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Mission: Impossible - Fallout
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An innovative blend of samurai and gangster lifestyles.
An innovative blend of samurai and gangster lifestyles.
All Critics (95)
| Top Critics (26)
| Fresh (78)
| Rotten (17)
| DVD (6)
At once a tribute to traditional notions of honour, loyalty, friendship and professionalism, and a stylish, ironic pastiche inspired by the likes of Melville and Suzuki, it's very funny, insightful, and highly original.
A handsomely shot, cool-sounding head-scratcher of a film that probably isn't worth the wear on the fingernails.
Rueful, funny, deliciously off-kilter.
Ghost Dog does right by fans of gangsters, hip-hop and samurais.
Ghost Dog is muddled and aimless.
By turns irritating and inviting; Jarmusch's allusive metaphysics has a sensual glide, but much of what he's doing here is also too, too hip.
Even when aware of all the strange, disparate elements, it still surprises.
Amusing, melancholy, and meditative, Ghost Dog is a modern classic of the hit man genre.
Jarmusch's original film, which deconstructs the mobster genre as seen through the eyes of a Samurai, is by turn eccentric, mysterious, and mythical, defying viewers expectations
One of the coolest movies to come down the pike in years.
Jarmusch blends these disparate themes into a cohesive film that combines humor and truly unique characters with Eastern philosophy, mobster flick and shoot-'em-up western.
Visually creative film with a remarkable use of color and music.
A well-constructed and superb genre piece that has a terrific and poignant mixture of urban attitude, street savvy, stylistic shootings and compelling samurai wisdom along with gangster, western and martial arts genre films. A skillful and darkly engagging character study. A beautifully made and brilliant film. A sharply entertaining and stylish crime-thriller. It`s smart, funny, cool, thrilling and action-packed. An instant classic. A great and genuine surprise to watch. Forest Whitaker gives an extroadinary and compelling performance, one of his best performances ever, it stands wit his work in Bird and The Last King of Scottland. Director, Jim Jarmusch crafts his masterwork. A skillful and enthralling work of art thats handsomely shot, hypnotic and has a seductive rytham all of its own. One of the best hitman films to come along since The Professional.
Now Forest Whitaker isn't the kind of guy you would normally think of for a smart ice cool hitman flick. His big lumbering appearance and droopy eye always gives him the look of a bad guy or suit type, not some ninja like assassin.
But here we are in dare I say 'Leon' for a black audience? is that wrong of me? cos this sure as hell is what it is. Take the overall premise of 'Leon' and virtually copy it scene for scene and you have 'Ghost Dog' but with a nice samurai code twist.
This film is actually based on a very good French film called 'Le Samouraï' which in turn also probably influenced Besson for his New York based hitman classic. Its pretty fair to say when watching that this is heavily influenced by those said films, from the hit sequences to the little girl who 'Ghost Dog' befriends but doesn't train...although that is hinted at somewhat towards the end.
Personally I love this film, its could easily be a sequel to 'Leon' and moves just as sexually and gracefully including some excellent hit scenes, albeit a bit brief. The film is kinda slow and builds around 'GD' training in the art of samurai whilst living his simple life caring for pigeons. Your not really sure if your suppose to root for this guy either, he's not doing good stuff after all. He works for the mob and kills people, breaks into properties and steals cars pretty regularly, he doesn't kill innocents but nor does he care too much about them or their material possessions.
Trying not to mention other films too much here but when you see the American mobsters in this it rings so many bells. The bad guys are a classic stereotypical cliched lineup of fat, aging, balding, badly dressed 70's looking rejects that could of come from any well known mafia flick you've ever heard of. I loved how they looked and spoke in that typical Nu Joisey/Nu Yawk fashion with their big tinted shades, dated tracksuits or leather coats, absolutely perfect. You could almost think of these guys as a parody really. Almost caricatures and exactly how you expect Italian American hoods to look and act with the addition of great names like 'Handsome Frank' and the all too common names of Vinny, Ray and Louie.
The cast are familiar too, all the regular faces that normally play wheezing old fat mafioso's. Their boss is Henry Silva who is pretty much the perfect face for a bad guy, a mafia bad guy. The man is a character acting legend plus his face is evil looking with those sharp cheek bones and odd stretched wrinkle-less like skin complexion, no wonder he was in 'Dick Tracy'.
There isn't too much action here like I said but that isn't a problem really. The film moves slow just like its main player and the outcome is resolved quite quickly really. The Japanese filling throughout is a nice touch which is obviously there because of the French film it plays homage to but it neither hinders or helps really, its just nice little touches that are pleasant to view. End of the day the samurai code doesn't really effect the film much apart from what 'GD' allows to happen.
Didn't think the film needed the African American influence of rap music though, would of been nice without that, more unique really as the old gangster thing still looms somewhat. Still a unique film though can't dent that. For me the film is made with the stellar casting for the bad guys, they are really quite amusing, Whitaker does well also in his calm near silent role. A must see film if you like this kind of thing but just don't expect tonnes of action.
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