Critic Consensus: At once playfully eccentric and poignantly bittersweet, Attenberg adds a refreshing sideways spin to the arthouse coming-of-age drama.
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Critic Reviews for Attenberg
Tsangari's art-house minimalism, which never lets us forget we're watching a movie, still permits a surprising degree of tender emotion.
Using occasional song-and-dance numbers with a melancholy Godardian kick, [Tsangari] creates a world that's off-center and alive with loneliness.
Part of the film's success comes from Labed's performance as Marina, who infuses all that weirdness with a barely there vulnerability.
"Attenberg" is a three-layered love story, anatomizing the mysterious emotions of grief, friendship and erotic attraction.
The drama, at its core, is simple and conventional, but it has the aura of science fiction.
Audience Reviews for Attenberg
Greek character study about a strange, asexual girl and her promiscuous but equally odd best friend. The conceit in this study of the ineffable otherness of other people is that we watch these young women as if we're watching a nature documentary about animals who communicate in ways we don't understand; to remind us of that fact they occasionally break into weird dances or slip into animalistic rituals. Excellent acting makes the idea work better than it probably should have, although the average moviegoer will still find it insufferable.
A quirky tale of a socially awkward young woman dealing with the imminent death of her father and a budding romantic involvement with an engineer who is visiting her workplace. Most of the quirkiness is supplied by her less inhibited best friend. At times dark, often awkward, but with an overall tone of playfulness, this film touched on our need to feel like we have some control over our lives.
"Attenberg" starts with Marina(Ariane Labed) and Bella(Evangelia Randou) kissing each other. Calm down! It's not what you think. Marina is just curious to learn about kissing from her more experienced best friend but is none too thrilled with the experience and wonders if she, in fact, might be asexual.(In all honesty, I don't care for French kissing, either.) Anyway, Marina has more serious things to worry about like her father Spyros(Vangelis Mourikis), an architect, who is seriously ill. At the end of the day, she still has to go to work where she drives around an engineer(Giorgos Lanthimos). Some might be disappointed that the wild, woolly and thoughtful movie "Attenberg" has little to say on the current crisis in Greece but it still has plenty to say about the country, starting with Spyros' rant about Greek history and also in what little future he has left, as corpses could not be cremated in Greece until very recently, which leaves his decision to be a final act of defiance.(From what I learned online, the Greek Orthodox Church feels it defiles the body but then they started to run out of room in the cemeteries. See, you learn something new everyday.) For Marina, she is having her first experiences with sex and death, as her conversations with her father have become very frank indeed(I personally do not want to think of my parents having sexual organs, and I don't think many other people do.) but still has plenty of time to play with her best friend(there are occasional intervals with them doing silly walks which simultaneously divert us and them) and watch nature documentaries.
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