Matthew Barney: No Restraint (2006)
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Critic Reviews for Matthew Barney: No Restraint
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More interesting is Chernick's concise survey of Barney's intriguing early work, including weird Vaseline-covered sculptures and footage of him trying to draw while under physical restraints such as a harness, etc.
If Chernick set out to portray the couple's movie project as a bit frivolous and self-absorbed, she succeeded. But I doubt that was the intention.
[Director] Chernick's stylish yet superficial report looks more like an orientation video for museum visitors.
Barney's art presents a cross between the creepiness of David Cronenberg and David Lynch and the grandiosity and business sense of George Lucas. Chernick's film unquestioningly admires it.
Audience Reviews for Matthew Barney: No Restraint
Fails to get you into Matthew Barney's mind, really; but it does show that Drawing Restraint 9 is very much an odd goose among the drawing restraint films (which, well, are otherwise understandable).
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