>
This heavily symbolic, melodramatic multi-narrative drama lacks emotional resonance. Read critic reviews
What to know
You might also like
See More
Shrink
The Merry Gentleman
Serious Moonlight
Spread
Lymelife
Where to watch The Burning Plain
Watch The Burning Plain with a subscription on Hulu, rent on Apple TV, Vudu, Amazon Prime Video, or buy on Apple TV, Vudu, Amazon Prime Video.
Rate And Review
-
What did you think of the movie? (optional)
You're almost there! Just confirm how you got your ticket.
You're almost there! Just confirm how you got your ticket.
What did you think of the movie? (optional)
How did you buy your ticket?
-
Fandango
-
AMCTheatres.com or AMC AppNew
-
Cinemark Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Regal Coming Soon
We won’t be able to verify your ticket today, but it’s great to know for the future.
-
Theater box office or somewhere else
The Burning Plain Photos
Movie Info
In the present, Sylvia (Charlize Theron) appears to lead a confident life as a restaurant manager but she cleverly hides her promiscuity, self-mutilation, and suicidal impulses. In the past a young girl named Mariana (Jennifer Lawrence) tries to figure out why her mother (Kim Basinger) began an affair as she enters into a relationship with the son of her mother's lover. The threads of these dysfunctional lives are increasingly tied into a potent knot.
-
Rating: R (Nudity|Language|Sexuality)
-
Genre: Drama
-
Original Language: English
-
Director: Guillermo Arriaga
-
Producer: Walter F. Parkes, Laurie MacDonald
-
Writer: Guillermo Arriaga
-
Release Date (Theaters): limited
-
Release Date (Streaming):
-
Box Office (Gross USA): $200.4K
-
Runtime:
-
Distributor: Magnolia Pictures
-
Production Co: Parkes/MacDonald
Cast & Crew
News & Interviews for The Burning Plain
Critic Reviews for The Burning Plain
Audience Reviews for The Burning Plain
-
Features Arriaga's traditional broken narrative style for good dramatic effects, has a brilliant cinematography that mirrors well the characters and what they're put through, subtle but affecting asoundtrack, some stellar performances by Theron, Lawrence and Basinger but just doesn't quite resonate emotionally as much as his previous partnerships with Iñarritú. A strong debut, this tale of redemption, acceptance, forgiveness and at times the darkest corners of humanity, is a definite watch from someone who has a very clear and distinctive voice.
-
For all the time this movie spends going back and forth through time, the characters at the center of the story are never really given a chance to become fleshed out and more complex. The plot jumps between four different stories, which are slowly revealed to all be closely connected to one another. Really though, only two of the story lines are engaging, mainly because there is very little time spent with the other two, and because of this the plot feels disjointed at times. The plot does eventually come together though, and when it does the movie makes much more sense and is easier to follow. The movie definitely feels a bit melodramatic a lot of the time also, especially towards the end. I did actually like some aspects of it though, namely the romance between Jennifer Lawrence and JD Pardo, which seemed sweet, albeit occasionally cheesy. If the movie had been more focused and maybe just stuck to one story at a time, the characters could have been much more compelling, but because of the plot that's constantly pulling the characters in different directions, they're never given a chance to show their true colors. The movie ends up being mediocre but watchable, and as long as you're not expecting too much out of it, you might like it.
-
Directed and written by Guillermo Arriaga, the screenwriter of Amores perros (2000), 21 Grams (2003), and Babel (2006). The film stars Charlize Theron, Jennifer Lawrence, Kim Basinger and Joaquim de Almeida. In Arriaga's directorial debut, he films a story that has multipart story strands woven together like in his previous screenplays.In the style of the three movies above, this one is boring and without the same class.
-
The only reason to watch this film is the remarkable performance by Jennifer Lawrence, who recently garnered a Golden Globe nomination for another film. She captures a perfect balance between the impetuousness of youth and the world-weary bitterness of a daughter forced to grow up too soon, and late in the film she has an uninhibited crying scene that makes Viola Davis's part in <i>Doubt</i> look like it's as guarded as Russell Crowe. As far as the story is concerned, I think of Kurt Vonnegut's "rules" for writing. He effectively said, "Don't hide anything from the audience. Fuck suspense." He also said, "Flannery O'Connor violates all of these rules and still writes effective fiction." Hi ho. Writer/director Guillermo Arriaga would have done well to remember Vonnegut's "rules" because for much of the movie, we feel like the episodic scenes we're presented with are too disconnected in theme and substance to amount to anything interesting. It turns out that the stories are connected, but by the time we find this out, we've stopped caring. Overall, catch a rising star in Lawrence but to hell with the rest of the film.
Verified