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      Juan Barquin

      Juan Barquin

      Tomatometer-approved critic
      Biography:

      Juan Barquin is a queer writer whose work has appeared in Miami New Times, Miami Herald, and Hyperallergic, among other publications. They are the co-creator of the queer film series Flaming Classics, co-editor of Dim the House Lights, and co-host of the For A Good Time podcast.

      Publications:

      Movies reviews only

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      Rating T-Meter Title | Year Review
      The Stroll (2023) Drucker & Lovell haven’t just succinctly told a dense history of one street in New York, its inhabitants, and the way they impacted so much of what exists beyond them, but crafted a truly essential piece of trans cinema - INTO
      Read More | Posted Jan 26, 2023
      2/5
      Peter von Kant (2022) Moments that shine through, but feels too much like an intellectual experiment. - Little White Lies
      Read More | Posted Dec 28, 2022
      The Whale (2022) It is a work that positions itself as about meaning and connection, of finding the beauty in the minutiae of life (like an essay written by a child that offers comfort), but it has no interest in the humans it features. - Reverse Shot
      Read More | Posted Dec 08, 2022
      INU-OH (2021) Masaaki Yuasa’s latest anime feature embodies a revolutionary spirit in its tale of outcasts breaking ground in medieval Japan. - Hyperallergic
      Read More | Posted Nov 14, 2022
      Wheel of Fortune and Fantasy (2021) Wheel of Fortune and Fantasy splits itself into three short stories, each one a tight exploration of a unique relationship. - them.
      Read More | Posted Nov 02, 2022
      Summer of 85 (2020) French director François Ozon has been delivering nothing but gems for decades now... - them.
      Read More | Posted Nov 02, 2022
      North by Current (2021) Maybe the most unique and personal queer film of the year is Angelo Madsen Minax’s North by Current, which lands somewhere between being an experimental essay and a documentary about a family navigating grief. - them.
      Read More | Posted Nov 02, 2022
      Titane (2021) A beautiful piece of queer cinema... - them.
      Read More | Posted Nov 02, 2022
      Benedetta (2021) The trio of actresses at the film's core (Virginie Efira, Charlotte Rampling, and Daphne Patakia) all deliver riveting performances, attuned to the sacrifice that comes with being a woman in the Catholic church. - them.
      Read More | Posted Nov 02, 2022
      Days (2021) Tsai Ming-Liang’s latest feature is a quiet treasure. By completely eschewing subtitles for any of the conversations between its characters, Days requires the viewer to pay attention to the nuances of body language. - them.
      Read More | Posted Nov 02, 2022
      No Ordinary Man (2020) Where other documentaries glance across the surface of what representation means for trans audiences and how its history has impacted the present, No Ordinary Man takes a narrower and more in-depth approach. - them.
      Read More | Posted Nov 02, 2022
      The Power of the Dog (2021) What’s so invigorating about this dynamic is that it avoids the easy theory that the homophobe is just gay himself. Instead, The Power of the Dog casually observes that anyone can be both a monster and a victim. - them.
      Read More | Posted Nov 02, 2022
      Decision to Leave (2022) [Seo-rae and Hae-jun's] collision, their romance, and the tragedy that surrounds them no matter how much they try to escape it, makes for the kind of enrapturing storytelling worth obsessing over. - Reverse Shot
      Read More | Posted Oct 28, 2022
      Nightbreed (1990) There’s something beautiful to be found in the way Nightbreed plays out, however messy it might look from a distance. - them.
      Read More | Posted Oct 27, 2022
      Cat People (1942) It’s a film that prioritizes what exists in the shadows, both visually and metaphorically, with queerness that is never explicitly stated but flat-out obvious to any viewer who understands what it’s like to resist (and then give into) your true desires. - them.
      Read More | Posted Oct 26, 2022
      Bros (2022) Bros is a film that is content to be up its own ass and a leading man (and co-creator) who will continue to spend every waking hour reminding us how important he and his film are. - INTO
      Read More | Posted Oct 06, 2022
      Weird: The Al Yankovic Story (2022) Yankovic’s attention to detail and embrace of the absurd is precisely what makes the film so intoxicatingly charming. - Polygon
      Read More | Posted Sep 12, 2022
      Three Thousand Years of Longing (2022) Miller’s film may dodge some of the thornier subjects it evokes, but his storytelling abilities make it easy for us to give ourselves over to his escapist fantasy. - Reverse Shot
      Read More | Posted Sep 01, 2022
      B+
      We Met in Virtual Reality (2022) Huntings gaze is one of respectful voyeur; each intimate confession about virtual reality allowing people to be their true selves and find connection comes across as heartwarming rather than exploitative. - The Film Stage
      Read More | Posted Feb 08, 2022
      Framing Agnes (2022) While the texts themselves are essential and deserve to be heard, Framing Agnes instead allows the actors playing the dead to speak over them. - INTO
      Read More | Posted Jan 28, 2022
      Dual (2022) [Karen] Gillan, as both her character and her clone, is at her best in Dual. - The Spool
      Read More | Posted Jan 26, 2022
      Belle (2021) As much gorgeous animation is thrown at the viewer, the true draw of Belle is how it explores the possibilities for human intimacy on the Internet, despite its ungraspable scale. - Reverse Shot
      Read More | Posted Jan 21, 2022
      The Matrix Resurrections (2021) With The Matrix Resurrections, writer/director Lana Wachowski critically examines how our understanding of gender and identity has changed since the original trilogy. - Hyperallergic
      Read More | Posted Jan 04, 2022
      Mayor Pete (2021) Director Jesse Moss tries hard to offer a portrait of Pete Buttigieg that's more intimate and earnest than the persona he projected during his abortive 2020 presidential campaign, but it's impossible to show something that doesn't exist. - Hyperallergic
