Mary Poppins Returns
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
Tomatometer Not Available...
No consensus yet.
All Critics (9)
| Top Critics (4)
| Fresh (7)
| Rotten (2)
There's a lot of material here to get through, and Wallach and her cinematographer Ken Kobland take their time with it, a gamble of an approach which works, on the whole.
There's little art to Wallach's camerawork or pacing. Still, Ilya and Emilia are fascinating enough to merit sitting through Enter Here's meanderings.
The orchestration wobbles now and again, but Ms. Wallach has fashioned a multifaceted, informative portrait conveying the emotional urgency of the Kabakovs' work.
A look back at the husband-and-wife team whose surreal, mimetic installations reinvented the landscape of Soviet and post-Soviet art.
Wallach and Kobland have made a graceful, enormously moving portrait of a complicated artist and an artistic collaboration.
A warm, human portrait of two brilliant artists undermined by pretentious, distracting editing and cinematography.
Granted terrifically complete access, Wallach's camera captures the Kabakovs, a truly engaging couple, with an invigorating, inviting intimacy.
At times, it's hard to imagine how a real, physical visit to a Kabakov exhibit could improve upon Wallach's film, which plays like the world's trippiest docent.
The research that went into the film seems a largesse, but it's compromised at every turn by filmmaker Amei Wallach's sloppy, pedantic delivery.
There are no featured reviews for Ilya and Emilia Kabakov: Enter Here at this time.
There are no approved quotes yet for this movie.