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Critic Reviews for Always
Although Always is filled with big, sentimental moments, it lacks the intimacy to make any of this very moving.
The result is a curiosity: a remake that wasn't remade enough.
For all its Spielbergian action and production values, the film is painfully sappy and wastes its A-list cast by saddling them with a hamfisted script.
Audience Reviews for Always
Spielberg's remake of "A Guy Named Joe" unfortunately feels just like a remake, many of the earliest scenes easily telegraphing what is to come as predictably as ... well, as just about any old movie. With that in mind the cast doesn't do too badly, it simply feels like an also ran. It looks like one of Audrey Hepburn's last roles. She plays an angel. Coincidence?
Undeservedly somewhat forgotten Spielberg film that still has many wonders to offer, telling a great love story from beyond the grave. The great director's trademarks are there. Hints of the adventure film, great cinematography and just this certain feeling 1980s films can give you, maybe for the last time in a Spielberg film right here. Maybe a tad sappy at times, but with quite a few really memorable and touching scenes.
This is Spielberg at his most Capra-esque. This is perhaps Spielberg's least well known feature, but that is, perhaps, because it's unfortunately not all that memorable. As far as story goes, it is, in broad terms, Ghost a year before it came out. An aerial firefighter dies saving his best friend, but has to help his friends and lover move on before he can cross over. Very sentimental fantasy type stuff, but it is Spielberg, after all. The film is a bit too long, and the script could be more compelling, but I actually liked this film (for the most part), which is why it's close to a pass, even if it doesn't quite earn it. Maybe I'm being kind because perhaps Spielberg was just in a rut between a good film (Empire of the Sun) and a great one (Indiana Jones and the Last Crusade). The film has okay music (though it doesn't really stand out), a decent cast with good performances, and some pretty good work where the special effects, cinematography, and execution of the aerial stuff is concerned. This film is notable for being Audrey Hepburn's last screen appearance, and, while it is nice to see her, she deserved to go out in something a tad better. This is lesser Spielberg, but it still has it's merits. Maybe you should be like me and give it a chance. Maybe this film isn't all that bad, but just needs a little love.
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