The Battle of Algiers (La Battaglia di Algeri)1967
The Battle of Algiers (La Battaglia di Algeri) (1967)
Critic Consensus: A powerful, documentary-like examination of the response to an occupying force, The Battle of Algiers hasn't aged a bit since its release in 1966.
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Critic Reviews for The Battle of Algiers (La Battaglia di Algeri)
It uses realism as an effect, documentary as a style. You feel that you're really there, and you can't help but be moved.
It neither demonizes nor lionizes either side of the conflict, aiming for just-the-ugly facts objectivity. Nobody who sees it is likely to feel comforted, or even vindicated. The emotion it most frequently and fervently inspires is sorrow.
The film is not just a relentlessly gripping entertainment but also a cinematic Rorschach blot, a moral miasma that tosses our sympathies this way and that.
Both a how-to manual for guerrilla terrorism and a cautionary tale about how to fight it. It's also quite possibly the finest war film ever made.
Audience Reviews for The Battle of Algiers (La Battaglia di Algeri)
Spine Number 249 from the Criterion Collection. The Battle of Algiers" is a film that everyone should see. It presents the historical account of the struggle of Algerian nationalists for independence from French colonists, and in doing so clearly displays the total futility of war. While not as renowned as "All Quiet on the Western Front" or "Paths of Glory", "The Battle of Algiers" is a better film in my opinion. Whereas some antiwar films rely on powerful speeches said by great heroes to portray their stance, "The Battle of Algiers" has no Paul Baumer or Colonel Dax. Neither Ali la Pointe, the leader of the independence movement, nor the French Colonel Mattheiu, who is in charge of the operation, ever states that what he is doing is wrong. Instead, we have only the shots of bodies, both French and Algerian, being carried away from the locations where bombs have gone off. The style of direction resembles that of a documentary, thus bringing about a more realistic feel. You won't find Kirk Douglas or Lew Ayres here. The result is that the characters don't seem larger than life. This is not a drama made by a Hollywood producer looking for an Oscar; but instead, it is a somber portrait of the futility of war. Add in Ennio Morricone's score, and you have a great film that is completely different from almost anything you will ever see. 4 1/2 Stars 2-15-14
Absolutely riveting. There seem to always be a batch of films that no matter how old they are, they never lose their edge. The Battle of Algiers is one of those impressive works. From a filmmaking standpoint, it commands every ounce of your attention span. The camera work is so smart and compounds the blistering tension that invades every scene. This coupled with Morricone's invasive yet impeccable score never gives you a moments rest, even when you know what is going to take place. I think what makes this film so powerful is the fact that Pontecorvo was able to encompass not only the power and emotion behind a revolutionary movement, but also show the confusion, sorrow, and often senseless violence that are the by-product of these movements. Also, It was hard not to make modern day parallels to the occupation of Iraq. Watching these French officials attempt to find order and use their minds to fight an "enemy" who is empowered by their hearts, made me rethink every time I saw an American general on television discussing their efforts in stifling the revolutionary movement. It is a rare and brilliant film and is a must watch for any fans of film.
It's been said that movies, unlike any other art form, transcend space and time and transport us somewhere else. Movies can promote empathy and can make us concerned with lives that are not our own. Some movies, the really good ones, can even make us better people. The Battle of Algiers is one of those movies. Based on the true story of Algeria's long struggle for independence, this film chronicles a group of freedom fighters (terrorists) as they attempt to overthrow the French Colonial Government. In it's initial release, The Battle of Algiers hit a little too close to home for Americans who were still wallowing through the muck of their own occupation of Vietnam. I'd wager that, if it were released today, it would have the same effect. It's powerful and brutally honest in its depiction of street warfare. A rare offering that is completely deserving of all the hype.
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