The LEGO Movie 2: The Second Part
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Critics Consensus: Mike Newell's adaptation of Elizabeth von Arnim's moves at a more generous pace than the 1935 version, allowing excellent performances from Miranda Richardson and Joan Plowright to flourish.
Critic Consensus: Mike Newell's adaptation of Elizabeth von Arnim's moves at a more generous pace than the 1935 version, allowing excellent performances from Miranda Richardson and Joan Plowright to flourish.
All Critics (31) | Top Critics (9) | Fresh (26) | Rotten (5) | DVD (4)
In a raucous movie summer, this is a film for those who appreciate wisteria and sunshine, and a recollection of a time when women and movies could be purveyors of enchantment.
Strong cast's reliable playing is undercut by a script that dawdles over well-trod territory.
A sweet pipe dream, Enchanted April won't bear much scrutiny; just bask in it indulgently like a spring sun.
Personalities clash but are cheerfully reconciled, and marital tensions are swiftly resolved.
The ladies are well bred, the scenery is lovely and the dialogue is polished and polite. It helps that the same villa in Portofino where Miss von Armin wrote the novel has been used to fine effect as the film's principal setting.
It would seem from a spate of films lately that the English can only find their warmer, truer selves abroad -- usually in Italy. Enchanted April takes this familiar path, but traipses along with charm and glory, as if for the very first time.
What makes the magic work for the viewer is the exceptional individual performances as well as the fine ensemble efforts that director Mike Newell has orchestrated so beautifully.
A small sun-dappled pleasure of a film.
The whole thing seems like it was dreamed up during a sleepy afternoon by the Italian seaside, and is guaranteed to put viewers into a similarly soporific state.
An undeniably pretty but ultimately vacant period drama.
Elegant period film explores deep emotions.
It reminded me of the introspective but otherwise soft-hitting stories that my mother reads in her monthly book club. It's a rich film, but not the kind of rich that I like.
American sensibilities usually go agog when it comes to English country homes and their varied inhabitants, which is why "Downton Abbey" is an iconoclast by itself. This film falls into the genre of hapless women alone in Italy and their various adventures. The so-called adventures of the women in this film are pathetic, short sighted, and at times disappointing. Two of these women are repressed, and depressed, housewives from the rumbling metropolis of London. They're friends, they both wish their husbands cared more about them, and both need to get away from the horrible, rainy weather. Their husbands include a politician and a ghost writer who goes off to parties and socializes with the toast of the city, at times flirting with infidelity. Both husbands are mercifully repulsive, but instead of the women getting away and eventually leaving them, the film celebrates women changing via a vacation to Italy in order to entice their significant others. The film loses any empathy by sticking to its source material ("The Enchanted April" by Elizabeth Von Armin), and pairs together the last remaining singles into couples at the end, just so it can be tied up in a little bow. Even the so-called enchanted countryside is barely shown except for some shots of wisteria and garden paths. Otherwise most of the film is shot within the confines of the Italian castle, also not all that grand. A film's beatific setting can often enchant when the characters do not, but there isn't even a hint of guilty pleasure surrounding this film. It doesn't have the wit of an Austen adaptation or the dramatic setting and tone of a Merchant/Ivory film. It simply lingers on the most boring elements of dialogue, and on characters that don't do anything. Even the surrounding characters, which include a widow who made friends of the elite in literature, a coaxing socialite, and the castle's owner, can't make this film compelling in any way. If you want to watch a bunch of flighty women fighting to be happy, this is for you, but otherwise it doesn't have merit.
Super Reviewer
Four English ladies rent an Italian villa. The biggest surprise about Enchanted April is that it's not a Merchant/Ivory production. It has all the trappings of such a film with it's understated, often-quotidian conflicts and its focus on setting to provide thematic mood. It's A Room with a View. While I liked A Room with a View, I recognized that the quotidian conflicts don't always provide the matter for compelling drama; the same is true for Enchanted April. The performances by all the actresses are strong, but I was particularly "enchanted" by Polly Walker as the free-spirited Lady Caroline. Overall, if you like Merchant/Ivory's films, then you'll like this film because the differences between these films is negligible. The performances by all the actresses are
A period 'romantic comedy' with an amazing ensemble cast. Funny, romantic and a little magical. THe Italian countryside is GORGEOUS!
charming
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