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Little White Lies

Tomatometer-approved publication.

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Rating Title | Year Author Quote
2/5
Abode (2025) Luisa Blacker Abode unfortunately caps things off with its weakest story.
Posted Mar 19, 2026  Edit critic review
2/5
Heel (The Good Boy) (2025) Billie Walker Despite Boon matching Graham’s quiet intensity and Riseborough’s low frequency depression with a gnashing rebellious streak, the three performances can’t lift The Good Boy from the limitations of its own tethered melodrama.
Posted Mar 19, 2026  Edit critic review
4/5
Arco (2025) Michael Leader This is primary-colour, major-key storytelling. It is disarming, charming and unafraid to be sincere – especially when it comes to the sparks of inspiration, creativity and connection that are so fundamental to human existence.
Posted Mar 19, 2026  Edit critic review
Over Your Dead Body (2026) Monica Castillo While not entirely flawless in its execution, Taccone’s Over Your Dead Body is a thrilling and hilarious horror movie that delivers plenty of plot twists and gruesome wounds.
Posted Mar 19, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) Monica Castillo It’s hilarious and moving, thrilling and suspenseful, a showcase for its talent to shine beyond the trappings of the standard straight-to-streaming action fare.
Posted Mar 19, 2026  Edit critic review
Forbidden Fruits (2026) Monica Castillo While the mystery is fun to piece together and add its share of scares, the real treat of ​“Forbidden Fruits” is rooted in how easy it is to poison our need for friendship.
Posted Mar 19, 2026  Edit critic review
3/5
Broken English (2025) Katherine McLaughlin Instead of using talking heads for conjecture and opinion, it is Faithfull herself who is filmed admiring and lamenting her life. That is what sets this documentary apart as it delicately crafts intimate moments.
Posted Mar 17, 2026  Edit critic review
3/5
Project Hail Mary (2026) Hannah Strong Gosling's presence in Project Hail Mary is a canny move and integral to the film's success.
Posted Mar 17, 2026  Edit critic review
2/5
Scarlet (2025) Callie Petch Neither Scarlet or Hijiri are developed or entertaining enough characters to sell the raging heartfelt emotions Hosada has successfully pulled off before.
Posted Mar 17, 2026  Edit critic review
3/5
Everybody To Kenmure Street (2026) David Jenkins There’s definitely a rousing prescience to a film like this at such a politically precarious moment, and perhaps we should take this rare happy ending with a pinch of salt.
Posted Mar 17, 2026  Edit critic review
2/5
A Pale View of Hills (2025) David Jenkins The story is not particularly forthright in articulating its themes and ideas, and while that may work in the slow-burn pages of a novel, it just feels contrived and manipulative up there on the screen.
Posted Mar 17, 2026  Edit critic review
2/5
Reminders of Him (2026) Emma Kiely Reminders of Him is a grim dose of misery and trauma porn punctuated by a terrible lead performance and an undeniable conservative sheen.
Posted Mar 12, 2026  Edit critic review
2/5
How to Make a Killing (2026) Hannah Strong It’s a song and dance we’ve seen before, with both Powell and Qualley operating on cruise control.
Posted Mar 12, 2026  Edit critic review
3/5
The Great Arch (2025) David Jenkins It’s a solid, well-made culture-clash drama that does manage to provide a little more insight and emotion than would come from scanning von Spreckelsen’s Wiki bio.
Posted Mar 12, 2026  Edit critic review
5/5
Resurrection (2025) Josh Slater-Williams Despite a framing device that vaguely ties its disparate stories together, there’s an extent to which Bi Gan’s Resurrection is essentially a glorified anthology film. But oh, how glorious its sights and sounds truly are.
Posted Mar 12, 2026  Edit critic review
2/5
THE BRIDE! (2026) Hannah Strong The Bride! doesn’t have a single original thought worth pursuing.
Posted Mar 09, 2026  Edit critic review
3/5
Hoppers (2026) Hannah Strong A sound voice cast and some genuinely fun quips make Hoppers a pleasant caper.
