The LEGO Movie 2: The Second Part
The Walking Dead
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
We want to hear what you have to say but need to verify your account. Just leave us a message here and we will work on getting you verified.
Please reference “Error Code 2121” when contacting customer service.
No consensus yet.
All Critics (46)
| Top Critics (14)
| Fresh (46)
| Rotten (0)
| DVD (4)
This is one of the films of the year.
A truly eye-opening experience.
A nearly unbearable examination of good and bad in the human heart.
Guzmán offers a poetic narrative that celebrates the searches and insists on the moral obligation to remember Chile's not-too-distant past.
The filmmaker's masterpiece, an exquisitely filmed, poetically written meditation on how past and present fuse in humanity's most unresolved questions.
A film of rare visual poetry that's simultaneously personal, political and philosophical, it's a genuine art film that's also unpretentious and easygoing.
For those who like a bit of auterism to their astronomy, however, Guzmán's mesmeric Nostalgia for the Light tells us far more about what's happening/has happened down here that what's transpiring up there.
[A] gorgeous meditation on astronomy and the collection of human remains.
An exquisitely shot essay on ultimate things - time, space, memory and how creatures so small and frail as human beings find meaning in a gigantic cosmos.
Often stark and ravishing, Nostalgia for the Light is most moving as a manifestation of the filmmaker's stubborn righteousness.
Moving and poetic, with beautiful composition and strong direction, Nostalgia For The Light has an authentic sense of gravitas.
The vast expanse of the world's driest place - captured here in all its arid intensity - makes for a fascinating and eerie backdrop.
A beautiful, contemplative and deeply poetic exploration of the past in which Guzmán draws an intelligent parallel between our search for the origins of the universe through science and our general tendency to ignore our recent history, especially a chapter that should never be forgotten.
This movie does a great job of connecting what astronomers and archaeologists do in searching for answers by looking to the past, whether it be the past of the galaxy to find out the answers to the mysteries of the universe or studying artifacts that were left behind by previous civilizations and figuring out how they lived, and these woman who are searching for the remains of their loved ones who were murdered during Pinochet's dictatorship. These women are searching into a past that, for some reason or another, the Chilean government, and perhaps its people, wish to move away from and they wish to keep it hidden. And it is really heartbreaking how these women are sort of maligned for not letting go of what happened, even if what happened was absolutely awful and something that shouldn't ever be forgotten, no matter how ashamed you are of it. So the movie does a good job at connecting these two vastly different things but, essentially, both are searching for the same kinds of answer. There's a poetic narrative to this film that certainly helps a lot in getting over the importance of how you simply should not forget your past. There's also some beautiful shots of the galaxy and the cosmos, which are really cool. If there's a problem with the movie is that the first 20 or so minutes are incredibly slow and that really keeps this movie from at least 4 stars, but other than that it's an excellent documentary that, even if it isn't famous, will hopefully keep this memory of what happened alive. I'd definitely recommend it regardless.
"Nostalgia for the Light" is an impressive and powerful cine-essay from Patricio Guzman that is marred only by some unnecessary effects work, especially considering the naturally spectacular Atacama Desert of Chile which resembles Mars on display.(So, I would not be surprised if it has ever been used as a location for a science fiction movie.) Its height of 5,000 meters is optimum for the use of telescopes to look backwards into the history of the cosmos.(To the film's credit, there is one astoundingly mindbending bit of metaphysics arguing that due to the speed of light, there is no true present.) As we are informed, this is in a country that going back to colonial times has had a problem with how it views its past. This continues to the present day's challenges with how it deals with the mass killings committed under the Pinochet dictatorship. With the desert's total lack of humidity(the only place on earth like this), it preserves ancient artifacts extremely well, not to mention more recent bodies that were dumped there(one is found during filming) in the hope of never being found again. However, an intrepid group of volunteers carry on their neverending search to find closure for themselves and loved ones. In the end, one has to come to terms with the past before one can look to the future and maybe eventually to the stars.
Beautiful cinematography and incredible views of the universe, but this film lacked focus and tried maybe a little too hard to draw parallels between astronomy, archaeology and the search for traces of those who were "disappeared" during the reign of terror that occurred in Chile under Pinochet. By casting such a wide net, the filmmakers wound up only able to scratch the surface of any of these three topics. The setting was the arid desert in the Chilean highlands, Atacama, the most arid place on earth. This is where NASA conducted experiments for its mars mission, as the climate most closely approximates the conditions on the red planet. This lends itself to near-perfect conditions for stargazing and also provides an environment where bodies are naturally mummified. The filmmakers aim was noble. This film failed to live up to its promise.
View All Quotes