Shirley
Da 5 Bloods
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I May Destroy You
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All Critics (13) | Top Critics (3) | Fresh (3) | Rotten (10)
Be warned, the wittiest thing about this bite-sized-budget Brit horror is its misleading title. September 1, 2017 | Rating: 1/5 | Full Review…
Be warned, the wittiest thing about this bite-sized-budget Brit horror is its misleading title.
Larushka Ivan-Zadeh
A low-budget British vampire comedy with more bark than bite, Eat Locals feels like a school reunion project for survivors of Guy Ritchie's early gangster films. August 31, 2017 | Full Review…
A low-budget British vampire comedy with more bark than bite, Eat Locals feels like a school reunion project for survivors of Guy Ritchie's early gangster films.
Stephen Dalton
The special and visual effects are too frequently deployed and also desperately unconvincing, and it's a shame the script isn't just a shade or two funnier. August 31, 2017 | Rating: 2/5 | Full Review…
The special and visual effects are too frequently deployed and also desperately unconvincing, and it's a shame the script isn't just a shade or two funnier.
Leslie Felperin
I don't doubt Flemyng is a talented director, I just hope his next film has a better script. May 16, 2019 | Full Review…
I don't doubt Flemyng is a talented director, I just hope his next film has a better script.
Carolyn Mauricette
...any movie where a granny vampire lets loose with a machine gun to the strains of The Damned has its heart in the right place. January 8, 2018 | Full Review…
...any movie where a granny vampire lets loose with a machine gun to the strains of The Damned has its heart in the right place.
Travis Johnson
There is enough ability here for sure to make this worth a look. But somewhere between page and screen, whatever it was that attracted all that talent has evaporated into the night. November 10, 2017 | Rating: 4/10 | Full Review…
There is enough ability here for sure to make this worth a look. But somewhere between page and screen, whatever it was that attracted all that talent has evaporated into the night.
J.R. Southall
It's an energetic but unsurprising film, with Flemyng's most obvious contribution being his gathering of an above-par cast that includes old colleagues such as Charlie Cox and Dexter Fletcher. September 5, 2017 | Rating: 2/5 | Full Review…
It's an energetic but unsurprising film, with Flemyng's most obvious contribution being his gathering of an above-par cast that includes old colleagues such as Charlie Cox and Dexter Fletcher.
Edward Porter
Nothing works in the directing debut of noted character actor Jason Flemyng. August 31, 2017 | Rating: 1/5 | Full Review…
Nothing works in the directing debut of noted character actor Jason Flemyng.
Alan Jones
An ambitious film that suffers from a visibly stretched budget, Eat Locals fails to live up to the promise of its wonderful title but does have some great moments. August 31, 2017 | Rating: 2/5 | Full Review…
An ambitious film that suffers from a visibly stretched budget, Eat Locals fails to live up to the promise of its wonderful title but does have some great moments.
Jennie Kermode
A vampire film without any bite. August 31, 2017 | Rating: 1/5 | Full Review…
A vampire film without any bite.
Hannah Woodhead
combines the tropes of vampire films with the Little England satire of Royston Vasey to show the accidental centrality of small-town British parochialism to a global economic scene where religious and national interests are trumped by corporate ones August 29, 2017 | Full Review…
combines the tropes of vampire films with the Little England satire of Royston Vasey to show the accidental centrality of small-town British parochialism to a global economic scene where religious and national interests are trumped by corporate ones
Anton Bitel
Parallels with everything from Shaun of the Dead to What We Do In the Shadows go down a treat. There's even a nice little bit of social class dialogue bubbling under the surface that results in a final and very wry political money shot. August 28, 2017 | Rating: 7/10 | Full Review…
Parallels with everything from Shaun of the Dead to What We Do In the Shadows go down a treat. There's even a nice little bit of social class dialogue bubbling under the surface that results in a final and very wry political money shot.
Charlie Oughton
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