Looking for Mr. Goodbar


Looking for Mr. Goodbar

Critics Consensus

Diane Keaton gives an absolutely fearless performance in a sexual thriller whose ending will leave audiences trembling.



Total Count: 24


Audience Score

User Ratings: 4,387
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Movie Info

Seeking romance and an escape from her repressive home life, a teacher begins to haunt singles bars, participating in a number of unsatisfying affairs. This drama, based on a true story, culminates in tragedy when the teacher's quest leads to her victimization by a psychotic murderer.


Critic Reviews for Looking for Mr. Goodbar

All Critics (24) | Top Critics (4) | Fresh (17) | Rotten (7)

  • What makes the film ... so fascinating and repellent at once is precisely the confusion and anxiety it articulates about women's sexual freedom.

    May 4, 2016 | Full Review…
  • In Looking for Mr Goodbar, writer-director Richard Brooks manifests his ability to catch accurately both the tone and subtlety of characters in the most repellant environments.

    Apr 8, 2008 | Full Review…

    Variety Staff

    Top Critic
  • Judith Rossner's calculated bestseller, about a contemporary woman's sexuality and her 'descent' into the world of New York singles bars, gets what it deserves in this old-fashioned adaptation.

    Feb 9, 2006 | Full Review…
    Time Out
    Top Critic
  • Looking for Mr. Goodbar is very much worth seeing, particularly for the Diane Keaton performance.

    Oct 23, 2004 | Rating: 3/4 | Full Review…
  • Rather than explaining and involving himself with the nuances of Theresa's character, though, Brooks chooses instead to make her a symbol, and a cliched symbol at that, of an America that he neither understands nor likes very much.

    Sep 30, 2019 | Full Review…
  • Looking for Mr. Goodbar often misses the mark, but it is not a film easily forgotten.

    Jul 31, 2019 | Full Review…

Audience Reviews for Looking for Mr. Goodbar

  • Feb 07, 2011
    Diane Keaton's performance is stunning. And I am fairly certain that I have dated Richard Gere's character. However, I was a bit disappointed that the movie veered away from the book. It is a more interesting story for Theresa to have a self-destructive bent. She picks up guys because she knows they'll be trouble. In the movie she is just a hedonist.
    Juli R Super Reviewer
  • Jun 16, 2010
    A provocative edgy drama based on the best-selling novel by Judith Rossner, about a repressed young teacher named Theresa Dunn, brilliantly played by Diane Keaton in a powerful and emotionally complex performance. whose initially innocent search to find a man of her dreams escalates into promiscuous and dangerous encounters with men she meets in bars, she begins to wallow endlessly in her new "liberated" sexual lifestyle, the thrill of the evening trysts, which eventually involves drugs and violence has her life spinning out of control with this self-destructive behavior. Diane Keaton wonderfully balances the dual aspect of her character's life, by day a outwardly caring teacher to deaf children living a banal existence, and by night a drug-fueled bar tramp, this film is a indictment against the sexual attitudes of the 70s, where disco was the music and coke and weed was the new drugs of choice, the sexual revolution was at it's peak here, before herpes and AIDS made their dreaded entrance. This is one of the few and rare instances where the film is better than the book, thanks to the brilliant screenplay and direction of Richard Brooks. It is difficult to watch at times but this film is pure cinema at it's highest level. Superlative performances from Tuesday Weld, Richard Kiley, William Atherton, Priscilla Pointer, Tom Berenger and Richard Gere in a memorable turn as a hyperactive hustler. Shocking then it is thought-provoking now, and builds to a unforgettable and shattering climax. Highly Recommended.
    Danny R Super Reviewer
  • May 18, 2010
    Former good girl Theresa(Diane Keaton) moves out of her parent''s home to forge a life of her own. During the day she teaches deaf children, but at night she turns into into a promiscuous drug using, party-girl frequenting singles bars. Theresa goes to one last bar and brings home one last stranger. Richard Brooks's LFMG is a straight fwd story with a fascinating character played by Keaton and good supporting roles by Richard Gere and Tuesday Weld and Tom Beranger. Brooks is quite good bringing the 70's vibe with disco music and dark drinking bars and the love Keaton has for deaf children.
    Brian R Super Reviewer
  • Feb 19, 2008
    Real sad for the girl;
    Sherry . Super Reviewer

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