Mary Poppins Returns
Mission: Impossible - Fallout
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All Critics (13)
| Top Critics (1)
| Fresh (11)
| Rotten (2)
| DVD (1)
Too bad the pic had such an ugly and forgettable story.
A realistic, colorful and always interesting study of a veteran police office (Newman) and his a rookie partner (Wahl) patrolling the rough streets of the South Bronx. Asner is memorable as their gung-ho new commander.
Overlooked hard-boiled cop story.
Fort Apache, the Bronx portrays the men in blue as neither Galahads nor roughnecks but as ordinary human beings who try to cope in a pressure-cooker.
A cliched but thoroughly watchable cop movie, thanks to Newman's acting chops.
It may have been released in 1981, but this film sure has the look, feel, and sounds of the 1970s all over, and that's just fine by me. This is a gritty, cynical, yet still entertaining film about a nistly decent but burnt out veteran beat cop dealing with the continually worsening decay that has overtaken The Bronx.
The film is somewhat of a character study, and it has a very loose, episodic flow, instead of a rigidly structured plot. I think this helps the film. However, there are a few scenes that feel like they've been suddenly cut short, and the transitions between them feel really abrupt and choppy. Aside from that though, I don't have too many other issues. I mean the film is guilty of numerous genre cliches, but what film isn't?
Newman does a pretty good and believable job in the lead. As his love interest, a nurse who also happens to be a junkie, Rachel Ticotin is okay, but not really excellent or anything. Pam Grier (who sadly doesn't have as much screen time as I had hoped) has a small but memorable supporting role as a junkie prostitute/murderer. She does a really good job, and exhibits some fine method acting. Her memoir gives some intersting details about how she prepared for this movie, as well as some good information about it in general. Asner, Wahl, and Aiello are also all likewise decent.
What works best here though, is the location shooting, and the cinematography. It was shot on location throughout The Bronx, and things look quite realistic, run down and grimy. There's some really good long deep focus shots and some nice lighting and framing here as well. As much as I liked this movie, I can't say I'd want to visit that place during that time. I liked the music, but I could have used more of it.
Give this one a shot. The critics seem to miss the point with this one. Yeah, it's not really innovative, but it's pretty decently made, has great atmosphere, look, mood, and tone, the performances are good, and it's pretty watchable and entertaining. What more, really, could you ask for?
A controversial and powerful drama starring Paul Newman in a performance that is nothing short of brilliant, he plays a tough, tired veteran Police Officer on the beat in the squalid, largely devastated wasteland of the South Bronx of New York City in the early 1980s, where murder, drugs, prostitution, riots, corruption and indifference are part of every day life. Superb supporting performances by Ed Asner, Ken Wahl, Rachel Ticotin, Danny Aiello, and Pam Grier. A unforgettable look at the demoralization of the lower classes in a hellish urban territory. Highly Recommended.
Cynical but entertaining police drama where the real villain is 70's New York.
Paul Newman stars as a burned out cop in the neighborhood from hell in this police film that is an over the top look at typical patrol officers. Fort Apache, The Bronx is about the worst precinct in New York. Cops are killed with civilians on a regular basis and riots are a constant sore. This is where a cop goes when they go screw up and Newman plays the cynical, bitter beat cop with perfection. This isn't Serpico. It's the guys in the blue uniforms.
Even though it sports a good cast, the film slips on some of its plot points (Pam Grier as a psychotic hooker) and the way it was shot, which reminds the viewer of a '80's TV movie. It does go above and beyond at times, but Fort Apache is a good flick if you want to see more Paul Newman.
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