With an exceptional cast - most especially Paul Newman and Piper Laurie in outstanding performances -, this is a profoundly compelling and richly complex character study about an arrogant, self-destructive anti-hero in search of his own "character" and finding it in a most painful way.

A character study of an awesome proportion, it's much more than the theatrical antics of a small time pool hustler. Paul Newman portrays "Fast" Eddie Felson, a hustler who tours the country with his partner conning the money out of men to pay for their next hotel room, booze, and many dames. Still, Eddie has higher aspirations than to be a con man to secure a sizable nest egg, and so he goes up against the biggest fish in the pond, Minnesota Fats, played by the always entertaining Jackie Gleason. Though Gleason isn't a large presence in the film, he is the main goal for Eddie, the motivation for most of the film. It's a complex issue that rears its head in many antihero works, when the main protagonist gives up happiness for something bigger than themselves, and here Eddie is stuck between a rock and a hard place. It's truly an actor's film, showcasing the talents of Paul Newman and the very enigmatic and rarely seen Piper Laurie. Both are thrown into many scenes together with very little story and are forced to show the craggy underbellies of each of their characters. Though it drags at times, it's very volatile to watch their relationship, and the sacrifices each puts forth in order to keep Eddie from becoming a washed up has been, yet find some form of happiness. At the very end, it's no longer about the ideal Eddie holds of himself, but escaping the clutches of a system that would keep him underfoot. Besides Newman and Laurie there are some great small parts for Gleason and George C. Scott. Both come off as austere and stoic in the face of the storm but in the end they show their true colors, their lack of strength when the hero shows himself above their antics and backroom dealings. Eddie really is the entire film, falling between a mess of a human being into the hero who you root for when he's down by a large sum of money, the crowd starting to disperse, and the sweat and tears mingling on his face. Heavily Oscar nominated, The Hustler remains a classic in every sense of the word, sparking a sequel in the eighties called The Color of Money, starring Paul Newman, again as Fast Eddie, and big star Tom Cruise. I can't wait to see it in order to compare and contrast, but truly it's this film, so classic, so fraught with tension and sexual ambiguity, that will probably stay with me.