Undisputed Reviews
April 3, 2017
Drawing on torn-from-the-headlines events and B-movie history, Hill and his co-writer, David Giler, fill out their premise with hardboiled irony and gusto.
December 29, 2010
A forgettable prison boxing movie.
Full Review
| Original Score: 2/5
April 29, 2009
It's dead in the water before the climax.
August 7, 2008
Full Review
| Original Score: 3/5
May 26, 2006
[A] rock-hard, streamlined "B" movie.
March 5, 2006
A solid, efficient B movie that holds the screen masterfully for an all-too-brief 90 minutes.
Original Score: 7/10
December 6, 2005
Full Review
| Original Score: 2.5/5
January 7, 2005
As with any boxing movie or fight card, the main event doesn't come until the very end, and like too many pay-per-view packages the undercard is underwhelming.
Full Review
| Original Score: 2/4
September 20, 2004
We have no idea where these characters have been, so we don't care where they're going.
Original Score: 1/4
April 6, 2004
Too reliant on its already-dated "topicality" and listlessly coasting on a laundry list of prisonyard plot points.
Full Review
| Original Score: 2/5
August 1, 2003
...a B picture in an era that doesn't really allow for them.
Full Review
| Original Score: 3/4
July 25, 2003
A histria se desenvolve de forma curiosa, mas a luta final deixa a desejar.
Original Score: 3/5
June 27, 2003
In a better movie, we wouldn't feel compelled to choose which fighter to root for.
Full Review
| Original Score: 2/4
May 20, 2003
Original Score: 2/4
February 21, 2003
"Undisputed" could have been compelling, but it ultimately plays out as a standard prison action movie.
Original Score: 4/10
December 17, 2002
At 90 minutes this movie is short, but it feels much longer.
December 16, 2002
Undisputed barely rises above the ordinary, but it does combine action, prisons, and boxing, boasts a good cast, and throws in some undisguised sociopolitical commentary.
Original Score: 5/10
December 8, 2002
Full Review
| Original Score: 2.5/5
October 28, 2002
Can best be described as Animal House with bars, a fantasy musical maximum security joint.
September 30, 2002
Writer/director Walter Hill is in his hypermasculine element here, once again able to inject some real vitality and even art into a pulpy concept that, in many other hands would be completely forgettable.