Ralph Breaks the Internet
Mission: Impossible - Fallout
Log in with Facebook
Forgot your password?
Don't have an account? Sign up here
and the Terms and Policies,
and to receive email from Rotten Tomatoes and Fandango.
Already have an account? Log in here
Please enter your email address and we will email you a new password.
No consensus yet.
No consensus yet.
All Critics (30)
| Top Critics (9)
| Fresh (27)
| Rotten (3)
| DVD (2)
There's not much depth here, but Nichols does a fine job with the surface effects, and the wisecracks keep coming.
In this era of postverbal cinema, Postcards proves that movie dialogue can still carry the sting, heft and meaning of the finest old romantic comedy.
Packs a fair amount of emotional wallop in its dark-hued comic take on a chemically dependent Hollywood mother and daughter.
Fisher's intelligence and humour turn what might have been movie brat indulgence into something much sharper and involving.
''Postcards From the Edge'' is a vehicle, but it's a custom-built Rolls.
"Postcards from the Edge" contains too much good writing and too many good performances to be a failure, but its heart is not in the right place.
Mature dramedy has drug/alcohol abuse, cursing.
Nichols' version of Carrie Fisher's memoir of a drug-addicted actress (well played by Meryl Streep), and her troubled bond with her famous mother (inspired by mom Debbie Reynolds) is sleek, shallow and sporadically entertaining.
A constant delight.
Yet further proof that Hollywood makes its best films about what it knows best--making films in Hollywood.
Meryl lets her hair down and it looks good in this Hollywood tell-all.
Weak script but brilliant performances and moments of heart-twisting poignance and insight.
Meryl Streep is amazing in this. The script is wonderful and the mother/daughter rivalry is expertly realized by Streep and Shirley MacLaine.
Cast: Meryl Streep, Shirley MacLaine, Dennis Quaid, Gene Hackman, Richard Dreyfuss, Rob Reiner, Mary Wickes, Conrad Bain, Annette Bening, Simon Callow
Director: Mike Nichols
Summary: Carrie Fisher's scathing, hilarious and confessional novel -- adapted from her own best-seller about a woman (Meryl Streep) who becomes addicted to drugs while pursuing a Hollywood acting career -- makes a successful transition to the big screen. Shirley MacLaine enjoys her best role in years as Streep's self-absorbed mother, a faded movie queen who meddles in her daughter's affairs and doesn't believe time has passed her by.
My Thoughts: "How could you not want to see a film that has two great actresses as the leading ladies. Meryl Streep and Shirley MacLaine play mother and daughter, it doesn't get any better then this. They were both amazing in their roles of course. The film also has a very talented supporting cast, from Dennis Quaid to Gene Hackman and Richard Dreyfuss. Also a little cameo from Annette Bening. The film gives you a glimpse of the show biz world and what it was like for a daughter to not only grow up with a famous mother, but to also be in the spot light. The film has some great one-liners from Meryl's character Suzanne. It's funny in that dark comedy way. Which is exactly what this film is, a dark comedy. The relationship between mother and daughter is one of love and hate. The hate mostly coming from the daughter's end. The mother could be quite smothering at times. I thought it was a great film. One I wouldn't mind seeing again."
A cute little comedy with obvious influences from the inspiring book written by none other than Carrie Fisher. Her biting wit and Hollywood insight made for a highly original film. At the front of the cast is the amazing Meryl Streep who portrays another junkie looking for a reason to feel. The great Shirley Maclaine plays a loving caricature of Debbie Reynolds, the main drama in a film that badly needed it. It lacks a balance, but is entertaining.
Unfocused film lingers between comedy and drama without ever really deciding where it should stand. Boring, talky and misleading, POSTCARDS FROM THE EDGE stars Shirley MacLaine and Meryl Streep as mother and daughter Doris and Suzanne, respectively. As it's to be expected, both leads deliver great performances, although nothing really extraordinary. A brief appearance by Annette Bening is the highlight.
View All Quotes