Metropia 2010

Metropia

Critics Consensus

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50%

TOMATOMETER

Total Count: 6

56%

Audience Score

User Ratings: 2,982

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Movie Info

A man (Vincent Gallo) who hears a voice in his head uncovers a conspiracy linked to Europe's underground train system.

Cast & Crew

Vincent Gallo
Roger
Voice
Udo Kier
Ivan Bahn
Voice
Alexander Skarsgård
Stefan
Voice
Sofia Helin
Anna
Voice
Stig Larsson
Screenwriter
Fredrik Edin
Screenwriter
Tarik Saleh
Screenwriter
Kristina Aberg
Producer
Johan Söderberg
Film Editor
Krister Linder
Original Music
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Critic Reviews for Metropia

All Critics (6) | Top Critics (1) | Fresh (3) | Rotten (3)

Audience Reviews for Metropia

  • Oct 03, 2015
    Metropia is a film where the sum of the parts is greater than the whole. The film's animation is fascinating and the voice acting is engaging. The setting and premise should please fans of a good dystopian or conspiracy film. The plot does not pan out in a satisfying way, unfortunately. But still, there are enough upsides to Metropia to make it an easy uprate.
    Robert B Super Reviewer
  • Sep 02, 2013
    This Swedish adult (not the type just coming to your mind) animated science-fiction movie is directed by Tarik Saleh. The interesting but very simplistic screenplay was written by Fredrik Edin, Stig Larsson, and Tarik Saleh after a story by Tarik Saleh, Fredrik Edin and Martin Hultman. I loved the animation technique which uses actual photographs been altered and heavily stylized in a computer program, to finally be animated. The visual style is inspired by the works of Terry Gilliam, Roy Andersson and Yuriy Norshteyn but it kept its originality. I will say that Orwellian element are obvious in the story about terrifying Europe where the world is running out of oil, and a private underground network is created by joining all the various undergrounds together underneath Europe. The main character is Roger (Vincent Gallo) from Stockholm and he avoids the underground because he finds it disturbing. He uses a banned bicycle for transportation but soon things are starting to happen and he has no option but to use the underground. His problem is that sometimes when he is too near the transport network, he hears a strange voice in his head... I liked the idea that ordinary people spotted on the streets were used as models for the characters. The main character Roger is based on a chef who worked at a restaurant in Stockholm where the Atmo (the developers of the story) employees were regulars, and Nina was found in a make-up store. Vincent Gallo accepted his part as the lead voice actor after having seen 30 seconds of finished animation as well as hearing that German actor Udo Kier, of whom Gallo was a fan, already was attached to the project. As a movie I enjoyed it, even with the lack of effective narration, mainly because of the dark toned photography with a unique look and excellent collage of music, animation and suspense. Metropia has been awarded the prestigious "Future Film Festival Digital Award 2009" at the 66th Venice International Film Festival, recognized as "In perfect harmony with the story". I hope you'll have a chance to enjoy it.
    Panta O Super Reviewer
  • May 05, 2013
    Metropia is a Swedish animated film which uses a style seen more in video games than in movies, in fact it's the first feature film that I've seen made in this lifelike animation. It was stunning in visual animation, and even hard to imagine that it's all animated. If it's worth nothing outside of these techniques, it's still worth more than most movies of this nature. The premise is that of the novel 1984, a uniform society, with no seasons, and television being a source of control. A huge weak point of this film was the awful voice acting. It was weak and not in sync with lip motions, it took away drastically from the feel. The plot and climax were mediocre, but I feel it still created some tension and dilemma. It's a one time watch, but I would love to see this animation be built on in the future.
    Daniel D Super Reviewer
  • Sep 27, 2011
    If you think the present day is bad enough, then try 2024 when Roger is a drone in call center hell, Northern European Division. That's even before he goes home to his small apartment and his loveless marriage. And then there is the voice which keeps him up all hours. To make matters even worse, his bicycle is wrecked the following morning, forcing him to take the subway. On the way to work, to his great surprise, he spots a woman who looks like the spokesmodel for a popular brand of shampoo. Figuring he still has enough time to get to work, he gives into his inner stalker and follows her to Stalingrad(!?!). First, "Metropia" has an intriguing visual style for an animated film, not only in mostly shades of grey with brief flashes of color, but also characters whose features are photorealistic while moving awkwardly. And like any self-respecting geek, I love a good dystopia. The problems arise out of a muddled plot and a need to make statements which go off in all directions at once.(For example, the game show is too openly cruel to be taken seriously.) Oddly enough, the story seems to have been written by people who have never ridden a subway in their lives, just observed it from a great distance and took pity on the poor souls who rely on it. For example, if one wanted to realistically critique the subway, then one would start with a definite sardine aesthetic and then move onto delays. For the majority of us who do ride mass transit every day, it is not so bad when we have something to distract us from the tedium which this movie was not so terribly helpful with yesterday.
    Walter M Super Reviewer

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