In its first half, it is amusing to laugh at the expense of how far these people can go in being obnoxious, but later on it appears that what Baumbach really wants is to defy us to endure a gallery of despicable characters till in the end it has become nearly insufferable to watch.

This film is in my favorite genre: dark humored, pointless, character driven films. Noah Baumbach is one of my favorite writer/directors, and in this story of a strung out writer at her sister's wedding and all the family dysfunction that goes along with it, the film writes itself with its strong characters and gritty pretense. The storyline isn't all too original, but the performances from these actors are driving, unflinching, and realistic. Nicole Kidman has never been so unlikable and flighty as she is in this film. She is narrow minded of her sister, who is marrying a dilettante (Jack Black) who Margot deems unfit for her. There is also a sensitive past between the two sisters and their family, intensified by the fact that Margot's sister (Jennifer Jason Leigh) currently lives in the old family house. There is a bitter honesty between the siblings but also a kind of magic realism, as their lives are slowly unearthed to one another after all these years. Kidman especially stirs the pot between the factions of the family with her commentary on her sister's fiance, their past, and the fact that all her writing is autobiographical and has ruined her sister's first marriage, alienated her from her family, and caused a rift in her own marriage, also caused by an affair with an egotistical ass. What is really striking about these interrelationships is that of the children, especially Margot's son, who she repeatedly self-diagnoses as having Asperger's and when she wants to be nice describes him as an artistic soul. Her son seems spoiled, yet that may seem the case because he speaks of things he knows little about with his cousin and family friend, but when he speaks to his mother she either undermines what he thinks and feels as childish blather, or intellectual hierarchy supplemented by her own particular parenting style. Even though it is strangely pointless throughout, I think the ending is supposed to be uplifting, as Margot is trying to stop her reckless behavior and reconnect with her family. Still, there is nothing pseudo intellectual about this character study or bombastic from Jack Black's performance as the light comedy. It has some simple realism, but really it's about family, and the lengths we go to protect ourselves from the only people who know us best.