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Critics Consensus: Despite a great cast, the characters in Margot at the Wedding are too unlikable to enthrall viewers.
Critic Consensus: Despite a great cast, the characters in Margot at the Wedding are too unlikable to enthrall viewers.
All Critics (168) | Top Critics (40) | Fresh (87) | Rotten (81) | DVD (7)
Humourless (though supposedly a comedy) and pretentious, almost a parody of the self-indulgent Sundance festival film, right down to the washed-out colours, droning dialogue and the title in big sans-serif capitals.
Baumbach's interest in families - a distinct Baumbachian sort of family - is acute and his observations often painful and delivered with a dry wit.
Kidman's performance keeps you transfixed all the way through, because she delves into her character's damaged psyche so fully, you're constantly fascinated to see what biting, acidic thing she will say next.
Apart from John Turturro in a cameo, all the characters are monsters and/or basket cases.
There isn't a pleasant, wholly likable character in the cast. But you can't avert your eyes from it.
Writer-director Noah Baumbach solidifies his standing as the modern bard of American dysfunctional families with Margot at the Wedding, but at the same time he's recycling material he's already covered, and covered more exquisitely.
The movie just isn't funny, nor is Baumbach's decision to leave the boom in shot in any way avant-garde.
Margot at the Wedding is a little too literary and its overall air of wry cartoonish dysfunctionality becomes wearing and is conceitedly telegraphed.
OK, this all sounds a bit tiresome and shop-worn... But, as well as being savage, it is also savagely droll, with several truly laugh-out-loud moments, and the performances are stunning.
Don't be surprised if someone interrupts you in the middle of the film to ask if you understand what's happening on the screen and don't feel bad answering that you do not have the slightest idea. [Full review in Spanish]
As in the minutely observed anatomy of a divorce in The Squid and the Whale, the pleasures and pains of Margot reside in the smallness of scope and queasy focus on delicate family matters.
Who the hell names their son Claude? Do they want him to get beat up every day of his life?
In its first half, it is amusing to laugh at the expense of how far these people can go in being obnoxious, but later on it appears that what Baumbach really wants is to defy us to endure a gallery of despicable characters till in the end it has become nearly insufferable to watch.
Super Reviewer
I usually like Noah Baumbach's dialogue so much that I'm able to overlook his films' meandering pace and unlikeable characters. I could not forgive this one, however, both because the dialogue isn't as consistently sharp and because the overall structure is unmercifully dull. Though Jack Black's show-stealing performance reaffirms Baumbach's ability to maximize the humor he can get out of his misanthropes, the same is not true for the anti-hero played by Nicole Kidman. She plays her role efficiently, but gives absolutely no humanity to the part as Black does, and as Jeff Daniels and Ben Stiller have in the writer/director's other, better films.
This film is in my favorite genre: dark humored, pointless, character driven films. Noah Baumbach is one of my favorite writer/directors, and in this story of a strung out writer at her sister's wedding and all the family dysfunction that goes along with it, the film writes itself with its strong characters and gritty pretense. The storyline isn't all too original, but the performances from these actors are driving, unflinching, and realistic. Nicole Kidman has never been so unlikable and flighty as she is in this film. She is narrow minded of her sister, who is marrying a dilettante (Jack Black) who Margot deems unfit for her. There is also a sensitive past between the two sisters and their family, intensified by the fact that Margot's sister (Jennifer Jason Leigh) currently lives in the old family house. There is a bitter honesty between the siblings but also a kind of magic realism, as their lives are slowly unearthed to one another after all these years. Kidman especially stirs the pot between the factions of the family with her commentary on her sister's fiance, their past, and the fact that all her writing is autobiographical and has ruined her sister's first marriage, alienated her from her family, and caused a rift in her own marriage, also caused by an affair with an egotistical ass. What is really striking about these interrelationships is that of the children, especially Margot's son, who she repeatedly self-diagnoses as having Asperger's and when she wants to be nice describes him as an artistic soul. Her son seems spoiled, yet that may seem the case because he speaks of things he knows little about with his cousin and family friend, but when he speaks to his mother she either undermines what he thinks and feels as childish blather, or intellectual hierarchy supplemented by her own particular parenting style. Even though it is strangely pointless throughout, I think the ending is supposed to be uplifting, as Margot is trying to stop her reckless behavior and reconnect with her family. Still, there is nothing pseudo intellectual about this character study or bombastic from Jack Black's performance as the light comedy. It has some simple realism, but really it's about family, and the lengths we go to protect ourselves from the only people who know us best.
Nicole Kidman has fleshed out some excellent roles throughout her career in some great films, namely; "To Die For" "Dogville" and most recently "Rabbit Hole" but this is also one for her vintage collection of characters. She plays moderately successful novelist Margot Zeller who has taken her son Claude (Zane Pais) to sister Pauline's (Jennifer Jason Leigh), who's about to marry drifting artist Malcolm (Jack Black). While relations appear cordial, it becomes clear, as the wedding looms, that Margot's prime talent is for upsetting people. This quirky heartfelt drama will certainly not appeal to everyone but if you appreciate sharp writing and realistic well drawn characters, then look no further. This is a film that has quality from all angles just coursing through it. Writer/Director Noah Baumbach's attention to detail and ear for dialogue is just so sharp and natural and it's perfectly delivered by an exceptionally good cast. I normally avoid the highly irritating Jack Black but have to admit he was excellently used. His comic ability has never been used as effectively as it is here but it's the serious side to his character that is most appealing, of which he also delivers. Zane Pais is brilliant for such a young actor and I'm very surprised we haven't seen more from him recently, but the acting plaudits must go to Kidman for her fabulous depiction of a bitter and thoughtless neurotic who causes harm to everyone around her. It stands as probably my favourite performance from her so far. She is simply superb as the beating heart behind a very disfunctional family. Baumbach reminds me of a more serious Wes Anderson in his subtle yet very detailed writing and after seeing this and the class of "The Squid and The Whale", I think I've found another director to keep a very close eye on. A real treat. Next stop "Greenberg".
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