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3/5
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Boston Strangler
(2023)
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Chris Newbould
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The languid pace and lack of finality could turn off those looking for a traditional serial killer romp, but for a thoughtful period piece, with central themes are as relevant in 2023 as they were in 1963, this is good-value weekend viewing.
Posted Mar 16, 2023
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2/5
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Mrs. Chatterjee vs Norway
(2023)
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David Tusing
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The Bollywood star plays a mother who fights for custody of her children, but its real message is lost in a messy plot.
Posted Mar 16, 2023
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2/5
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65
(2023)
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Razmig Bedirian
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Another few drafts of the script would possibly have salvaged the film, along with a more imaginative ending.
Posted Mar 03, 2023
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Pathaan
(2023)
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David Tusing
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With Khan's irresistible charm on full display, one cannot help but overlook Pathaan's many flaws and just immerse yourself in the action.
Posted Feb 17, 2023
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2/5
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Ant-Man and The Wasp: Quantumania
(2023)
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Razmig Bedirian
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For those who recall the warnings He Who Remains gave in Loki (or even simply take a look at the titles the MCU has slated for the next year), it becomes quite clear how the film will end even before it begins.
Posted Feb 16, 2023
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1/5
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Falling for Christmas
(2022)
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Gemma White
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Lindsay Lohan’s comeback movie is easily already jostling for the position of Worst Festive Film of 2022.
Posted Nov 19, 2022
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3.5/5
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Hocus Pocus 2
(2022)
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Maan Jalal
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Despite its marginal issues, the film is a great watch for fans of the original or a whole new generation ready to be bewitched by the Sanderson sisters.
Posted Nov 03, 2022
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3/5
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The Woman King
(2022)
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Razmig Bedirian
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Every historical epic needs a central, larger-than-life character and star to match. As General Nanisca... Viola Davis delivers a groundbreaking performance proving that she has yet to reveal the full gamut of her acting capabilities.
Posted Oct 07, 2022
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3.5/5
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Vikram Vedha
(2022)
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Aarti Jhurani
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The high-octane, occasionally gory drama is fast-paced, offering several twists and turns, and the stylistic slow-motion action scenes are done well, without veering into the monotonous.
Posted Oct 01, 2022
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2/5
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Brahmāstra Part One: Shiva
(2022)
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David Tusing
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Bhrahmastra: Part One – Shiva is a tantalising prospect of a great, long-overdue Indian superhero franchise. But it needs a bit more fine-tuning in its storytelling and better visual effects to truly stand on its own.
Posted Sep 16, 2022
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4/5
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The Roundup
(2022)
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Gregory Wakeman
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The key ingredient to The Roundup’s success is the mesmerising performance of Lee.
Posted Aug 25, 2022
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2/5
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Where the Crawdads Sing
(2022)
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Saeed Saeed
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Ahead of its release, the buzz surrounding Where the Crawdads Sing was as loud as the birds circling the film’s swampy marshland setting. Unfortunately, this anticipated drama only treads water.
Posted Aug 25, 2022
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Look Both Ways
(2022)
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Gregory Wakeman
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While it might not be one audiences fall in love with forever, Look Both Ways will certainly capture them for summer romance, if only for one evening.
Posted Aug 18, 2022
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3.5/5
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Easter Sunday
(2022)
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Saeed Saeed
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Ultimately satisfying and heart-warming.
Posted Aug 11, 2022
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3/5
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Bullet Train
(2022)
|
Saeed Saeed
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Bullet Train erupts in such spasms of fantastical violence an alternative film title could have easily been Massacre on the Orient Express. This is not necessarily a bad thing.
Posted Aug 04, 2022
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3/5
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White Elephant
(2022)
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Gregory Wakeman
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There’s nothing really original about White Elephant. But that doesn’t stop it from being both thoroughly entertaining and genuinely captivating as the crime action thriller is elevated by a fine leading performance from Michael Rooker.
Posted Jul 14, 2022
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1/5
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Hot Seat
(2022)
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Gregory Wakeman
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There’s a good movie somewhere in Hot Seat. But, thanks to a cheap approach and what appears to be a rushed writing process and production, it never stood a chance.
