The Shout 1979

The Shout

Critics Consensus

No consensus yet.

87%

TOMATOMETER

Total Count: 15

69%

Audience Score

User Ratings: 790

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Movie Info

When a wandering man named Crossley (Alan Bates) insinuates himself into the lives of British composer Anthony Fielding (John Hurt) and his wife, Rachel (Susannah York), the couple is cautiously hospitable. Isolated out in rural Devon, where Anthony works on his music, the Fieldings find that their enigmatic guest has some strange preoccupations, most notably an obsession with dark Aboriginal magic. Crossley claims that he can kill a person with a mystical shout, but is he telling the truth?

Cast & Crew

Susannah York
Rachel Fielding
John Hurt
Anthony Fielding
Tim Curry
Robert Graves
Michael Austin
Screenwriter
Mike Molloy
Cinematographer
Barrie Vince
Film Editor
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Critic Reviews for The Shout

All Critics (15) | Top Critics (5) | Fresh (13) | Rotten (2)

Audience Reviews for The Shout

  • Feb 12, 2010
    Based on a true story that happened to British historian & novellist, Robert Graves (of The 12 Caesars & I, Claudius fame). Endlessly layered, fiercely intelligent, shocking, disturbing. &, at times, baffling & inscrutable. This is a film that will stay with you for a LONG time. A must-see.
    mirabella 1 Super Reviewer
  • Jan 25, 2010
    Capturing a flavor of the decade prior (the 60's) this film is almost real to the point of surrealism, with a quirky story line brilliantly told through the eyes of a certifiable lunatic. Shout takes the unusual stance at starting from the ending, though we certainly don't know it at the time. From there we wander the grounds of a mental institution and witness a game of cricket between the "guests" and the staff. Scoring the game is newcomer Tim Curry (looking so very young!) and Alan Bates (who gives a truly haunting and commanding performace). Bates begins to tell a tale of a man (a young John Hurt) who is a guest at the asylum who has "lost his wife". From here the story unfolds, involving a married couple (Hurt and Susannah York) who take in a charismatic vagabond (Bates) who claims that he spent 18 years in the Australian outback with the aboriginies; learning, amongst other things, a shout that is deadly to all who hear it. He also apparantly learned some other magic from the Shaman, such as the ability to bind someone's heart by casting a spell over an item belonging to that person. What then ensues is like a drug infused dream where all appears normal, but then slightly out of step - just as the cricket game appears normal, but is fraying at the edges since it involves lunatics. The performances here are very good throughout, but the direction could have used a bit of tightening. There are some transcendant moments but others that seem trivial and unbelievable (odd considering that the entire premiss is pretty darned unbelievable). In the end you get an interesting period type piece (and by that I mean looking at the film in the time it was produced, not a Jayne Austin drawing room piece), that shows a director taking big chances and swinging for the fences, but too often missing the mark. I will say that Bates was riveting and the commanding presence that his charactor was supposed to portray. I can see a remake with Ian McShane.
    paul s Super Reviewer
  • Jan 19, 2010
    Either this film about a mystery man who moves in and, Rasputin-style, takes over the lives of a couple is too deep for me or just incredibly inane and pointless. Either way, I want my 90 minutes back. Alan Bates as the man is telling his story in flashback to Tim Curry (who had absolutely no reason to be here except as a sounding board for Bates) during a cricket match in a mental hospital. Looking back now, this makes me wonder whether any of this actually happened, or if it's in the mind of Bates, seeing as he's a patient in the hosptial. Anyway, the title refers to the "Terror Shout" -- a scream that Bates learned during 18 years living in the Australian Outback. This "Shout" can -- and does -- kill any creature that hears it. Why an entire film was based on something that only appears once in the film is beyond me. The only good thing about the film was a VERY young, very thin Jim Broadbent. He plays one of the mental patients who gets caught in the rain during the match and proceeds to strip off all his clothes down to his undies and yell and rub mud all over himself. He must have anticipated the response of the audience to this film. Not "fun" bad. Just bad.
    Cindy I Super Reviewer
  • Jan 16, 2010
    What a load of crap & boring to
    Brody M Super Reviewer

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