Hau Chu
Hau Chu's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Vortex (2021)
92%
3.5/4
EDIT
“A quiet, compassionate and ultimately devastating film about the twilight days of an elderly couple.” –
Washington Post
May 5, 2022
Full Review
Paris, 13th District (2021)
83%
2.5/4
EDIT
“The performers are appealing enough to make you want to keep watching — even if the characters can be a smidgen infuriating.” –
Washington Post
Apr 12, 2022
Full Review
Aline (2021)
56%
2/4
EDIT
“Kudos to Lemercier for trying something … different. Whether that something works depends on your ability to refrain from doubling over with laughter in the first hour or so of the movie.” –
Washington Post
Apr 6, 2022
Full Review
Lingui, The Sacred Bonds (2021)
96%
3/4
EDIT
“Writer-director Mahamat-Saleh Haroun paints a world that can feel as vast as it is isolating...” –
Washington Post
Feb 15, 2022
Full Review
Jackass Forever (2022)
86%
3.5/4
EDIT
“The stunts are masterfully dumb (and funny as ever).” –
Washington Post
Feb 3, 2022
Full Review
Spencer (2021)
83%
3/4
EDIT
“For better and for worse, "Spencer" conveys one thing quite powerfully: the feeling of living in a rarefied, indifferent world that doesn't seem to value independent women, much less people.” –
Washington Post
Nov 2, 2021
Full Review
The Addams Family 2 (2021)
28%
1.5/4
EDIT
“They're weirdos. Why, then, is "The Addams Family 2" so . . . meh?” –
Washington Post
Oct 5, 2021
Full Review
Free Guy (2021)
80%
2/4
EDIT
“To engage the movie on its own terms, "Free Guy" never quite reaches its final level.” –
Washington Post
Aug 10, 2021
Full Review
Saint Frances (2019)
99%
3/4
EDIT
“By the end, the authenticity of their bond feels so well-earned that you might not mind watching another movie about them growing up with each other.” –
Washington Post
Mar 9, 2020
Full Review
Beanpole (2019)
93%
3/4
EDIT
“If you can grit through it, the film offers a rewarding - if also unnerving - look at survival in the face of tragedy.” –
Washington Post
Feb 21, 2020
Full Review
Color Out of Space (2019)
86%
2.5/4
EDIT
“As untidy and un-profound as "Color" may be, Stanley swings for the fences, when almost any other director-in-exile would have tried to get back in Hollywood's good graces with an act of penance. Score one for the eccentrics of the world.” –
Washington Post
Jan 22, 2020
Full Review
Synonymes (2018)
87%
3.5/4
EDIT
“What makes "Synonyms" so compelling is how it explores the theme of identity through a lens of searing self-reflection.” –
Washington Post
Nov 19, 2019
Full Review
The Good Liar (2019)
64%
2.5/4
EDIT
“The story, which is ultimately about how we wish to portray ourselves, lands well enough, for the most part.” –
Washington Post
Nov 13, 2019
Full Review
Parasite (2019)
99%
4/4
EDIT
“Much like the Kims, a viewer can get lulled into luxuriating in the superficial details of the film. But it's what's lurking below the surface that will stay with you long after the movie is over.” –
Washington Post
Oct 15, 2019
Full Review
Killerman (2019)
32%
1.5/5
EDIT
“Killerman takes its influences and synthesizes them into an increasing rare thing: a movie that doesn't aspire to any greater heights than where it lands: squarely in the middle of the August dumping ground.” –
Washington Post
Aug 28, 2019
Full Review
Angel Has Fallen (2019)
38%
1.5/4
EDIT
“Most action flicks would settle for thrilling violence and mayhem, in service of a utilitarian plot. "Angel" flips this formula on its head, delivering a surprisingly coherent story but with no discernible sense of fun.” –
Washington Post
Aug 21, 2019
Full Review
Godzilla: King of the Monsters (2019)
42%
2/4
EDIT
“Unfortunately, "Monsters" tries a little too hard to correct course from what some saw as its predecessor's flaws.” –
Washington Post
May 30, 2019
Full Review
Climax (2018)
69%
3/4
EDIT
“Noé has made what might be his most accessible and, yes, tender film to date, teasing the idea of heavenly bliss - before heading straight to hell.” –
Washington Post
Mar 5, 2019
Full Review
Alita: Battle Angel (2019)
61%
1.5/4
EDIT
“[I]t's hard to follow where this movie goes, in no small part because the film itself has trouble finding a path.” –
Washington Post
Feb 12, 2019
Full Review
No Reviews Yet
Load More
Something went wrong.. try again