Jun 13, 2010
An imaginatively constructed soap-opera with a high-powered cast, this film follows several narrative threads, all involving unfulfilled Los Angeles women who find inner peace after learning there are worse things than loneliness.
Aug 5, 2008
A collection of five femme-oriented vignettes that are not intricately linked dramatically but overlap characters, this observant, emotionally acute drama is distinguished by a pronounced poetic sensibility in its writing and visual style.
Oct 21, 2006
The film has its weak points -- most notably the cartoonish character of Nancy ... -- but as a showcase for quiet, nuanced acting, it can't be beat.
Feb 9, 2006
Garcia excels at eliciting strong performances throughout and maintaining a consistent mood poised delicately between wry comedy and more serious contemplation of contemporary American female lives.
Dec 6, 2005
I ignored the description of the movie and just went in knowing that Cameron Diaz was supposed to be amazing. I was not disappointed, in fact, I was pleasantly surprised.
Jun 25, 2005
Aug 1, 2003 intelligent and well-acted flick...
Jul 3, 2002
Aplausos de pie. Hay tanto que ver y que decir en esta serie de historias, que merece no slo una mirada, sino varias, y dignamente ganadas...
Jun 5, 2002
Unfortunately, the peaceful pacing turns out to be a bit of a drag by the halfway mark, making the movie seem longer than it actually is, and Garcia's natural lighting isn't always the most flattering.
Aug 9, 2001
Aug 3, 2001
For every moment that sags, there are three or four that stand out as the kind of thing we never get to see in movies.
Mar 21, 2001
I can tell she doesn't eat enough.
Mar 9, 2001
What does it say when a picture like Rodrigo Garcia's lovingly detailed Things You Can Tell Just by Looking at Her, which won the first-time writer-director a prize at Cannes last year, doesn't make it to theaters in this country?
Jan 1, 2000
Jan 1, 2000
Lo ms fuerte del filme es la estupenda caracterizacin de sus actrices, quienes logran imprimirle a sus personaje la fuerza y complejidad emocional que requieren
Jan 1, 2000
Garcia keeps these stories provocative and moving at a fast-pace.
Jan 1, 2000