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Öykü Sofuoğlu

Öykü Sofuoğlu's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Miroirs No. 3 (2025) 94% EDIT “At the end, one can’t help but wonder what Petzold saw and heard in Ravel’s Miroirs No. 3... Perhaps it was the image of a modest film trying to stay afloat against violent narrative currents, climactic tides, and the ebb and flow of cinematic pathos.” – In Review Online Jun 3, 2025 Full Review Sentimental Value (2025) 97% EDIT “Sentimental Value is either an emotionally disproportionate, tone-deaf dramedy, or an ambiguous and intelligent meta-text that playfully and persistently gestures toward the very “sentimental value” the audience is meant to seek within it.” – In Review Online Jun 1, 2025 Full Review The Little Sister (2025) 84% EDIT “The Little Sister seeks to assert the female, or rather, queer gaze to every inch of its core — but it remains a gaze that is paradoxically "correctional," dependent on what it strives to free itself from.” – In Review Online May 22, 2025 Full Review Animalia Paradoxa (2024) EDIT “Animalia Paradoxa... is a baffling piece of multisensory art that makes its audience completely lose their bearings in a desolate, grim, and surreal world stricken with human destruction.” – In Review Online Aug 1, 2024 Full Review September Says (2024) 63% EDIT “Films too often value concept over emotion and sterile provocation over sincerity, a mistake Labed savvily avoids to her film’s considerable benefit.” – In Review Online Jun 4, 2024 Full Review East of Noon (2024) 100% EDIT “Calling Elkoussy’s vision in East of Noon dystopian would be too reductive and oversimplifying, for she never loses sight of the humor and surreal absurdity within her makeshift set pieces. ” – In Review Online Jun 4, 2024 Full Review
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