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Ignatiy Vishnevetsky

Ignatiy Vishnevetsky's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).

Reviews

Movies TV Shows
Play Dirty (2025) 42% C+ EDIT “It’s overlong and friction-less, with chase and action scenes that quickly devolve into pile-ups of Rivian product-placements and gummy-looking VFX elements.” – AV Club Oct 2, 2025 Full Review Spinal Tap II: The End Continues (2025) 65% C EDIT “The core issue, however, is that it just isn’t very funny. ” – AV Club Sep 15, 2025 Full Review The Home (2025) 29% C EDIT “While The Home doesn’t distinguish itself in terms of style or subtext (one can argue that it doesn’t have any of the latter), it at least throws out just enough gross-out imagery to keep a viewer awake.” – AV Club Jul 25, 2025 Full Review Daniela Forever (2024) 65% C EDIT “As this somewhat overlong film continues on, it becomes increasingly shapeless, finally succumbing to the sort of soupy sentimentality it’s trying to critique. ” – AV Club Jul 10, 2025 Full Review The Phoenician Scheme (2025) 77% C+ EDIT “In The Phoenician Scheme, [Anderson] manages to get a good laugh even if the gags themselves are second-rate. ” – AV Club May 20, 2025 Full Review Mission: Impossible - The Final Reckoning (2025) 80% EDIT “Somewhere into the nearly three-hour runtime, the movie passes that crucial point where a critic stops taking notes and decides to simply enjoy themselves. The end is nigh, and it’s mostly a good time.” – AV Club May 14, 2025 Full Review Caught by the Tides (2024) 99% B+ EDIT “It’s a credit to Jia’s considerable filmmaking gifts and vision that the emotional coherence of the film—in the end, its poignancy—is entirely internal, made up of the unlikely connections it forms within itself. ” – AV Club May 7, 2025 Full Review The Legend of Ochi (2025) 75% B- EDIT “There’s something to be said for a movie that aspires to a sense of wonder in an age of stultifying digital possibility—even if the only emotion it ends up inspiring is an appreciation for the fakery involved. ” – AV Club Apr 25, 2025 Full Review Gunslingers (2025) 5% D+ EDIT “A bargain-brand Western that boasts a few middle-aged stars and a collection of clichés that largely predate the talkie.” – AV Club Apr 10, 2025 Full Review Misericordia (2024) 94% B EDIT “While it lacks the surrealistic and fairy-tale elements that distinguish many of Guiraudie’s films, Misericordia is nonetheless pervaded by a casual dreaminess and a disregard for the strictures of realism that leads in some silly directions.” – AV Club Mar 20, 2025 Full Review In the Lost Lands (2025) 24% C EDIT “In The Lost Lands, however, feels superficial even by Anderson’s standards, leaning a little too heavily into his predilection for pastiche.” – AV Club Mar 10, 2025 Full Review Parthenope (2024) 47% C+ EDIT “Parthenope can’t overcome the very prosaic problem of a main character who isn’t really much of a character at all.” – AV Club Feb 7, 2025 Full Review Inheritance (2025) 55% B- EDIT “Burger keeps things moving with a vérité point-of-view that sometimes makes it feel like the camera is the one doing the spying. ” – AV Club Jan 22, 2025 Full Review Santosh (2024) 100% B- EDIT “In its most compelling stretches, Santosh operates as a kind of subverted procedural in which every aspect of the investigation is, at best, an informality of dubious legal standing. ” – AV Club Jan 6, 2025 Full Review The Fire Inside (2024) 93% B- EDIT “In an era where the mid-budget movie has mostly disappeared, The Fire Inside’s modest, thoughtful reworking of the sports drama formula can feel refreshing.” – AV Club Dec 24, 2024 Full Review Gladiator II (2024) 70% C EDIT ““Are you not entertained!?” The answer is no, not really, and no amount of digital gladiatorial carnage or bug-eyed overacting can mask the prevailing air of exhausted, decadent imperial decline.” – AV Club Nov 12, 2024 Full Review Juror #2 (2024) 93% B+ EDIT “Juror #2 is unassumingly involving, moving confidently and cleanly through what is basically a psychological story by focusing squarely on the characters. ” – AV Club Nov 1, 2024 Full Review Here (2024) 36% C EDIT “Here is ultimately too simplistic to work as either a domestic drama or a deconstruction of the same—an experiment in storytelling that turns out to be an object lesson in undercooked ambition. ” – AV Club Oct 31, 2024 Full Review Brothers (2024) 42% C- EDIT “Unfortunately, these antics aren’t enough to liven up a script that’s mostly formula.” – AV Club Oct 21, 2024 Full Review Rumours (2024) 76% B EDIT “Even in the occasional stretches when the film drags or repeats itself, the central point of its satire of liberal-democratic world politics remains clear. ” – AV Club Oct 16, 2024 Full Review The 4:30 Movie (2024) 70% C- EDIT “Everything is cast in a glow of hazy, diffusion-filter-smeared nostalgia, though it never feels authentic to a particular time or place, or even develops a consistent vibe.” – AV Club Sep 16, 2024 Full Review Between the Temples (2024) 84% B+ EDIT “The humor—sometimes acerbic, sometimes wacky—is integral to its worldview and exaggerated, stubborn characters. ” – AV Club Aug 23, 2024 Full Review The Instigators (2024) 41% C+ EDIT “The Instigators can’t seem to decide whether it wants to be a somewhat offbeat, convoluted crooks-on-the-run movie or an over-budgeted cookie-cutter action film.” – AV Club Aug 2, 2024 Full Review Made in England: The Films of Powell and Pressburger (2024) 99% B- EDIT “A feature-length introduction to the Powell and Pressburger oeuvre executive-produced and narrated by Martin Scorsese.” – AV Club Jul 12, 2024 Full Review Kill (2023) 90% B- EDIT “Aficionados of fast, violent action will have a good time, but shouldn’t expect much more.” – AV Club Jul 3, 2024 Full Review
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