X-Men: First Class - Movie Reviews - Rotten Tomatoes

X-Men: First Class Reviews

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½ December 9, 2017
A quasi-reboot/prequel that significantly, stylishly advances the ongoing formula of the franchise along with its vast amount of characters and puts forward its ardent storyline which is in the best sense of words, 'First Class.'
November 21, 2017
Timeline doesn't really jive with the rest of the X-movies, but a fun watch
November 19, 2017
There came a point, about half way through this film, when I emerged from the world of wonder on screen, took stock of my emotions in that instant, and realized that yes, by God, I am LOVING this movie.

I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.

Which they do. And how!

One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.

Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.

The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.

The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the... the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.

The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.

And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year - nay, decade - thus far. And considering how overcrowded that list is, this is really saying Something.

Huh. A prequel that does not, in any way, suck.

Amazing, isn't it?Beginning with a crime-thriller and a fantasy film on his directorial résumé, it is safe to say that Matthew Vaughn may have already found his niche genre in the super-hero field despite only directing four films in seven years. His first super-hero project, 'Kick Ass,' opened in 2010 to solid critical acclaim and a finalized gross of three times the film's ordinary $30 million dollar budget. And after only two years, Vaughn returns with 'X-Men: First Class,' an origins story to accompany the Bryan Singer/Brett Ratner X-Men trilogy released between 2000 and 2006. It's intelligent, enthralling, well-acted, stylishly directed, and most importantly by focusing heavily upon the relationship between the two central protagonists, it does not feel like a conventional super-hero film.

Set within the political context of the Cuban Missile Crisis in the early 1960's, Charles Xavier (James McAvoy) is an up-and-coming Professor whose life is drastically altered when he is introduced to the other members of society who also share the same mutant gene as himself that supplies them with super-human abilities and traits. After stumbling upon the shape-shifting Raven (Jennifer Lawrence) within his mansion, the telepathic Xavier then encounters Erik Lehnsherr (Michael Fassbender), the son of Jewish parents who were murdered during the holocaust by the narcissistic former Nazi scientist, Sebastian Shaw (Kevin Bacon). Erik, who can manipulate all metal objects around himself, wants retribution and nothing more from Sebastian who is now a successful and evil underground figurehead who commands a team of mutants (Azazel, Emma Frost and Riptide) to do his bidding for him. But, once his plan for world domination is revealed, they find that it far exceeds the constraints of humanity, and Xavier, Erik and a rag-tag band of young, hide-away mutants (Havok, Beast, Darwin, Angel and Banshee) who were discovered by Charles, must combine their powers in one last attempt to stop Shaw from destroying the planet and humanity as a whole.

Instantly where 'X-Men: First Class' works is in regards to its two central characters; Charles Xavier played by an incredibly affluently sounding James McAvoy and a rage-fuelled Erik Lehnsherr played by a stern-faced Michael Fassbender. Their instant on-screen chemistry provides the drive and ammunition for the plot to carry itself forward. Both characters have differing ideologies and their constant clashes due to this aspect allow the script to be brought to life. Instead of simply infusing their relationship with formulaic violent clashes, Vaughn has instead opted for more articulated verbal battles between the two characters regarding their stance within the society they are now becoming a part of. Xavier is an intellectual being who believes that humans will eventually be accepted within society as equals alongside humans, while Lenhsherr believes that mutants will always be hunted and unable to live peacefully side-by-side with the human race, his evidence for this resides in the anti-Semitism and hatred he received at the hands of the Nazi party during the holocaust. This heavy-set contradiction in ideologies allows their relationship to be imbued with pessimism, while they may be shown as friends and fighting together initially, fans of the comic books and films in general know this does eventually turn into a bitter rivalry and it's this development which drives the plot forward.

Aside from the script, it would also be rude to not praise the action-sequences which take place within the confines of the 1960's X-Men universe. With a modest running time at two hours and ten minutes, there are more than a few well-choreographed action sequences that would adequately satisfy any of comic-book-to-film aficionado's wishing to see this film. Each character's power or ability is at some point represented in a destructive or defensive capacity, taking full advantage of the fact that while many super-hero movies tend to concentrate on the aesthetic nature of the artillery characters can be seen to withstand from governmental agencies or blindsided human opponents, here it is shown and constantly emphasized that human reaction would be futile due to the overwhelming power the mutants possess. These scenes also allow the less important characters to show their physical presence on-screen. For example, during the climactic fight sequence at the conclusion of the film, every mutant character that is identified to the audience is finally shown using their abilities to full capacity, most notably the henchmen of Shaw and the rag-tag team of Xavier and Lehnsherr. This therefore accounts slightly for the lack of depth that has been attempted in these secondary characters due to the time and story constraints.

