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Critics Consensus: Bolstered by powerful lead performances from Javier Bardem, Josh Brolin, and Tommy Lee Jones, No Country for Old Men finds the Coen brothers spinning cinematic gold out of Cormac McCarthy's grim, darkly funny novel.
Critic Consensus: Bolstered by powerful lead performances from Javier Bardem, Josh Brolin, and Tommy Lee Jones, No Country for Old Men finds the Coen brothers spinning cinematic gold out of Cormac McCarthy's grim, darkly funny novel.
All Critics (280) | Top Critics (54) | Fresh (261) | Rotten (19) | DVD (25)
Played by Spanish actor Javier Bardem, Chigurh is the most original bogeyman to bloody up the screen in a while.
For a film that traffics in implacable malice, this movie remains remarkably grounded in the everyday.
McCarthy's ferocious tale gives the Coens room to unleash their cinematic gifts, but keeps them from wandering too far afield and losing themselves in the marshes of technical prowess or easy irony.
The Coens stir up more panic by quietly flicking off a light switch than Michael Bay did with a fleet of Decepticons.
Watching this film has something of the elemental thrill of watching a cloud-shadow spread with miraculous speed over a vast, empty landscape: it has a chilly, portentous intuition of what America is.
A masterly tale of the good, the deranged and the doomed that inflects the raw violence of the west with a wry acknowledgement of the demise of codes of honour, this is frighteningly intelligent and imaginative.
The consequences are powerfully gripping as the Coens ratchet up the tension in a visceral thriller that ranks with their best work.
It's a smart film and pure Coen. It has a point, though some may contest it. But it's not a must-see film for everyone so if you are a Coen fan, don't take your grandmother. She will say it sucks.
The Coen Brothers are back with a triumphant return to form.
No Country for Old Men is a great return to form for the Coens. Even if you've never been a big fan of theirs, it's a film you should see if you like a good thriller.
The film clearly and finally represents the mainstream success that has long eluded the Coens. Longtime fans, fear not: This is no sell-out. There is still plenty of what the Coens do best.
The Coens have returned... full of talent. [Full review in Spanish]
Press the replay button again, because this one's a keeper, for sure, as Javier Bardem re-ups the ante some on just what's wrong with those darn kids nowadays in this savvy commentary on modern times. The title doesn't really hit you until after you see it. America the beautiful? This work adores the America everybody is mostly trying to get away from, the America with big wide open spaces in between ... and what can happen there. See a guy sweat bullets just fer askin' "how's the weather up there?" in one of my fav scenes...see it, see it, see it.
Super Reviewer
A phenomenal Western concerning discovered treasure and the troubles it brings for one individual (Josh Brolin), unbeknowest to him that a maniacal serial killer (Javier Bardem) won't rest until he has what's his. It has a beautiful take on the downward spiral humanity is in and the detachment many country folk feel from the current world advancing so fast in technology and forgetting their roots. Bardem is especially memorable as the villain, who is frightening all the way to the end. In my mind though, not worthy of the "Best Picture" honor it received at the Academy Awards that year (that belongs to "Into the Wild"), but still, a truly great film that has aged wonderfully.
A Texan welder stumbles across the aftermath of a drug deal gone wrong and helps himself to the $2 million in cash no-one is left alive to claim. Unfortunately he does not count on a single minded psychopathic killer with a tracking device...This film basically distills elements of all their best work and creates a cold and cynical statement on the state of man. Javier Bardem's character is the most chilling and amoral bastard you will ever see; on more than one occasion he reminded me of a terminator with bad hair, except more cold-blooded! The pursuit of the stolen money just leads to bloodshed and tragedy for all involved, many innocents dying for just being in the wrong place at the wrong time. The underlying theme is the randomness of life; good things DO NOT happen to good people and there is no karmic "masterplan". This means that the ending may leave some feeling a little cheated because things aren't tied up nicely into a complete and satisfying package as so many stories are conventionally presented. But the journey there is as gripping as anything you are going to see; it has the tension, brooding atmosphere and cynicism of Blood Simple, the pragmatic investigation by a dismayed lawman in a similar way to Fargo and the style and brutal violence of Miller's Crossing. The shoot out between Bardem and Brolin is one of the best I've ever seen, reminding me of Michael Mann meets Peckinpah with a dash of Assault On Precinct 13. It is a case of the journey being better than the destination, but any Coen brothers fan will not be disappointed; they are back to their best.
Based and followed almost to a tee of the book the movie has some of the most unexplainable violence ive ever seen.
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