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Movie Info
Cast & Crew
Miner , Otsuka
Shopkeeper
Toyama
Policeman
Man in white suit
Reporter
Critic Reviews for Otoshiana (Pitfall)
All Critics (6) | Top Critics (1) | Fresh (6)
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Teshigahara's visual flair, evident in his sculptural use of wastelands and remarkable superimpositions, is matched by the singular assault of Takemitsu's unorthodox score.
February 26, 2008 | Full Review… -
An outstanding allegorical ghost story.
July 20, 2019 | Rating: B+ | Full Review… -
Teshigahara employs simple but effective superimposition in order to visualise the realm of the afterlife.
August 1, 2011 | Full Review… -
Teshigahara's wide-swinging yet precise visual vocabulary jolts any hint of staginess into strange cinematic life
September 25, 2009 | Full Review… -
There is something uneasy underlying the entire film, and watching it is not unlike stepping into a dream in which not everything makes perfect sense, but every detail commands your absolute attention.
February 26, 2008 | Rating: 3/4 | Full Review… -
One of the most successful teams in Japanese film was that of director Hiroshi Teshigahara, screenwriter Kobo Abe, composer Toru Takemitsu, and cinematographer Hiroshi Segawa.
April 20, 2005 | Full Review…
Audience Reviews for Otoshiana (Pitfall)
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Dec 29, 2012A social/political drama involving a mysterious murder plot and the ghost of the man killed trying to figure out what happened to him. Strange, but very interesting.Hugo S Super Reviewer
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Apr 23, 2012Directed by Hiroshi Teshigahara ("Woman in the Dunes"), "Pitfall" is a strange, genre-bending drama mixing murder conspiracy, the supernatural and labor-union disputes. The film's twists and story arc are so unconventional that a review shouldn't reveal much of the plot. Let's stick with the opening events: Hisashi Igawa plays an unnamed, vagrant miner who receives a mysterious offer to work in a village further down the road. When he arrives (with a young son at his side), the area is unexpectedly deserted. Meanwhile, a man in a clean white suit is tailing him, ominously snapping photos from afar. Why? If this sounds like an old "Twilight Zone" episode to you, you aren't so far off. The black and white cinematography feels similar, and the film's year (1962) even overlaps with the TV series' lifespan. "Pitfall" is a dusty, sweaty film loaded with tension, menace and unanswered questions. It also benefits from picturesque, rundown locations and a distinctive score that often sounds like someone banging the insides of a piano. The second half doesn't quite deliver on the premise's potential, but the scenes have a gripping, existential atmosphere similar to "Woman in the Dunes" (but with a thinner sense of allegory).Eric B Super Reviewer
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Jul 29, 2010Supernatural existentialism abruptly adressed with an industrialist setting and a thrilling plot since the moment when the 30% of the movie's total length has already advanced. Teshigahara uses Abe's flawless screenplay to emphasize man's inevitable error in the process of macabre plotting; irreversible outcomes arise through the scheming of the human's fraudulent nature. Just like in the entire trilogy, the score plays a relevant role of increasing terror. Psychological doom is the formula of Otoshiana, the first part of the auteur's excellent empirical trilogy. 99/100Edgar C Super Reviewer
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Jul 21, 2009absolutely enthralling and near perfect murder mystery/ghost story. my second viewing of a teshigahara film and he is already a director that has my attention, its just too bad he made so few feature films. this is one of the most unique and interesting ways ive ever seen a crime story told. the cinematography was perfect and the acting superb, especially on the part of igawa. as the writer kobo abe had a lot to do with the originality of the story, but teshigahara brings this story to film in flawless fashion.danny d Super Reviewer
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