Posted Mar 09, 2026  Edit critic review
5/5
The Testament of Ann Lee (2025) David Jenkins Top marks go to the composer Daniel Blumberg, whose richly cacophonous achievement here is head-spinning to say the least.
Posted Feb 24, 2026  Edit critic review
4/5
The Moment (2026) Hannah Strong Refusing to take itself too seriously, this spirited contemporary period piece captures some of the insanity that was brat summer – but crucially reminds us there’s something to be said for knowing when to leave the party.
Posted Feb 24, 2026  Edit critic review
4/5
Wasteman (2025) Molly Lipson Wasteman, the debut feature film from director Cal McMau, is exceptionally gritty, brutal and claustrophobic; its tight shots give us nowhere to escape to when violence ensues.
Posted Feb 18, 2026  Edit critic review
4/5
EPiC: Elvis Presley in Concert (2025) Emily Maskell By the time EPiC reaches its swan song, a euphoric performance of ​“Suspicious Minds”, it becomes clear Luhrmann has created no average Elvis documentary nor repetitive concert film.
Posted Feb 18, 2026  Edit critic review
4/5
The Day the Earth Blew Up: A Looney Tunes Movie (2024) Kambole Campbell It’s pure, joyful cartooning, the likes of which has no expiry date.
Posted Feb 13, 2026  Edit critic review
4/5
Little Amélie or the Character of Rain (2025) David Jenkins With its vibrant use of colour, expressive character design and flights of expressionist fancy, Little Amélie offers a lyrical vision of early-years development and so much more.
Posted Feb 13, 2026  Edit critic review
2/5
Whistle (2025) Patrick Sproull There was room to do something ridiculous here – it bears repeating: this is a film about a killer whistle. Why is it taking itself so seriously?
Posted Feb 13, 2026  Edit critic review
2/5
Crime 101 (2026) Hannah Strong The lack of curiosity about its own material prevents Crime 101 from truly setting itself apart; moments of intrigue and minor thrills seem destined to fade away in the memory rather than inspire future imitators.
Posted Feb 13, 2026  Edit critic review
1/5
Good Luck, Have Fun, Don't Die (2025) Esther Rosenfield The film is structured around flashbacks showing how each member of Rockwell’s team came to the diner that night. Each one plays like a rejected Black Mirror episode, full of painfully obvious satirical broadsides at modern technology.
Posted Feb 13, 2026  Edit critic review
3/5
The President's Cake (2025) Marina Ashioti Filtering the tale through Lamia’s childlike whimsy allows the colourful, polished cinematography to sing.
Posted Feb 11, 2026  Edit critic review
3/5
It's Never Over, Jeff Buckley (2025) Claire Biddles Berg clearly understands her subject well, but perhaps Buckley is too complex a figure to be fully represented in just one film.
Posted Feb 11, 2026  Edit critic review
1/5
The Strangers: Chapter 3 (2026) Billie Walker Ultimately The Strangers: Chapter 3 offers no redeemable qualities and is so vacuously unremarkable that it is already in the process of being forgotten.
Posted Feb 11, 2026  Edit critic review
2/5
Wuthering Heights (2026) Hannah Strong There is nothing that resonates below the surface here; this is a half-remembered story dressed in a beautiful gown that seems destined for TikTok fan edits and Pinterest mood boards rather than soul-stirring emotional catharsis.
Posted Feb 09, 2026  Edit critic review
3/5
GOAT (2026) David Jenkins Tyree Dillihay’s feature debut is a charming ode to the lil guy, but its sports movie arc and lazy plotting means that it only just scrapes a victory.
Posted Feb 09, 2026  Edit critic review
4/5
Send Help (2026) David Jenkins There’s a satisfying objectivity to the film, and both Linda and Bradley make for authentic and unapologetic products of their professional and personal lives before the crash.
Posted Feb 06, 2026  Edit critic review
3/5
Twinless (2025) David Jenkins Sweeney’s film rides on a clever concept, and there’s a level of amusement to be had from trying to find justification for Dennis’ increasingly antisocial actions.
