Manik Sharma
Manik Sharma's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Dream Girl (2019)
46%
EDIT
“Khurrana's crossdressing gimmicks in Dream Girl are laudable in a sense, but nothing about it feels ingenious or even path-breaking. In fact, it's possibly the actor's crassest film yet, which makes it a mainstream reckoner.” –
Firstpost
Jan 26, 2024
Full Review
Jawan (2023)
89%
EDIT
“At times this sandy earth subsumes the peculiar nature of edgy stories, at other times its languid, unornamented baseline allows characters to hold onto something raw.” –
Firstpost
Jan 26, 2024
Full Review
Refugee (2000)
EDIT
“In JP Dutta’s Refugee, the desert is another pattern-less expanse of land that can only really be comprehended through love and loss.” –
Firstpost
Jan 25, 2024
Full Review
Border (1997)
EDIT
“In J P Dutta’s Border, a sand-covered, invisible border becomes the site of a brave conquest. Men must surpass invisible lines to vouch for both, the motherland and their own self-worth.” –
Firstpost
Jan 25, 2024
Full Review
Parched (2015)
87%
EDIT
“In a land so vast and without obstruction, the only echoes you might hear are of your imagination. Your voice on the other hand may never make it across the weather-beaten earth.” –
Firstpost
Jan 25, 2024
Full Review
The Mourner (1993)
EDIT
“In Amol Palekar’s Paheli, we return to the eeriness of Rudaali, immersing ourselves into the folklore that makes the region casually exhibit both whimsy and tomfoolery. ” –
Firstpost
Jan 25, 2024
Full Review
Thar (2022)
63%
EDIT
“It’s possibly the shrivelled nature of the earth that evens out, what humanity can’t in spirit and soul. It’s why women of the desert, feel emboldened by its precariousness.” –
Firstpost
Jan 25, 2024
Full Review
Boston Strangler (2023)
67%
EDIT
“Matt Ruskin’s film dials down on fetishizing murderous men to tell the story of women who might just see them for who they really are.” –
Firstpost
Jan 25, 2024
Full Review
Babylon (2022)
57%
EDIT
“Babylon isn't all bust, or even unwatchable, it is just overlong, overindulgent with nary a care...” –
Firstpost
Jan 25, 2024
Full Review
Guardians of the Galaxy Vol. 2 (2017)
85%
EDIT
“...quirky, mischievous and authentic...” –
Firstpost
Jan 25, 2024
Full Review
Guardians of the Galaxy (2014)
91%
EDIT
“it is worth revisiting the audacity and playfulness that has set the franchise apart from the rest.” –
Firstpost
Jan 25, 2024
Full Review
Dahan (2018)
EDIT
“Every direction the wind blows in is thus observed and recorded with caution, a sense of protection and ultimately violence.” –
Firstpost
Jan 25, 2024
Full Review
Fire in the Mountains (2021)
90%
EDIT
“A single woman tending to many challenges might be the anchor of Ajitpal Singh’s film, but it is really contextualised by the women who flank her.” –
Firstpost
Jan 25, 2024
Full Review
Satyaprem Ki Katha (2023)
63%
EDIT
“Kiara Advani has boldly gone where few actresses of her ilk would, without divorcing the mainstream’s language. It gives us the opportunity to imagine for boldness and brevity, that which we have imagined for romance and beauty.” –
Firstpost
Jan 25, 2024
Full Review
Carry on Jatta 3 (2023)
EDIT
“Distinct by design and language, both narratives showcase wildly different emotional subsets and social anxieties, making each worth its while.” –
Firstpost
Jan 25, 2024
Full Review
Oh My God 2 (2023)
77%
EDIT
“Flanking sexuality with faith is a space most storytellers would rather avoid, but it is precisely what makes OMG 2’s messaging universal.” –
Firstpost
Jan 24, 2024
Full Review
Qala (2022)
80%
EDIT
“Anvita Dutt's film is a poignant, if familiar, story about artistic merit and the gendered pursuit of both affection and excellence.” –
Firstpost
Jan 23, 2024
Full Review
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