Posted Jul 08, 2022
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3/5
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Doctor Strange in the Multiverse of Madness
(2022)
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Gregory Wakeman
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[Doctor Strange] deserves credit for pushing the Marvel Cinematic Universe into new territory. While, thanks to some of the twists and turns, it also suggests that more ambitious storytelling and surprises might, thankfully, be on the horizon, too.
Posted May 05, 2022
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Gehraiyaan
(2022)
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David Tusing
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A hugely satisfying emotional roller-coaster ride.
Posted Feb 11, 2022
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4/5
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C'mon C'mon
(2021)
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Gregory Wakeman
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C'mon C'mon's impact might not strike immediately. Instead, it's the sort of film that lingers in your head for hours and days after, as your mind catches up to the beauty and heart that's at its core.
Posted Jan 28, 2022
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3/5
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Nightmare Alley
(2021)
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Gregory Wakeman
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Its striking and absorbing visuals alone make it worthwhile. Plus, it features one of the most compelling final shots in recent cinema history. Even though, with a running time of two hours and 30 minutes, it takes a little too long to get there.
Posted Jan 28, 2022
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3/5
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Munich: The Edge of War
(2021)
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Gregory Wakeman
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Both MacKay and Niewohner bring an edge and energy that propels the film forward, but it's Academy Award winner Irons as Chamberlain who instantly steals the show.
Posted Jan 20, 2022
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3/5
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Brazen
(2022)
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Gregory Wakeman
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With a running time of only 96 minutes, Brazen is the perfect, disposal romance thriller to enjoy on a weekend afternoon, and then instantly forget.
Posted Jan 13, 2022
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2/5
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My Son
(2021)
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Gregory Wakeman
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My Son is ultimately too lightweight and simply-plotted to be anything more than intriguing.
Posted Jan 06, 2022
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4/5
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The Lost Daughter
(2021)
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Gregory Wakeman
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The Lost Daughter marks acclaimed actress Maggie Gyllenhaal's debut as a writer and director. But the psychological drama unfolds in such a confident and mesmerising fashion that you wouldn't know it.
Posted Dec 30, 2021
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House of Gucci
(2021)
|
James Mottram
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Emotionally, House of Gucci doesn't quite land, but it's an enjoyable romp led by Gaga, who most certainly deserves some awards love for her performance. If nothing else, it whisks you across the high-spots of Europe as if you were watching Grace Kelly...
Posted Dec 28, 2021
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2/5
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Ghostbusters: Afterlife
(2021)
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Gregory Wakeman
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[After] its rather promising opening half, it becomes so obsessed with its illustrious predecessor that it starts to feel like fan fiction.
Posted Dec 02, 2021
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2/5
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Cry Macho
(2021)
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Gregory Wakeman
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Cry Macho deserves credit for putting Eastwood in the saddle again and showing that he still looks great in a cowboy hat. But, ultimately, that makes it all the more frustrating because it doesn't actually do anything worthwhile with him or the character.
Posted Nov 24, 2021
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Bruised
(2020)
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Gregory Wakeman
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Despite its issues, Bruised is undoubtedly a triumphant first directorial outing from Berry. It's also a reminder that, when she has the material, she's one of the best actresses in the world.
Posted Nov 18, 2021
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Queenpins
(2021)
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Gregory Wakeman
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Queenpins gets over its rocky start to become an enjoyable comedy that delivers more than enough laughs.
Posted Sep 09, 2021
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Every Breath You Take
(2021)
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Gregory Wakeman
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Despite not possessing any real surprises, Every Breath You Take still manages to maintain interest.
Posted Aug 26, 2021
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2/5
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Vivo
(2021)
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Gregory Wakeman
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Unfortunately, Vivo's attempt at a grandiose and emotional ending falls flat and the film is not as funny as it could be.
Posted Aug 13, 2021
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Rogue Hostage
(2021)
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Gregory Wakeman
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Rogue Hostage still falls short. Its painful opening only leads to an adequate middle, while its finale is both predictable and lacklustre.
