200 American

2003

200 American

Critics Consensus

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TOMATOMETER

Reviews Counted: N/A

24%
liked it

Audience Score

User Ratings: 511

TOMATOMETER

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Average Rating: N/A
Reviews Count: 0
Fresh: 0
Rotten: 0

AUDIENCE SCORE

24%
Average Rating: 2.8/5

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Movie Info

A gay man nursing a broken heart finds love while looking for sex in this romantic drama from actor-turned-filmmaker Richard LeMay. Conrad (Matt Walton) is an advertising executive who has fallen into a funk after breaking up with his boyfriend of three years, Martin (John-Dylan Howard). While he's lonely, Conrad doesn't think he's ready for a relationship so he hires a good-looking hustler, Tyler (Sean Matic), for the evening. Conrad is surprised to find that Tyler is hardly the typical hustler -- he's smart, sweet, and personable, and Conrad discovers that his attraction to Tyler is not merely physical. As they get to know one another, Conrad discovers Tyler's real name is Ian and that he's an Australian who is looking for a way to stay in the United States. He's found a woman who is willing to marry him so he can get a green card, but only for a price, and he's turned to hustling to raise the money. Conrad tries to find a job for Ian in order to keep him away from other men, though that becomes all the more difficult when Conrad's boss gets a look at Ian. 200 American was screened as part of the 2004 London Gay and Lesbian Film Festival.

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Critic Reviews for 200 American

There are no critic reviews yet for 200 American. Keep checking Rotten Tomatoes for updates!

Audience Reviews for 200 American

Acting is bad, low budget, score is awful, crapping set design. It's a comedy????

Sylvester Kuo
Sylvester Kuo

Super Reviewer

The kind of film that gives GLBT cinema a bad name, 200 American is an amateurish, dreadfully scripted and laughably acted 'comedy-drama' that is neither intentionally funny nor dramatically impacting. It's a poor, facsimile photocopy version of Pretty Woman that doesn't have that films' guilty pleasure appeal nor a zillionth of the talent either behind or in front of the camera to make it work. The writer's attempts to pass of said similarities as knowing irony only makes the lack of originality more pointed. A low budget is not an excuse for a film to be a complete vacuum of interest, but that's what was encoded on the DVD that I watched.

Daniel Parsons
Daniel Parsons

Super Reviewer

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