28 Days Reviews

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Top Critic
March 19, 2002
May 10, 2001
Top Critic
April 17, 2001
January 1, 2000
With Sandra Bullock in the lead, writer Susannah Grant (Erin Brockovich) spinning the tale, and director Betty Thomas calling the shots, it's a reliably solid treat.
January 1, 2000
28 Days isn't good enough or smart enough. But, doggone it, people just might like it.
January 1, 2000
28 Days is a reminder of why Bullock became a movie star in the first place
January 1, 2000
28 Days is a cutesy, heavy-handed morality tale that contains nary a believable moment.
January 1, 2000
Sandra Bullock's best film in years -- perhaps even the best work she has ever done.
January 1, 2000
Thomas's fleet-footed approach suggests the anxious embarrassment of a director in an awful hurry to get it over with.
January 1, 2000
28 Days may be fluff, but it's good fluff: effortless, amusing and almost touching.
January 1, 2000
Eminently likable Sandra Bullock has lately shown a bizarre knack for choosing hard-to-like movies. 28 Days continues her unenviable streak .
January 1, 2000
Many of these 28 days are as pat and superficial as anything in a routine TV movie, making a frustratingly uneven film.
January 1, 2000
It's not bad, but it's not very good, either.
January 1, 2000
It's going to take more than 28 Days to jump-start Sandra Bullock's stalled career.
January 1, 2000
If I haven't said much about what actually happens in 28 Days it's because, trust me, you know what happens.
January 1, 2000
28 Days tries too hard to be all things to all people.
January 1, 2000
28 Days is too glib too often to make much of an impression any way you look at it.
January 1, 2000
January 1, 2000
The story and character arcs are pure Screenwriting 101, and every time something unexpected seems poised to happen, the script reaches out, grabs it and pulls it back in line.
January 1, 2000
Bullock brings a kind of ground-level vulnerability to 28 Days that doesn't make her into a victim but simply into one more suitable case for treatment.
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