Erica Peplin
Erica Peplin's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Alice Doesn't Live Here Anymore (1974)
92%
EDIT
“Alice Doesn’t Live Here Anymore stands as a remarkable chapter in the Scorsese canon.” –
Vague Visages
Dec 5, 2023
Full Review
Triple 9 (2016)
54%
EDIT
“Triple 9 probably won’t go down as one of the great heist films on par with Die Hard or The Italian Job, but it might.” –
Vague Visages
Dec 5, 2023
Full Review
Badlands (1973)
97%
EDIT
“Some movies are so good that when they’re over, you almost expect the whole film industry to shut down. ” –
Vague Visages
Dec 5, 2023
Full Review
Buffalo 66 (1998)
76%
EDIT
“Though bleak and at times brutal, Buffalo ’66 manages to evoke a world of sensitivity that’s, dare I say, rather feminine.” –
Vague Visages
Dec 5, 2023
Full Review
Evolution (2015)
83%
EDIT
“Like the boy at the bottom of the ocean, the enigma of Evolution will only deepen upon reflection.” –
Vague Visages
Dec 5, 2023
Full Review
Silence (2016)
83%
EDIT
“For all its violence and grandiosity, it stands as an impressively filmed indictment against religious persecution.” –
Vague Visages
Dec 5, 2023
Full Review
Strike a Pose (2016)
96%
EDIT
“Like Alice Neel’s portraits, Strike a Pose gives its subject the attention they deserve. The men return the favor by sharing their stories with honesty, forthrightness and fantastic attitudes.” –
Vague Visages
Dec 5, 2023
Full Review
The Baker of Monceau (1963)
EDIT
“They’re the women who get the movies named after them. They’re the characters you remember...” –
Vague Visages
Dec 5, 2023
Full Review
Suzanne's Career (1962)
EDIT
“Rohmer’s early films are important contributions to the French New Wave not only because they were shot on location using portable equipment, natural light and non-actors, but because they do something that no filmmaker had done before.” –
Vague Visages
Dec 5, 2023
Full Review
Catfight (2016)
74%
EDIT
“What Catfight lacks in sanity, it makes up for in the sheer exuberance of Sandra Oh and Anne Heche.” –
Vague Visages
Dec 5, 2023
Full Review
La Pointe Courte (1956)
EDIT
“The married couple’s conversation in La Pointe Courte is a spellbinding predecessor to Richard Linklater’s Before Trilogy’ and further proof that no great film needs ‘action’ to be great.” –
Vague Visages
Dec 5, 2023
Full Review
Flames (2017)
67%
EDIT
“A good piece of performance art invites identification and raises significant questions like ‘Who do we think we are?’ and ‘Why do we do that?’ An insincere piece can, like Flames, frustrate or even discomfort.” –
Vague Visages
Dec 5, 2023
Full Review
The Sensitives (2017)
100%
EDIT
“The Sensitives is a gentle and affecting window into the isolated prison cell that becomes a sensitive person’s life.” –
Vague Visages
Dec 5, 2023
Full Review
Hondros (2017)
100%
EDIT
“The most successful scenes are when Campbell switches the focus away from Christopher’s life and onto the backstory of specific photographs.” –
Vague Visages
Dec 5, 2023
Full Review
Sweet Virginia (2017)
79%
EDIT
“Grounded by strong performances from Abbott, Bernthal and Imogen Poots, the film is a deftly made drama with intellect, suspense and more heart than you might expect.” –
Vague Visages
Dec 5, 2023
Full Review
Rock'n Roll (2017)
67%
EDIT
“Canet’s performance seems to come from a place of real insecurity, and the resulting film plays out like an externalized catharsis.” –
Vague Visages
Dec 5, 2023
Full Review
Elián (2017)
100%
EDIT
“It’s a miracle that Golden and McDonnell were able to create such a coherent document out of what appears to be bureaucratic chaos.” –
Vague Visages
Dec 5, 2023
Full Review
Sambá (2017)
EDIT
“Sambá’ succeeds most when it draws inspiration from its setting and hooks the audiences with hard questions about crime and responsibility.” –
Vague Visages
Dec 5, 2023
Full Review
The Lovers (2017)
81%
EDIT
“What I can say for certain is that when I left the theater after The Lovers, the world was bleaker, sadder and less compassionate than the world I had seen before. ” –
Vague Visages
Dec 5, 2023
Full Review
Indivisible (2016)
91%
EDIT
“Indivisible is a fantastically imaginative coming-of-age tale, an opera of sweeping creativity and a universal human love story. It’s unlike anything you’ll see this year.” –
Vague Visages
Dec 5, 2023
Full Review
The Confessions (2016)
55%
EDIT
“Sleek visuals and cryptic dialogue aren’t enough to save a film that’s essentially a truncated season of House of Cards.” –
Vague Visages
Dec 5, 2023
Full Review
In Transit (2018)
EDIT
“In Transit attests to the possibility of human connection and serves as a reminder to the insights Albert Maysles has given us over the last 50 years.” –
Vague Visages
Dec 5, 2023
Full Review
Beach Rats (2017)
84%
EDIT
“In addition to bearing resemblance to the impressionistic and deeply empathetic style of Celine Sciamma, Hittman’s work could also be compared to Barry Jenkins’ work in Moonlight...” –
Vague Visages
Dec 5, 2023
Full Review
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