Vulture
Read More | Posted Dec 4, 2017
91% The Disaster Artist (2017) Whatever my queasiness about laughing at a head case, I couldn't help myself from thrilling to Franco's timing, his relish, his swan dive into an egotism that has no bottom.‐ New York Magazine/Vulture
Read More | Posted Nov 28, 2017