While it is a very good and accessible comic-book/super-hero movie, 'X-Men' does also contain two central flaws. The first is superseded in a way by the strength of both McAvoy and Fassbenders performances, as Kevin Bacon is constantly overshadowed as the one-dimensional antagonist of the piece. His plot to ultimately destroy humanity becomes second fiddle to the ever intricate complex relationship between Xavier and Lehnsherr, and his appearance seems too modelled upon that of a James Bond villain. He has the slick hair, the beautiful women and the villainous underground Club to boot, but Bacon unfortunately doesn't have the charisma to be accepted as a worthy opponent to the protagonists. The other flaw has to do with a minor aspect of the production itself, as the non-diegetic music, most notably during the action sequences, begins to diminish in its impact as the film carries on, leading to it eventually becoming the generic, genre-related fanfare associated with the conventional comic-book films.

'X-Men: First Class,' is not your typical comic-book movie, it may contain certain elements associated with the comic-book genre, but by placing a heavy emphasis upon the strength of the plot and the script at the film's core instead of the action-set-pieces taking place, Vaughn has intended, and succeeded, in transcending the stereotypical conventions of the genre and has created a film which will appeal to a wide range of audience members.
½ November 6, 2017
Even though it was great, there were some moments that were TOO corny.
November 4, 2017
my personal favorite X men movie
October 31, 2017
Powerful performances all-around, great screenplay, fantastic direction, and endlessly entertaining, X-Men: First Class is the definitive X-Men film, and one of the best, most stylish superhero films ever made.

5/5 stars
½ October 21, 2017
Jennifer Lawrence was perfect, the Hellfire Club were done right, Magneto and Charles is a cool bromance, good setup, everything a prequel needs to be.
September 29, 2017
one of the best if not the best xmen films
September 23, 2017
Everything you love about the X men, but younger and sexier. Little known fact: the original title was "Sex-Men: First Ass." Very entertaining film. Nice to get Magneto's back story and we get to see how professor X ended up in a wheel chair. Oh and Kevin Bacon is a pretty good villian.
½ September 8, 2017
The film begins like in Bryan Singer's first X-men film concluding with Magneto's life journey as a powerful mutant following the life of Charles Xavier's which can at times confuse the viewer a bit when Mystique makes her appearance. And while the film may carry some pleasant special effects, it looks to be something we've already seen in the previous X-men films with nothing so special to see from its characteristics involving their abilities. If there is a character that steals the show it's none other than Magneto whom Fassbender seems to portray very well.

The movie goes up and downward spiraling to something emotional, but cut's itself short with scenes that would have been ideal to be placed early in the film. This can make you feel like the movie is dragging with scenes that don't seem to matter by the time you arrive to it.

Keven bacon was a great pick for a part in the X-men world, but it looked to cliché to make him into a mutant which didn't seem to follow threw. The teleporting act of Azazel wasn't any better then the mindblowing feel of X2's Nightcrawler and the rest of the mutants never really shined, but then again, what X-men movie ever did?
September 2, 2017
Come on I'm not in to this movie
August 13, 2017
WOW! I surprisingly love this movie! Definitely a lot better then X-Men: The Last Stand! I love the casting choice, the plot was surprising excellent & the visuals are awesome! A great addition to the X-Men franchise!
August 1, 2017
It restores your faith in the X-Men franchise. especially after X-Men last stand and X-Men origins wolverine.
Super Reviewer
½ July 24, 2017
Fun, action packed and led by great performances, X-Men: First Class is a thrilling ride.
July 21, 2017
Surely one of the most surprisingly good remakes/reboots in a franchise in modern cinema! While the casting choice was praticly perfect, the script is good, the action and CGI are definitely better than the one in "X-Men Origins: Wolverine" and (almost) all the characters had the development that they deserved and that the needed. It is one of the best movies in the all franchise and it was just the beggining of a far more spetacular prequel franchise of the 2010's.
July 16, 2017
An OK film not the best
July 13, 2017
X-Men: First Class steps it up big time with style, tense action, and a great cast.
July 12, 2017
Boldness, script, and character development is what X-Men: Last Stand lacked. Thankfully, this outing made us partially forget it, and brought all the mentioned qualities above with it.
½ July 8, 2017
As comic book reboot movies go, this is pretty good. It's got a really good cast, particularly Fassbender and McAvoy, and a nice sleek retro look. Kevin Bacon makes a great villain. But ... we're really looking at a movie that's about 75% uninteresting filler characters and keeps revisiting themes that the previous trilogy kinda drove into the ground. It does it's job, but it really isn't memorable.
July 8, 2017
WHAT I LIKED: Going back and seeing the birth of these characters might sound like it's scraping the barrel, but 'X-Men: First Class' is entirely viable because it delves even further into the philosophies and reasoning of Erik and Charles. This development is aided further by a story that also studies the themes of before in more detail, and as a result of all these things you've got yourself a prequel that truly adds something to the experience when watching the original trilogy. In it's own right too, it's by far the most stylish X-Men film to date thanks to Michael Vaughn's experienced hand, and a very appropriate score from Henry Jackman.
WHAT I DIDN'T LIKE: Sadly it does also fall slightly into the usual prequel traps as the film's script is generally far more concerned with establishing and explaining everything than telling its own emotionally engaging story. This tick-box approach means we get well-established characters and themes, but it also means we get very little time with each scene - and thus less engagement than one might expect.
VERDICT: First Class delivers a lot, but I'd rather it delivered a little less with a whole lot more emotion and heart.
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