The Devils
1971, Horror, 1h 49m
30 Reviews 2,500+ RatingsWhat to know
Grimly stylish, Ken Russell's baroque opus is both provocative and persuasive in its contention that the greatest blasphemy is the leveraging of faith for power. Read critic reviews
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Movie Info
Cast & Crew
Urbain Grandier
Sister Jeanne
Baron De Laubardemont
Ibert
Madeleine
Mignon
Critic Reviews for The Devils
All Critics (30) | Top Critics (11) | Fresh (20) | Rotten (10)
Audience Reviews for The Devils
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Oct 09, 2019Wonderfully profane madness. Even if the film's capacity to shock has diminished, Russel's vision remains unparalleled. You still haven't seen anything like this.Alec B Super Reviewer
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Aug 03, 2018Ken Russell's work here is deliberately thought-provoking as a priest (Reed) living on the edge of popular thought, and stubbornly argumentative with the powers-that-be, is therefore expeditiously accused of worshipping Satan. Hysteria follows. The finger pointed at modern society is strong with this one. Don't say I didn't warn you. Parental guidance suggested. For your parents, too.Kevin M. W Super Reviewer
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May 09, 2018For a while, the impression one gets is that Russell is not interested in discussing insanity (or its nature) but just to show it - bare naked - in a purely exploitative, surrealistic way; which is true, until everything moves so confidently towards an apotheotic display of mad depravity.Carlos M Super Reviewer
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Apr 27, 2011"The Devils," a 17th-century tale of religious fanaticism, may be writer/director Ken Russell's best film, but it could have been even better if he hadn't pushed his actors so far over the top. It's bad enough that Oliver Reed has steam coming out of his ears whenever he's onscreen and that Vanessa Redgrave is often a cringe as the twitching, hunchbacked Sister Jeanne. But the worst offender is Michael Gothard as the histrionic, witch-hunting Father Barre. Not only is Gothard engaged in a persistent contest with Reed and Redgrave to see who can screech his/her lines the loudest, but his hippie haircut and John Lennon spectacles are ridiculously out of place in a period film. It's impossible to take his character seriously, and that's a significant problem for someone who emerges as the story's top villain. Dudley Sutton and Murray Melvin are actually more effective in much smaller nemesis roles. On the other hand, the film's look is incredible (the sets, courtesy of the young Derek Jarman, are intentionally restricted to austere black and white) and Peter Maxwell Davies' assaultive score is one of the most thrilling works of contemporary classical music I've heard in a film. Otherwise, it probably goes without saying that if you have a fetish for writhing, naked nuns in heat, this will be the greatest movie you ever saw. I believe that I caught a nearly unedited version of this still-controversial film, but I did read something online about a closing shot of Sister Jeanne stimulating herself with a phallus-shaped bone fragment. Alas, the cut I saw did not include this.Eric B Super Reviewer
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