Posted Aug 06, 2021
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Spirit Untamed
(2021)
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Gregory Wakeman
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Ultimately though, despite Bogan's best efforts, Spirit Untamed can't help but come across as lightweight.
Posted Aug 05, 2021
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The Virtuoso
(2021)
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Gregory Wakeman
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The constant narration becomes tiresome, managing to suck the energy and tension out of every scene.
Posted Jul 29, 2021
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Black Widow
(2021)
|
Janice Rodrigues
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While Black Widow makes for a great stand-alone spy thriller that packs in plenty of entertainment value, fans who have been waiting for a film that explores the character in great depth will simply have to keep waiting.
Posted Jul 09, 2021
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2/5
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The Ice Road
(2021)
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Gregory Wakeman
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Ultimately, considering the enormous talent involved, the film feels like a disappointment.
Posted Jul 01, 2021
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3/5
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Fatherhood
(2021)
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Gregory Wakeman
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Ultimately, though, Hart is the reason why Fatherhood is never able to reach the dramatic heights it is obviously aiming for, and the reason it's never tedious and always watchable. There might be a great dramatic performance in him.
Posted Jun 25, 2021
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Oslo
(2021)
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Razmig Bedirian
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The way in which it builds and peels suspense, all while paying tribute to those who took the risks to open a door to peace, makes it one of the year's most impressive offerings.
Posted May 28, 2021
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4/5
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Cruella
(2021)
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Janice Rodrigues
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You don't need to be [a fan of 101 Dalmatians] to enjoy it. If anything, Cruella could hold as a stand-alone for anyone who simply enjoys high fashion, bold characters, fast plots and, well, adorable dogs.
Posted May 27, 2021
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3/5
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The Woman in the Window
(2021)
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Gregory Wakeman
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The Woman In The Window is a mess, but at least it's an enjoyable one.
Posted May 14, 2021
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3/5
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Monster
(2018)
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Gregory Wakeman
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Monster does manage to find a nice rhythm in its final act... But all this does is make it all the more frustrating that one stylistic choice holds Monster back from reaching its full potential.
Posted May 07, 2021
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4/5
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Tom Clancy's Without Remorse
(2021)
|
Gregory Wakeman
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The first 80 minutes of the film are so exhilarating that it is already bound to be remembered as one of the best action movies of the year.
Posted Apr 30, 2021
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4/5
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The Year Earth Changed
(2021)
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Gregory Wakeman
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Awe-inspiring visuals of nature and wildlife, this time accompanied by drone shots of deserted city centres, are mixed with rousing music. The Year Earth Changed also benefits hugely from Sir David Attenborough's exquisite narration.
Posted Apr 23, 2021
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3.5/5
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Concrete Cowboy
(2020)
|
Gregory Wakeman
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McLaughlin's transformative turn is all the more impressive when you consider the top-notch acting talent that he goes toe to toe with.
Posted Apr 09, 2021
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Saina
(2021)
|
Kumar Shyam
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While it may be plain vanilla for some, the film may well be a luxury treat for others.
Posted Mar 26, 2021
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3/5
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I Care a Lot
(2020)
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Gregory Wakeman
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Her talent is so obvious and endless, it feels as though Pike should be leading a new film every year, and Netflix's I Care a Lot is the latest proof of her brilliance on screen.
Posted Feb 26, 2021
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4/5
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Judas and the Black Messiah
(2021)
|
Gregory Wakeman
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Co-writer and director Shaka King uses Hampton's life and achievements to present a raw and timely look at racism in the US.
Posted Feb 19, 2021
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2/5
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To All the Boys: Always and Forever
(2021)
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Gregory Wakeman
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Unfortunately To All the Boys: Always and Forever is as painfully mediocre.
Posted Feb 12, 2021
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3/5
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Malcolm & Marie
(2021)
|
Gregory Wakeman
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The energy and edge that they're able to bring together means that it is always captivating. It's just frustrating that it doesn't do anything worthwhile with our attention.
Posted Feb 06, 2021
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