Robert Rorke
Robert Rorke's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Belgravia: Season 1 (2020)
75%
EDIT
“Although it has its moments, "Belgravia" has a musty feel, like a a yellowed doily taken out of drawer.” –
New York Post
Apr 9, 2020
Full Review
Run: Season 1 (2020)
81%
EDIT
“You can feel the writers coming up with new ideas to keep Billy and Ruby together - Let's have them book a hotel room they can't afford! Let's have them shop for fancy clothing! - but it's pretty obvious that they don't have much in common anymore.” –
New York Post
Apr 2, 2020
Full Review
Council of Dads: Season 1 (2020)
50%
EDIT
“Where's the conflict?” –
New York Post
Mar 24, 2020
Full Review
The English Game: Season 1 (2020)
53%
EDIT
“The most finely drawn character is Alma... adhering to the social decorum of the times, in which a woman knows her place, she conveys her character's loneliness, disappointments and flashes of anger with very simple gestures.” –
New York Post
Mar 20, 2020
Full Review
Hunters: Season 1 (2020)
65%
2/4
EDIT
“The shifting tones and conflicting storytelling severely limit any chance for this series to thrill you, let alone keep your attention.” –
New York Post
Feb 21, 2020
Full Review
Homeland: Season 8 (2020)
85%
EDIT
“The first three episodes are a bit clunky, with Carrie's familiar pattern of alienating nearly everyone she meets kicking in again - and then Episode 4 comes along and "Homeland" finds its groove.” –
New York Post
Feb 6, 2020
Full Review
The Sinner: Season 3 (2020)
92%
3/4
EDIT
“Much of the success of this season's story has to do with some smart casting.” –
New York Post
Jan 30, 2020
Full Review
For Life: Season 1 (2020)
86%
EDIT
“Though some of the direction is overdone... [Nicholas] Pinnock's brooding intensity establishes him as a leading man to watch.” –
New York Post
Jan 23, 2020
Full Review
Tommy: Season 1 (2020)
68%
EDIT
“The star's plain-spoken compassion for crime victims goes a long way to humanizing the basic CBS procedural.” –
New York Post
Jan 23, 2020
Full Review
Outmatched: Season 1 (2020)
22%
EDIT
“In case you are not laughing, Fox has provided a lame laugh track to persuade viewers that some people might find any of this amusing.” –
New York Post
Jan 23, 2020
Full Review
9-1-1: Lone Star: Season 1 (2020)
77%
EDIT
“With his bronzed physique and chiseled chin, [Rob] Lowe looks like he's doing an infomercial, not playing a character.” –
New York Post
Jan 21, 2020
Full Review
Awkwafina Is Nora From Queens: Season 1 (2020)
81%
EDIT
“Who is the target audience here? Perhaps the chronically unemployed.” –
New York Post
Jan 15, 2020
Full Review
FBI: Most Wanted: Season 1 (2020)
EDIT
“The stories make timely nods to current issues such as opioid addiction but also offer a more rewarding sense of character development.” –
New York Post
Dec 31, 2019
Full Review
Mad About You: Season 1 (2019)
42%
1.5/4
EDIT
“This may go down as one of the most forgettable "returns" of the year.” –
New York Post
Nov 18, 2019
Full Review
The Crown: Season 3 (2019)
90%
3/4
EDIT
“What The Crown effortlessly does do is show how one circumspect yet indomitable woman helped the British monarchy survive into the present day.” –
New York Post
Nov 12, 2019
Full Review
Dickinson: Season 1 (2019)
77%
EDIT
“If they're so afraid contemporary audiences won't watch a show where the characters are dressed in period-era costumes and living without smartphones, why bother creating a show about someone they have probably never read?” –
New York Post
Nov 6, 2019
Full Review
See: Season 1 (2019)
44%
EDIT
“With obvious references to savior stories such as births of Christ and Moses, See is just strange and striking enough to persuade the slumming fantasy fan to go along for the ride.” –
New York Post
Nov 6, 2019
Full Review
The Morning Show: Season 1 (2019)
62%
EDIT
“A racially tone-deaf dive into the shark tank of television news, it trades too heavily on our knowledge of the Matt Lauer scandal at the expense of character development and commits some egregious plotting errors at the expense of plausibility.” –
New York Post
Oct 30, 2019
Full Review
Emmys: Season 66 (2014)
38%
EDIT
“There are so many stultifyingly awful moments to choose from, this was one of the worst awards shows ever. Ever.” –
New York Post
Sep 13, 2019
Full Review
Emmys: Season 67 (2015)
94%
EDIT
“All in all, [Andy Samberg] was a big improvement over last year's host” –
New York Post
Sep 12, 2019
Full Review
Carnival Row: Season 1 (2019)
56%
2/4
EDIT
“As it lurches from crime story to sci-fi/fantasy, star-crossed romance to politically relevant social drama, Carnival Row has a hard time developing its strengths.” –
New York Post
Aug 23, 2019
Full Review
Mindhunter: Season 2 (2019)
99%
3/4
EDIT
“While the series benefits from giving everyone more to do, the pacing could be quicker.” –
New York Post
Aug 19, 2019
Full Review
Why Women Kill: Season 1 (2019)
68%
3/4
EDIT
“Marc Cherry delivers his best series since the long-running hit Desperate Housewives. Bitingly funny, it echoes the best satiric elements of the ABC hit without the baggage of having too many characters with subplots that fall all over themselves.” –
New York Post
Aug 10, 2019
Full Review
Sunnyside: Season 1 (2019)
36%
EDIT
“With his easy charm, smart script and diverse cast, [Kal] Penn may help the network deliver something that's been eluding it -- a comedy that's timely and winning.” –
New York Post
Jul 8, 2019
Full Review
Euphoria: Season 1 (2019)
80%
EDIT
“In Euphoria's cynically nihilistic vision, today's teens have been warped by technology into soulless, self-medicating androids who use each other for cheap thrills! What will happen to them? OMG.” –
New York Post
Jun 17, 2019
Full Review
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