      Read More | Posted Jan 04, 2022
      West Side Story (2021) Whatever flaws still exist within West Side Story are easy to overlook in a production that has been so thoughtfully reconceived, and which, even at its most dour, so entrancingly applies color and light in every frame. - Reverse Shot
      Read More | Posted Dec 10, 2021
      Tully (2018) The film explores what women put themselves through to seem like they're doing OK, often ignoring everything from mental illness to their own desires... - INTO
      Read More | Posted Sep 17, 2021
      Assassination Nation (2018) Considering the state of the nation, maybe a loud and unsubtle feature that feels like a direct descendant of Brian De Palma (both in form and in sociopolitical commentary) is exactly what we need right now. - INTO
      Read More | Posted Sep 17, 2021
      The Miseducation of Cameron Post (2018) There are hardships and mountains of shame and internalized loathing to deal with, but that doesn't mean there can't be humor, beauty, intimacy, and even a sing-along to 4 Non Blondes as one tries to get through the day. - INTO
      Read More | Posted Sep 17, 2021
      The Wild Boys (2017) There's no clean way to describe this truly wild teenage journey disguised as an uncomfortable erotic fever dream full of phallic imagery, but it's the kind of fantasia worth diving deep into. - INTO
      Read More | Posted Sep 17, 2021
      How to Talk to Girls at Parties (2017) How to Talk to Girls at Parties navigates finding one's true community, literally allowing an alien to try and find a home in a punk human world, and there's familiarity... - INTO
      Read More | Posted Sep 17, 2021
      Liz and the Blue Bird (2018) Yamada equates the love between these two young women to a concert, impossible to perform unless there's communication and the two musicians fall perfectly in step with each other. - INTO
      Read More | Posted Sep 17, 2021
      Cam (2018) It's not a stretch to say that this unique and colorful techno-horror work of art is a perfect example of how queerness exists within genre cinema, both explicitly and subtly. - INTO
      Read More | Posted Sep 17, 2021
      Zola (2020) Rooms feel as claustrophobic as they are expansive, with mirrors being the only consistent feature. Even when one tries to look away, the situation they're in is reflected back at them. - INTO
      Read More | Posted Sep 17, 2021
      Joe Bell (2020) Every time the film even considers criticizing Bell for what he's doing, it backpedals immediately for fear of noting the truth. - INTO
      Read More | Posted Sep 17, 2021
      Annette (2021) Paired with Carax, a filmmaker who knows how to engage with both artifice and sincerity at once, Sparks has given birth to something truly marvelous. - Reverse Shot
      Read More | Posted Aug 06, 2021
      Old (2021) Literalizes the adage about how life passes you by in a flash, to horrifying effect. - Hyperallergic
      Read More | Posted Aug 03, 2021
      No Sudden Move (2021) Critiques capitalism and institutional racism as effortlessly as it piles on the twists. - Hyperallergic
      Read More | Posted Aug 03, 2021
      In The Earth (2021) Bloodily observes how fervent belief makes fools of us all. - Hyperallergic
      Read More | Posted Aug 03, 2021
      Oslo (2021) The movie is unable to translate a subject so inherently theatrical into anything visually appealing beyond questionably color-graded conversations in largely empty rooms. - Hyperallergic
      Read More | Posted Aug 03, 2021
      D
      The Green Knight (2021) The Green Knight is supposed to be a tale about what it means to be human; Lowery's film is entirely void of that humanity. - The Film Stage
      Read More | Posted Jul 30, 2021
      B+
      In the Heights (2021) In the Heights is proof that the movie musical isn't dead-it simply needed a little flavor. - The Film Stage
      Read More | Posted May 21, 2021
      Cryptozoo (2021) When something like Dash Shaw and Jane Samborski's Cryptozoo comes along, it's easy to recognize as one of the most gorgeous works of American animation in ages. - The Film Stage
      Read More | Posted Feb 08, 2021
      A Glitch in the Matrix (2020) Ascher offers his most compelling set of theories and thought experiments to date; an often unsettling and frequently fascinating exploration into simulation theory and those who believe in it. - Screen Slate
      Read More | Posted Feb 08, 2021
      All Light, Everywhere (2021) All Light, Everywhere is as bleak as it sounds, but the disquieting presentation of its damning footage is exactly what makes it so compelling. - Screen Slate
      Read More | Posted Feb 08, 2021
      Playing With Sharks (2021) Playing With Sharks works so well because it allows its subject to engage with her greatest regrets as much as her greatest achievements. - The Film Stage
      Read More | Posted Feb 08, 2021
      Monster Hunter (2020) There is no greater pleasure in this world than watching Paul W.S. Anderson and Milla Jovovich team up to deliver a spectacle of action. - Miami New Times
      Read More | Posted Dec 22, 2020
      No Ordinary Man (2020) What's most interesting about the doc is how it navigates transmasculine history and weaves the stories of others into Tipton's story. - Miami New Times
      Read More | Posted Dec 22, 2020
      Preparations to be Together for an Unknown Period of Time (2021) As if some kind of pared-down amalgamation between Alfred Hitchcock's Vertigo and a Douglas Sirk melodrama, the film investigates the collision of obsession and perception. - Miami New Times
      Read More | Posted Dec 22, 2020
      Woman of the Photographs (2020) From eroticism and body horror to subtle drama and offbeat humor, Kushida's work here is something of a direct descendent to David Cronenberg. - Miami New Times
      Read More | Posted Dec 22, 2020
      Roald Dahl's The Witches (2020) The film doesn't manage to capture any of the childish wonders that come with one of the author's most playfully scary works. - Miami New Times
      Read More | Posted Dec 22, 2020
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