Calum Reed
Calum Reed's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Nine Days (2020)
90%
EDIT
“The repetitive nature of the story may become a little mundane for some, but ... Szumowska's idiosyncratic style still makes for an overall worthwhile experience.” –
In Review Online
Jul 26, 2021
Full Review
The Man With the Answers (2021)
88%
EDIT
“[Kammitsis] ably [demonstrates] that a film about romance can remain undefined by sexual orientation, but at the expense of threatening to alienate some of his audience.” –
In Review Online
Jul 23, 2021
Full Review
Scales (2019)
91%
EDIT
“While boasting impressive visual design, Scales fails to sufficiently develop its fabulist conceit, missing opportunities to discuss the wider implications of this upheaval of tradition.” –
In Review Online
Jul 6, 2021
Full Review
Spring Blossom (2020)
93%
EDIT
“It's a shame that Spring Blossom does feel under-realized on the whole, but should leave [viewers] curious to discover where this fledgling filmmaker's career is heading.” –
In Review Online
Jun 6, 2021
Full Review
The Perfect Candidate (2019)
93%
EDIT
“Even if Al-Mansour plays to an audience she knows is already on her side, The Perfect Candidate is still telling a story that ought to be told.” –
In Review Online
Jun 6, 2021
Full Review
Supernova (2020)
89%
EDIT
“Supernova ...[speaks] to the universality of both love and death with profound candor, and [balances] out the innate sentimentality that comes with films of this ilk.” –
In Review Online
Jun 5, 2021
Full Review
Herself (2020)
94%
EDIT
“For all its good intentions, Herself proves frustratingly one-note, failing to transform its blunt messaging into the portrait of hardscrabble realism it hopes to be.” –
In Review Online
Jun 5, 2021
Full Review
Divine Love (2019)
85%
EDIT
“Dramatically dissatisfying and frustratingly open-ended.” –
In Review Online
Jun 5, 2021
Full Review
Ammonite (2020)
70%
EDIT
“With its dubious casting choices and strange dearth of passion, [Ammonite] struggles to summon the visceral potency of God's Own Country.” –
In Review Online
Jun 5, 2021
Full Review
Limbo (2020)
93%
EDIT
“Limbo crafts its own individual take on sociological constructs through cutting satire, speaking to concerns about anti-immigrant sentiment.” –
In Review Online
Jun 5, 2021
Full Review
Wildfire (2020)
95%
EDIT
“[Wildfire] should be commended for providing such a realistic window into an underrepresented section of society, but its authenticity as a family saga is questionable.” –
In Review Online
Jun 5, 2021
Full Review
After Love (2020)
92%
EDIT
“The ensuing development is far from economic, and the film becomes a familiar, frustratingly drawn-out tale of tight-lipped tension.” –
In Review Online
Jun 5, 2021
Full Review
Mogul Mowgli (2020)
93%
EDIT
“That Mogul Mowgli feels so raw and realized despite the occasionally scattered presentation of its ideas is mostly a testament to its ascendant star.” –
In Review Online
Jun 5, 2021
Full Review
They Say Nothing Stays the Same (2019)
100%
EDIT
“Odagiri's somber observations about transitional issues within traditionalist communities make this slow disquisition of a dying occupation a rewarding experience.” –
In Review Online
Jun 5, 2021
Full Review
Miss Juneteenth (2020)
99%
EDIT
“[This] authentic drama about an African American mother concerned for her daughter's future is rather emblematic of the community's constant struggle to establish a seat at the table.” –
In Review Online
Jun 5, 2021
Full Review
Deerskin (2019)
88%
EDIT
“Deerskin is still wicked fun and earns some goodwill for its sheer originality, but its successes remain decidedly minor and ultimately won't live in the memory for long.” –
In Review Online
Jun 5, 2021
Full Review
And Then We Danced (2019)
94%
EDIT
“And Then We Danced has a certain unique flavor to it, despite its wholly predictable story beats, which stay close to the tried-and-tested depiction of guilt-edged attraction.” –
In Review Online
Jun 5, 2021
Full Review
A White, White Day (2019)
94%
EDIT
“Resultantly, A White, White Day possesses some merit as a measured, convincing adult drama, but its continual opaqueness is often maddening.” –
In Review Online
Jun 5, 2021
Full Review
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