Critic Consensus: Appropriately enough, Renoir offers viewers a drama of sumptuous beauty -- which is more than enough to offset its frustratingly slow pace and rather thinly written screenplay.
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as Pierre-Auguste Renoir
as Andrée Heuschling
as Jean Renoir
as Coco Renoir
as Big Louise
as Doctor Prat
as Junk Dealer
as Pierre Renoir
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Critic Reviews for Renoir
With its warm colors and sweet streams of light, its love of both the countryside and the human form, it makes you dream of painting. Or making movies. Or just luxuriating in the brilliance.
Thanks to ace Taiwanese cameraman Mark Ping Bing Lee, it conveys the inspirational qualities of sun-dappled light and rosy flesh.
"Renoir" doesn't get much beneath the surface - but, good God, what a surface.
For those who just want to float away on waves of beauty, "Renoir" is a boating party.
Stately to a fault, the film is not enough drama, too much still life.
Audience Reviews for Renoir
A hidden gem with some captivating performances. I am hopefully to see more of many of the cast of this film.
Andree Heuschling (Theret) is an important, but largely forgotten, figure in French cultural history, having been the last model to pose for the impressionist painter Pierre-Auguste Renoir (Bouquet) and the first actress to star in the films of his son, and her husband, Jean (Rottiers). Bourdos film focuses on the final months of the painter's life, in 1918, as Andree arrives to pose for him and ends up living in his plush Riviera home. When Jean arrives home from injured from fighting in The Great War, he immediately falls for the young model. In the early days of the French film journal, Cahiers du Cinema, its writers expounded at length about the poor state of French cinema. 'Renoir' is exactly the type of film so often lambasted in the pages of the yellow-covered magazine, a bland cash-in on a French cultural icon which feels more like a tourist board commercial than any kind of drama. There's absolutely no dramatic weight to Bourdos' tale and you can't help sense he's trying to create a story where none exists. Andree arrives, Auguste paints her, Jean falls for her. That's all we get. There's nothing to get you involved in this story, one featuring privileged people for whom life comes far too easily. The one piece of dramatic conflict rests on one of the ultimate period-piece cliches: the young man who chooses to return to the war rather than staying with his lover. We learn nothing of what may have influenced the work of Renoir, neither father nor son. Renoir Snr is portrayed as a dirty old man, constantly babbling about young flesh, while his son comes across as a bit of a drip, a poor match for the vitality of Andree. If there's one thing this film gets right, it's the beautiful cinematography of Ping Bin-Lee, perfectly capturing the light of a Southern French summer. For the most part, 'Renoir' is nothing more than another piece of Tourist Board Cinema.
Portrait of the final days of impressionist painter Pierre-August Renoir, and of the growing affair between his son (future film director Jean) and a headstrong model. Beautiful looking, as befits the subject---with her glowing copper hair, Christa Theret looks like a painter's vision that's stepped off a canvas---but too often watching this slow-paced, reverent movie is like watching paint dry.
|Jean Renoir:||Renoir's paintings make me so hungry.|
|Jean Renoir:||"Titian would have given his left arm for tits like that".|
|Jean Renoir:||Titian would have given his left arm for tits like that.|