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Buoyed by crowd-pleasing tunes and charming performances, Seven Brides for Seven Brothers makes a successful transition from Broadway to screen that's sure to please the whole family.
All Critics (25) | Top Critics (4) | Fresh (22) | Rotten (3) | DVD (7)
A profoundly sexist and eminently hummable 1954 CinemaScope musical with some terrific athletic Michael Kidd choreography and some better-than-average direction by Stanley Donen.
This is a happy, hand-clapping, foot-stomping country type of musical with all the slickness of a Broadway show.
This rather archly symmetrical movie musical is best seen as a dance-fest, with Michael Kidd's acrobatic, pas d'action choreography well complemented by ex-choreographer Donen's camera.
Although the powers at M-G-M are deviating from the normal song-and-dance extravaganza in Seven Brides for Seven Brothers, it is a gamble that is paying rich rewards.
Good tunes, humour, imaginative presentation and abounding vitality are welded together to make this film the most Memorable Musical of 1954.
The songs are not classic and the cast is exuberant rather than charismatic, but Kidd's energetic choreography triumphs.
Thrillingly energetic dances on film.
Donen's manipulation of spinning torsos and piston-pumping knees across Cinemascope sprawls is inventive everywhere
Corny as heck.
Written directly for ther screen, MGM's popular musical benefits immensely from Stanley Donen's deft direction, Michael Kidd's dynamic choreography, and Adolph Deutsch and Saul Chaplin's Oscar-winning score.
The songs are knowingly corny and catchy as hell, the dancing is (quite rightly) renowned, the story is ludicrously sexist, and the whole film is just exceedingly watchable.
...a big, brawling, rollicking movie that, old-fashioned or not, helped to open up the movie musical to widescreen singing and dancing.
It's great to watch this after so many years, this film is a remindeer to me that my obsession for films started very young and I would watch the same three scenes in this film every day as a kid. A musical with a love theme, yet perhaps not in it's traditional sense. The film does look dated now but still highly successful as a stage show. Some great songs (and a few less enjoyable ones too), along with some fun rivalry. An early performance from Russ Tamblin, but most noteable performances for this film of course, were Howard Keel and Jane Powell
Super Reviewer
People often think of the 1950s as just a repressed and conservative time in America, overlooking the fact that people were also quite odd and strange back then (watch a few episodes of the old Superman television series if you want further proof). Film-wise, the fifties were the heyday of both the western and the musical, so it's no surpise when someone decided to combine the two. Okay, so Seven Brides for Seven Brothers isn't your typical western, but even though there's no gunfighting in the streets, it embodies the western spirit of the old west pioneers. The fun and frolic begins when a bunch of farmer brothers decides to take themselves some wife-womenfolk type thinga-mabobs. With the help of eldest brother Adam's good young wife, the other brothers learn a little about manners and how to woo the ladies without offering them chaws of tobaccey. The music may not be all that memorable, but the great performances make up for that. It's alot of corny fun from the oddball fifties.
It's certainly not the best musical around, but it does have some charm.
an absolute classic western/musical featuring archaic but fun characters, great dance and fight choreography, and perfect music for the story. i grew up on this film and it gets better with each viewing.
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