The End Of The Tour (2015) - Rotten Tomatoes

The End Of The Tour (2015)

TOMATOMETER

AUDIENCE SCORE

Critic Consensus: Brilliantly performed and smartly unconventional, The End of the Tour pays fitting tribute to a singular talent while offering profoundly poignant observations on the human condition.

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Movie Info

THE END OF THE TOUR tells the story of the five-day interview between Rolling Stone reporter (and novelist) David Lipsky (Jesse Eisenberg) and acclaimed novelist David Foster Wallace (Jason Segel), which took place right after the 1996 publication of Wallace's groundbreaking epic novel, Infinite Jest. As the days go on, a tenuous yet intense relationship seems to develop between journalist and subject. The two men bob and weave around each other, sharing laughs and also possibly revealing hidden frailties - but it's never clear how truthful they are being with each other. Ironically, the interview was never published, and five days of audio tapes were packed away in Lipsky's closet. The two men did not meet again. The film is based on Lipsky's critically acclaimed memoir about this unforgettable encounter, written following Wallace's 2008 suicide. Both Segel and Eisenberg reveal great depths of emotion in their performances and the film is directed with humor and tenderness by Sundance vet James Ponsoldt from Pulitzer- Prize winner Donald Margulies' insightful and heartbreaking screenplay.(C) A24
Rating:
R (for language including some sexual references)
Genre:
Drama
Directed By:
Written By:
In Theaters:
 limited
On DVD:
Runtime:
Studio:

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Cast

Jesse Eisenberg
as David Lipsky
Jason Segel
as David Foster Wallace
Joan Cusack
as Patty
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Critic Reviews for The End Of The Tour

All Critics (141) | Top Critics (36)

The performances, the writing, the direction, Segel's D.F.W. impression, everything is just fine. But The End of the Tour is disgraceful. It feels like it's towing out the real Wallace's ghost to perform some soppy parody of himself.

Full Review… | August 28, 2015
Globe and Mail
Top Critic

It's a movie that makes thoughtful drama out of the essential insanity of celebrity journalism, wherein a star proclaims humility while a scribbler promises idolatry.

Full Review… | August 27, 2015
Toronto Star
Top Critic

What we have here is a road trip about two guys talking. And it's riveting.

Full Review… | August 27, 2015
Toronto Sun
Top Critic

Despite a premise that seems anything but cinematic, "The End of the Tour" is an offbeat and fascinating film.

Full Review… | August 20, 2015
St. Louis Post-Dispatch
Top Critic

The End of the Tour is so effective because it's far too smart to engage in ominous foreshadowing.

August 14, 2015
Chicago Sun-Times
Top Critic

Taken as a film about two fictional characters, "The End of the Tour" is a stimulating delight. But it's awfully hard to call it a true honor to its subject's memory.

Full Review… | August 14, 2015
Detroit News
Top Critic

Audience Reviews for The End Of The Tour

Jason Segel and Jesse Eisenberg star in the powerful character drama The End of the Tour. Based on a novel by Rolling Stone reporter David Lipsky, the film follows a five-day interview that Lipsky had with acclaimed novelist David Foster Wallace during Wallace's publicity tour for his novel Infinite Jest. Segel and Eisenberg give incredibly good performances and have great chemistry together. And, the discussions that the two have are fascinating; covering a variety of deep issues that are quite thought-provoking. However, the gritty film style can sometimes be distracting (though the rawness does add a certain reality to the scenes). The End of the Tour is an extraordinarily compelling film, and succeeds largely due to its sharp, witty dialog and the earnestness of the performances.

Dann Michalski
Dann Michalski

Super Reviewer

½

Experimenting with one-sentence reviews, and but also plus in the style of this film's subject, the inimitable David Foster Wallace, allows me to say that The End of the Tour is good in like the way that makes high-brow intellectuals, complete with black turtlenecks, white-framed-liberal-free-trade glasses, and Match.com profiles that reference Wittengensteinian praxis and well-researched Proust quotes, think they're sideline-spectators with the howling fantods at genetically superiors' like most significant life-event, but yet also the film fails to achieve full high-ejection, supra-orbitular virtuosity because while we get to know DFW's AM/PM TV-obsessed, like almost stereotypically basically totally-American self-perception, his fame, the thing that keeps him in a state of intra- and interpersonal solipsism and the thing that he's, during the whole Entertainment, like a orange-flashlighted construction worker screaming, howling, imprecating, "No, no, Lipsky, this way is only a carrot, not the brightly-lit Show you think you know!" and the thing that ultimately probably caused him to extinguish his map, is like totally unexplored because, aside from the sycophantic organizers, the people who burden DFW are largely absent and told but yet not shown.

Jim Hunter
Jim Hunter

Super Reviewer

½

If I hadn't read the book, and if I hadn't found it among a lacklustre movie selection on a transatlantic flight, I'm not sure I'd have watched the movie. Well cast, and well-written, but it's not so well-suited to the screen... And if I, the target audience, didn't really go for it, I'm not sure what the general audience will make of it; that's not to say that every movie has to please everyone, but suffice to say that this one's not for everyone.

Daniel Perry
Daniel Perry

Super Reviewer

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