Posted Feb 06, 2026  Edit critic review
4/5
All That's Left of You (2025) Jannat Suleman The intelligent subtleties of Dabis’ film should not be overlooked.
Posted Feb 06, 2026  Edit critic review
3/5
Kangaroo (2025) David Jenkins Kangaroo works like gangbusters as a refreshingly earnest throwback to the salad says of the animal buddy comedy.
Posted Jan 29, 2026  Edit critic review
2/5
Primate (2025) Hannah Strong Watching Primate and revelling in these practical effects, there’s a sense that this film should be much better than it actually is.
Posted Jan 29, 2026  Edit critic review
1/5
Shelter (2026) David Jenkins Statham’s impressive physicality does little to add much juice to a film that expends much of its energy cleaving tightly to tired formula, with a script that is almost wall-to-wall cliché.
Posted Jan 28, 2026  Edit critic review
2/5
The Thing with Feathers (2025) David Jenkins Empathy and civility are cynically brushed off as performative and self-soothing, as if the film wants you only to believe in the restorative methods that it’s selling.
Posted Jan 27, 2026  Edit critic review
4/5
Return to Silent Hill (2026) Esther Rosenfield Without any of the game’s tension-releasing exploration and puzzle-solving breaks, it has a nightmare flow, constantly upending its own logic and the geometry of its spaces.
Posted Jan 27, 2026  Edit critic review
4/5
Is This Thing On? (2025) Katherine McLaughlin Cooper’s kinetic camerawork and Matthew Libatique’s dynamic cinematography mirrors the exhausting balancing act of middle age perfectly fine without having to spell it out for the audience.
Posted Jan 27, 2026  Edit critic review
3/5
Saipan (2025) Hannah Strong Hardwicke’s magneticism aside, it’s an enjoyable but featherlight affair.
Posted Jan 22, 2026  Edit critic review
3/5
H Is for Hawk (2025) Josh Slater-Williams F is for Face is the most important part of the acting, and luckily, Foy excels at the assignment, conveying so much of the physical toll in her eyes and the tiniest facial flickers alone.
Posted Jan 22, 2026  Edit critic review
3/5
State of Statelessness (2024) Anna Stafford It’s a sincere and quietly moving film, if not one that lingers or astonishes.
Posted Jan 21, 2026  Edit critic review
4/5
28 Years Later: The Bone Temple (2026) Hannah Strong The Bone Temple offers a heady mix of stomach-churning violence, absurdist humour and surprising glimmers of tenderness.
Posted Jan 17, 2026  Edit critic review
3/5
Bulk (2025) David Jenkins The film doesn’t offer any clear revelations or insights, but it’s a fun piece of homemade cinema that definitely doesn’t outstay its welcome.
Posted Jan 17, 2026  Edit critic review
3/5
Rental Family (2025) Fatima Sheriff An American impulse for neat endings and recognisable stories gets in the way, but Rental Family is still beautifully written and gives little windows into Japanese life.
Posted Jan 14, 2026  Edit critic review
1/5
Giant (2025) Mike McCahill The material throws in the towel long before the bathetic finale; the inevitable post-fadeout footage of the real Hamed in his dynamic prime is a hundred times more stirring than anything preceding it.
Posted Jan 09, 2026  Edit critic review
5/5
Peter Hujar's Day (2025) Luke Hicks It’s Sachs’ best film yet.
Posted Jan 09, 2026  Edit critic review
5/5
Hamnet (2025) David Jenkins While there’s definitely an anatomical study of heterosexual relationships here that sings with a modern resonance, the film’s coup de grâce frames art itself as an arcane source of mental wellbeing.
Posted Jan 09, 2026  Edit critic review
3/5
David Bowie: The Final Act (2025) Anna Stafford The Final Act is not attempting reinvention so much as consolidation. If its aim is to frame Bowie’s final years as a deliberate act of authorship, the film largely succeeds.
Posted Dec 30, 2025  Edit critic review
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