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Hannah Lodge

Tomatometer-approved critic
Biography:

Hannah Lodge is a freelance movie reviewer based in Atlanta, GA. A member of the Atlanta Film Critics Circle and a regular contributor for The Beat and ScreenRex, she specializes in reviewing comic book adaptations, horror, and science fiction films.

Critics' Group:

Reviews

Movies TV Shows
Hamnet (2025) 86% EDIT “Hamnet is handsomely filmed, scored, and directed. All of this I anticipated: What I did not expect is the unflinchingly secular view of life and death Hamnet provides, and how it manages to filter that view through an uplifting lens.” – Screen Rex Nov 22, 2025 Full Review Obsession (2025) 97% EDIT “It would be a huge disservice to Obsession to say that it’s the second-best comedy-horror film this year about breaking a stick to make violent things happen. ” – The Beat Sep 18, 2025 Full Review Rose of Nevada (2025) 100% EDIT “Rose of Nevada’s technical craft is the perfect enhancement for a haunting ghost story, one that conveys the emptiness of being left behind while you’re still living.” – Screen Rex Sep 9, 2025 Full Review Wolf Man (2025) 48% EDIT “While Wolf Man finds new ways to play with a man’s physical transformation, its unsubtle and uninteresting themes hold it back from matching Whannell’s previous monster reboot.” – Screen Rex Sep 9, 2025 Full Review Bring Her Back (2025) 89% EDIT “Bring Her Back unfortunately joins the growing roster of A24 grief-horror films that feel more derivative than innovative.” – Screen Rex Sep 9, 2025 Full Review The Naked Gun (2025) 87% EDIT “THE NAKED GUN is proof that parody isn’t dead” – Screen Rex Sep 9, 2025 Full Review Gladiator II (2024) 70% EDIT “GLADIATOR II only works when it’s weird.” – Screen Rex Nov 11, 2024 Full Review The Seed of the Sacred Fig (2024) 97% EDIT “What's most interesting about The Seed of the Sacred Fig is the way it manages to be so specific and so universal at once.” – Screen Rex Sep 26, 2024 Full Review The Last Showgirl (2024) 83% EDIT “File this one under “wanted to like.”” – Screen Rex Sep 26, 2024 Full Review Heretic (2024) 90% EDIT “Hugh Grant makes a more menacing and interesting villain than the much-hyped performance of Nic Cage in Longlegs.” – Screen Rex Sep 26, 2024 Full Review Presence (2024) 88% EDIT “You’ve seen pieces of Presence everywhere, some of them quite ordinary and even undercooked, but you’ve never seen them combined in exactly this way before.” – Screen Rex Sep 26, 2024 Full Review The Brutalist (2024) 93% EDIT “It's hard not to be taken with The Brutalist. It’s a film that jostles comparisons to cinematic yardsticks like Citizen Kane, There Will Be Blood, The Godfather, and Oppenheimer.” – Screen Rex Sep 15, 2024 Full Review Anora (2024) 93% EDIT “Anora is as deeply funny as it is stressful, as loud as it is heartfelt, and as chaotic as it is meticulous. This is Baker’s best film to date, with incredible performances all around, but especially from Mikey Madison’s portrayal of Annie.” – Screen Rex Sep 15, 2024 Full Review Conclave (2024) 93% EDIT “The experience, adapted from the 2016 thriller novel of the same name, appropriately lies somewhere between watching 12 Angry Men and a reading a John le Carré novel, equally suspensful as it is intellectual in its pursuits. ” – Screen Rex Sep 15, 2024 Full Review Cloud (2024) 93% EDIT “Kurosawa’s unique ability to casually shuffle between genres – drama, horror, thriller, absurdist comedy? – keeps Cloud feeling vibrant and suspenseful as it scales up. But one constant throughout the film: the script’s sharp wit.” – Screen Rex Sep 15, 2024 Full Review Friendship (2024) 88% EDIT “Friendship feels less the best update to the studio comedy since Bridesmaids, which was made over a decade ago. It’s an overdue infusion of new comedy into a classic concept.” – Screen Rex Sep 15, 2024 Full Review Furiosa: A Mad Max Saga (2024) 90% EDIT “While Furiosa’s stronger moments go toe-to-toe with its predecessor, its symbiotic relationship with Fury Road occasionally stunts the script.” – Screen Rex May 23, 2024 Full Review Godzilla x Kong: The New Empire (2024) 54% EDIT “The label may say Godzilla x Kong but make no mistake: this is a movie about King Kong. And to the degree that you can get on board with the fact that you’re watching a cartoon for long stretches of its runtime, the Kong stuff works.” – Screen Rex Apr 15, 2024 Full Review Challengers (2024) 88% EDIT “Guadagnino’s care with details helps keep the film tight and precise even when everything happening to the characters on screen is a mess.” – Screen Rex Apr 15, 2024 Full Review Drive-Away Dolls (2024) 64% EDIT “On paper, it’s a great idea. But on screen, Drive-Away Dolls doesn't push the comedic or storytelling envelope nearly far enough to be worth recommending. There's nothing here you haven't seen done before, but better.” – Screen Rex Feb 23, 2024 Full Review My Mother's Wedding (2023) 41% EDIT “Everything about North Star, which feels like the film version of vanity publishing, is clumsy.” – Screen Rex Sep 14, 2023 Full Review Hell of a Summer (2023) 49% EDIT “More of a campy comedy than scary movie, Hell of a Summer is pretty rough around the edges, but the craft surprised me.” – Screen Rex Sep 14, 2023 Full Review Woman of the Hour (2023) 91% EDIT “Woman of the Hour lives for the moments between the lines.” – Screen Rex Sep 14, 2023 Full Review Poolman (2023) 24% EDIT “ Poolman may not be for everyone, but it knows exactly what it’s doing.” – Screen Rex Sep 14, 2023 Full Review Halloween Ends (2022) 40% EDIT “The entire experience feels like a vision board or collage of ideas instead of a proper film.” – The Beat Oct 13, 2022 Full Review
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