The King and I


The King and I

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Total Count: 25


Audience Score

User Ratings: 60,984
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Movie Info

The King and I, Richard Rodgers and Oscar Hammerstein's 1951 Broadway musical hit, was based on Margaret Landon's book Anna and the King of Siam. Since 20th-Century-Fox had made a film version of the Landon book in 1946, that studio had first dibs on the movie adaptation of The King and I. Deborah Kerr plays English widow Anna Leonowens, who comes to Siam in the 1860s to tutor the many wives and children of the country's progressive King (Yul Brynner, recreating his Broadway role-and winning an Oscar in the process). The culture clash between Anna and the King is but one aspect of their multilayered relationship. Through Anna, the King learns the refineries and responsibilities of "modern" western civilization; Anna meanwhile comes to realize how important it is for an Oriental ruler to maintain his pride and to uphold the customs of his people. After a successful evening entertaining foreign dignitaries, Anna and the King celebrate with an energetic dance, but this is cut short by a bitter quarrel over the cruel punishment of the King's new Burmese wife Tuptim (Rita Moreno), who has dared to fall in love with someone else. Despite the many rifts between them, Anna and the monarch come to respect and (to a degree) love one another. When the King dies, Anna agrees to stay on to offer help and advice to the new ruler of Siam, young Prince Chulalongkhorn (Patrick Adiarte). In general, The King and I tends to be somewhat stagey, with the notable exception of the matchless "Small House of Uncle Thomas" ballet, which utilizes the Cinemascope 55 format to best advantage (the process also does a nice job of "handling" Deborah Kerr's voluminous hoopskirts). Most of the Broadway version's best songs ("Getting to Know You", "Whistle a Happy Tune", "A Puzzlement", "Shall We Dance" etc.) are retained. None of the omissions are particularly regrettable, save for Anna's solo "Shall I Tell You What I Think of You?" This feisty attack on the King's chauvinism was specially written to suit the talents of Gertrude Lawrence, who played Anna in the original production; the song was cut from the film because it made Deborah Kerr seem "too bitchy" (Kerr's singing, incidentally, is dubbed for the most part by the ubiquitous Marni Nixon). When all is said and done, the principal attraction of The King and I is Yul Brynner, in the role that made him a star and with which he will forever be identified. ~ Hal Erickson, Rovi

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Yul Brynner
as King Mongkut of Siam
Deborah Kerr
as Anna Leonowens
Terry Saunders
as Lady Thiang
Martin Benson
as Kralahome
Rex Thompson
as Louis Leonowens
Carlos Rivas
as Lun Tha
Patrick Adiarte
as Prince Chulalongkorn
Alan Mowbray
as Sir John Hay
Geoffrey Toone
as Sir Edward Ramsay
as Eliza
Marion Jim
as Simon Legree
Robert Banas
as Keeper of the Dogs
Dusty Worrall
as Uncle Thomas
Gemze de Lappe
as Specialty Dancer
Michiko Iseri
as Angel in Ballet
Charles Irwin
as Ship's Captain
Leonard Strong
as Interpreter
Irene James
as Siamese Girl
as Whipping Guard
Jadin Wong
as Amazon
Weaver Levy
as Whipping Guard
Jean Wong
as Amazon
William Yip
as High Priest
Eddie Luke
as Messenger
Josephine Smith
as Guest at Palace
Jocelyn New
as Princess Ying Yoowalak
Marni Nixon
as Anna (singing)
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Critic Reviews for The King and I

All Critics (25) | Top Critics (4)

Audience Reviews for The King and I

  • Nov 15, 2013
    Is it stereotypical and a bit overwrought? Of course. Did Yul Brynner wish that he didn't have to reprise this role on stage umpteen times? I'm sure he would have...but I suppose the money was great. Brynner is wonderful at projecting both the strengths and limitations of the King.
    John B Super Reviewer
  • Oct 11, 2013
    An English teacher takes up residence in the King of Siam's palace. There are some films that succumb to what I call the "D.W. Griffiths Effect." Lawrence of Arabia is the first one that pops into my mind. The film is racist in our time but isn't in its own. So the film becomes stuck in its own era, unable to transcend to the timeless. Few films are so well-made and of themselves delightful that a conscientious critic can both enjoy and abhor it at the same time. The King and I is one of the latter. Certainly subject to the D.W. Griffiths Effect, with Yul Brynner speaking in a mockery of an Asian accent and little Asian kids short-stepping about in the kind of cuteness that Westerners endow the East, The King and I is nevertheless charming, and Brynner is as charismatic and wildly sexy as ever. It's a likeable film, harmless in its simplicity and eminently hummable. The best that can be said of Deborah Kerr is that she is able to move in a massive dress. Overall, there are some people who argue that the D.W. Griffiths Effect is bullshit, that we should judge a film based on its own time, and they must love this film.
    Jim H Super Reviewer
  • May 18, 2013
    Great musical if not somewhat racist with Yul Brynner playing an Asian king.
    Christian C Super Reviewer
  • Dec 11, 2009
    The Remake was better just like the Original one.
    Wahida K Super Reviewer

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