Cherry Blossoms

Cherry Blossoms Photos

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Cast & Crew

Elmar Wepper
Rudi Angermeier

Hannelore Elsner
Trudi Angermeier

Aya Irizuki
Yu

Maximilian Brückner
Karl Angermeier

Nadja Uhl
Franzi

Birgit Minichmayr
Karolin Angermeier

Felix Eitner
Klaus Angermeier

Floriane Daniel
Emma Angermeier

Celine Tanneberger
Celine Angermeier

Doris Dörrie
Director

Doris Dörrie
Writer

David Groenewold
Executive Producer

Harald Kügler
Producer

Molly von Fürstenberg
Producer

Patrick Zorer
Executive Producer

Claus Bantzer
Original Music

Hanno Lentz
Cinematographer

Frank C. Müller
Film Editor

Inez Regnier
Film Editor

Bele Schneider
Production Design

Sabine Greuning
Costume Designer

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Critic Reviews for Cherry Blossoms

Audience Reviews for Cherry Blossoms

• Apr 29, 2010

  In "Cherry Blossoms," Trudi(Hannelore Elsner), knowing her husband Rudi(Elmar Wepper), a mid-level bureaucrat, is dying, wants to finally travel with him to Japan to visit their son Karl(Maximilian Bruckner), see Mount Fuji and watch a performance of Butoh which she loves. But he decides against it, feeling they have some perfectly fine mountains in Germany, thank you very much. Instead, they travel to Berlin to visit family who feel they are being inconvenienced by their visit. So, the couple moves on to the Baltic Sea. While owing a huge debt to Ozu's magnificent "Tokyo Story" in its depiction of the marginalization of senior citizens, "Cherry Blossoms" is still an amiable and bittersweet meditation on mortality. The movie contains a twist that turns everything on its head and reinforces the notion that we can never take anything for granted.(Strange as it may seem, this reminds me of a line from the voiceover from "Kick-Ass.") Rudi goes through the motions of his clockwork life, thinking that it will always be the same at least until he retires the following year, displaying his lack of imagination. It is Trudi who hears the clock ticking with time running out with the man she has lived with for decades and always thought she would spend the rest of her life with.
  Walter M Super Reviewer
• Feb 26, 2010

  A remake of, or possibly a homage to, TOKYO STORYas an elderly married German couple, Rudy and Trudy, go visit their offspring when Trudy secretly learns her husband has a fatal illness. A story this relevant to many families can easily take a second version, and this one has some ncely filmed scenes of Germany, Amsterdam and Tokyo for the armchair tourist, good observations about parent-child relationships plus a cute-as-a-button performance by Aya Irizuki as Yu, the Japanese free-spirit who takes the adrift Rudy under her wing..
  Lesley N Super Reviewer
• Nov 09, 2009

  Cherry Blossoms was a deep movie about the contacts and the feelings between an elderly couple and their children and the lost chances to deal with each others lives.The movie;s heart was about grief and how we can never really prepare for it. And also an examination of marriage and of how partners could become so acquaintance with one another as a couple that they lose their identities as individuals, missing out on the dreams and goals they had for their lives when they were young.The pace of the story was slow as too much speed would have destroyed the wonderful artwork inside the movie. The movie was soft, slow, sad, but at the same time a life lesson, to treasure every single person in our surroundings and to care for, as life could never be predicted.
  Daisy M Super Reviewer
• Jul 28, 2009

  The first half of Cherry Blossom is a wonderfully realised German tribute to Tokyo Story. An elderly couple go to visit their children only to find that they do not have time for them. The twist here is that the wife knows that the husband is dying but he does not. This adds a forever lingering atmosphere of tragedy, but is far from predictable. The second half of the film moves to Japan and explores it's own territory. Here we are treated to tender and saddening moments that many people will be able to relate to. The Japanese landscapes are captured in a way that fully expresses the wonder felt by the protagonists. Some of the child/parent conflict is a bit blatant and some of the culture cross is uninspired. Another film where a westerner thinks somebody introducing them self as Yu, is saying "you"? Really? Luckily the wonderful and meditative feel that radiates off the film, cover those small blemishes.
  Luke B Super Reviewer

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