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Tom Kiesecoms

Tom Kiesecoms's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
Hounds of Love (2016) 88% 4.5/5 EDIT “Cummings' portrayal of the resourceful and tenacious young heroine [...] glues the audience to the screen, ensuring we remain deeply invested every step of the way.” – ScreenAnarchy Aug 3, 2020 Full Review Two Pigeons (2017) 77% 3.5/5 EDIT “Works best as a darkly comedic riff on home invasion thrillers rather than a comment on cut-throat economics in the housing market.” – ScreenAnarchy Aug 3, 2020 Full Review The Meyerowitz Stories (New and Selected) (2017) 92% 4.5/5 EDIT “Richly textured, three-dimensional characters mash well with actor chemistry that is infectious to watch.” – ScreenAnarchy Aug 3, 2020 Full Review Boys in the Trees (2016) 82% 1.5/5 EDIT “Feels forced nearly every step of the way, always spelling out literally what it yearns to express symbolically.” – ScreenAnarchy Aug 3, 2020 Full Review Cult of Chucky (2017) 81% 3.5/5 EDIT “While never very suspenseful, Cult of Chucky marries gore with gags aplenty.” – ScreenAnarchy Aug 3, 2020 Full Review Like Me (2017) 69% 2/5 EDIT “The unrelentingly serious tone fails to help proceedings, even though the film's go-for-broke style remains strangely alluring.” – ScreenAnarchy Aug 3, 2020 Full Review Zombillenium (2017) 50% 2.5/5 EDIT “Odd enough to try out but lacks the loops, speed and overall sense of excitement to warrant repeat visits.” – ScreenAnarchy Aug 3, 2020 Full Review Rock Steady Row (2018) 86% 3.5/5 EDIT “S fast-paced blast of creativity that thrills as it exposes the oppression that is endemic to the college system as a whole and challenges the objectification that fraternities can foster.” – ScreenAnarchy Aug 3, 2020 Full Review Border (2018) 97% EDIT “Wins over your heart as a 21st-century tonal poem that embraces the hybridity and plurality that radicalism seeks to thwart.” – ScreenAnarchy Aug 3, 2020 Full Review Blue My Mind (2017) 81% 4/5 EDIT “More than a poignant portrayal of female puberty, Blue My Mind is an allegory for escaping the stifling constraints society places on young women.” – ScreenAnarchy Aug 3, 2020 Full Review Hearts Beat Loud (2018) 92% 3/5 EDIT “An intimate and comfortingly familiar tale that hits the right notes, just so long as you can live with a low-key ditty and don't expect any sweeping crescendo.” – ScreenAnarchy Aug 3, 2020 Full Review Wildlife (2018) 94% 4/5 EDIT “Delves into the doubts, discontentment and aspirations of a self-questioning and flawed human being at a time when women were supposed to be ideal housewives.” – ScreenAnarchy Aug 3, 2020 Full Review Assassination Nation (2018) 74% 3.5/5 EDIT “A living, breathing paradox of its time: a socially conscious yet aggressively anti-PC film that climaxes in an orgy of violence.” – ScreenAnarchy Aug 3, 2020 Full Review The Miseducation of Cameron Post (2018) 86% 4/5 EDIT “Refreshingly, this coming-of-age story never really traces a journey of self-discovery but rather marks a burgeoning awareness of self-affirmation.” – ScreenAnarchy Aug 3, 2020 Full Review I Lost My Body (2019) 97% 5/5 EDIT “A nimble and achingly rendered exploration of loss, suffused with a profound longing for wholeness and happiness.” – ScreenAnarchy Aug 3, 2020 Full Review Little Joe (2019) 67% 3.0/5 EDIT “Packs dangerous thoughts, but is nothing if not a conversation starter.” – ScreenAnarchy Aug 3, 2020 Full Review The Rental (2020) 73% 5/10 EDIT “Homes in on a recognizable fear, but ... Dave Franco's directorial debut racks up the missed opportunities and boringly coasts on conventional sights.” – ScreenAnarchy Jul 28, 2020 Full Review
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