The Tomatometer rating – based on the published opinions of hundreds of film and television critics – is a trusted measurement of movie and TV programming quality for millions of moviegoers. It represents the percentage of professional critic reviews that are positive for a given film or television show.
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The Tomatometer is 60% or higher.
The Tomatometer is 59% or lower.
Movies and TV shows are Certified Fresh with a steady Tomatometer of 75% or higher after a set amount of reviews (80 for wide-release movies, 40 for limited-release movies, 20 for TV shows), including 5 reviews from Top Critics.
Percentage of users who rate a movie or TV show positively.
Revolver taps into a struggle everyone faces that only a small few have been able to relate to. It's not that this film isn't a mess, but that mountain of a mess is on top of a shiny gem of a film that is worthy of being admired.
... given Ritchie's penchant for flashy, in-your-face twists, we trust all will be revealed in good time. But as "Revolver" rolls on -- and on and on and on -- it becomes painfully apparent that Ritchie's firing blanks.
If I understand the ending properly, [this] is an infomercial for one or another school of New Age-y psychology/philosophy. ... a touchy-feely ultraviolent gangster flick. Come over here and give Scarface a hug, you big gruff pussycat.
The plot isn't intellectually challenging as much as it is confusing, and yet the big twist is completely telegraphed. Ritchie has created a movie that is patronizingly obvious one minute and impenetrable the next.
It's an irritating, repetitive and pretentious psycho-metaphysical con-job that's ultimately about transcending the ego, and it owes a significant debt to the 1960s The Prisoner TV show -- but isn't nearly in the same artistic league.