1
|
4.5/10
|
All that is Invisible (2020)
|
Israel Acosta Aroche
|
Everything feels very mechanical and fake, making it difficult to empathize with these characters. [Full Review in Spanish]
EDIT
Posted Jan 5, 2021
|
2
|
4.5/10
|
La Diosa del Asfalto (2020)
|
Israel Acosta Aroche
|
Everything feels artificial, unnatural, which is reinforced by the terrible dialogue. [Full Review in Spanish]
EDIT
Posted Jan 5, 2021
|
3
|
5.5/10
|
The Croods: A New Age (2020)
|
Israel Acosta Aroche
|
A film that is likely to be forgotten once you return to tense reality. [Full Review in Spanish]
EDIT
Posted Dec 28, 2020
|
4
|
5.5/10
|
ColOZio (2020)
|
Josafath Peña Álvarez
|
An entertaining enough movie that's enjoyable to a certain extent, but I think the world of 1994 could have been explored more, and had a bigger impact on the film. [Full Review in Spanish]
EDIT
Posted Nov 5, 2020
|
5
|
6/10
|
Fuego Adentro (2020)
|
Israel Acosta Aroche
|
The form of the film turns out to be somewhat concise and offers little on the narrative level. [Full Review in Spanish]
EDIT
Posted Nov 5, 2020
|
6
|
5/10
|
()
|
Iván Belmont
|
The Silent Party is a failed project from the start and only makes us wonder if this type of film (which exploits and abuses women...) should continue to exist if it has nothing to say. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
7
|
5/10
|
The Berlin Bride (2020)
|
Iván Belmont
|
Barlett's ambitions outgrew him, creating a very muted result. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
8
|
5.5
|
The Old Guard (2020)
|
Israel Acosta Aroche
|
Many times [music] is used to enhance the emotion or drama, but here it cuts them, causing confusion, and at times just feels forced. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
9
|
8/10
|
Proxima (2019)
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Israel Acosta Aroche
|
Proxima is a sincere film that doesn't pretend to be anything more than it is. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
10
|
8/10
|
Disclosure (2020)
|
Israel Acosta Aroche
|
An important watch, at least to have a little more background on all the situations that members of this community have had to experience. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
11
|
7/10
|
Fulci for Fake (2019)
|
Rafael Rosales Santos
|
Regardless of whether or not you know Lucio Fulci, if you love horror this documentary is a comprehensive and very interesting look at the life of an artist that will leave you wanting to see all of his films. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
12
|
6.5/10
|
Tenet (2020)
|
Israel Acosta Aroche
|
For the first time in a long time Christopher Nolan's work just gets a bit tiring and tiresome as he exploits his obsession with time yet again in a way that's more noisy than expressive. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
13
|
6.5/10
|
Fauna (2020)
|
Iván Belmont
|
It's an entertaining film; original, in it's own way, too, which is part of why it hurts so much that it never quite gets there, only ever grazing its lofty ambitions. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
14
|
7/10
|
The Great Fellove (2020)
|
Iván Belmont
|
The documentary falls short in terms of sentimentality, but that doesn't detract from its merits when it comes to telling such an interesting story. [Full Review in Spanish]
EDIT
Posted Oct 30, 2020
|
15
|
5.5/10
|
Wasp Network (2019)
|
Israel Acosta Aroche
|
The cast is outstanding, but Alma aside, they are all Hispanic, not Cuban, and as such they are all over the place with their accents and credibility. [Full Review in Spanish]
EDIT
Posted Jul 20, 2020
|
16
|
5.5/10
|
Eurovision Song Contest: The Story of Fire Saga (2020)
|
Israel Acosta Aroche
|
Watching the film can be a good time, despite its inconsistencies and predictable actions. [Full Review in Spanish]
EDIT
Posted Jul 20, 2020
|
17
|
5.5/10
|
Wendy (2020)
|
Israel Acosta Aroche
|
The main problem is that the director tried to emulate the formula of his first movie and it simply doesn't work here. [Full Review in Spanish]
EDIT
Posted Jun 26, 2020
|
18
|
7.5/10
|
Monos (2019)
|
Israel Acosta Aroche
|
Monos is the type of movie that doesn't leave viewers indifferent because in a way it manages to provoke a feeling in all of us. [Full Review in Spanish]
EDIT
Posted Jun 9, 2020
|
19
|
8/10
|
Honey Boy (2019)
|
Alejandra Cruz
|
The most moving aspect of the movie is without a doubt seeing Shia LaBeouf play the role of his father: pure catharsis, empathy, and humility. [Full Review in Spanish]
EDIT
Posted Mar 9, 2020
|
20
|
7/10
|
Onward (2020)
|
Israel Acosta Aroche
|
Onward is a well-constructed, cheerful, and entertaining movie. [Full Review in Spanish]
EDIT
Posted Mar 9, 2020
|
21
|
6.5/10
|
The Invisible Man (2020)
|
Israel Acosta Aroche
|
Despite its flaws, The Invisible Man is a movie that will keep you entertained thanks to the good use of suspense and an interesting premise. [Full Review in Spanish]
EDIT
Posted Mar 3, 2020
|
22
|
6.5/10
|
The Gentlemen (2020)
|
Rafael Rosales Santos
|
Beside its premise and ensemble, the movie doesn't offer much. [Full Review in Spanish]
EDIT
Posted Mar 2, 2020
|
23
|
6/10
|
Bombshell (2019)
|
Israel Acosta Aroche
|
The problem is the tone, which at first feels like a mere critique with a lot of black humor and it subsequently becomes a drama that never quite comes together. [Full Review in Spanish]
EDIT
Posted Feb 25, 2020
|
24
|
5/10
|
Everybody Loves Somebody (2017)
|
Rafael Rosales Santos
|
Simple and devoid of humor. [Full Review in Spanish]
EDIT
Posted Feb 6, 2020
|
25
|
7.5/10
|
Jojo Rabbit (2019)
|
Israel Acosta Aroche
|
The movie may not be perfect, but it has a lot of heart. [Full Review in Spanish]
EDIT
Posted Jan 28, 2020
|
26
|
8.5/10
|
Little Women (2019)
|
Israel Acosta Aroche
|
A clever, flashy, and moving film. [Full Review in Spanish]
EDIT
Posted Jan 24, 2020
|
27
|
9.5/10
|
Parasite (2019)
|
Iván Belmont
|
Humiliation is transformed into resentment and fantasy into reality. [Full Review in Spanish]
EDIT
Posted Jan 22, 2020
|
28
|
7.5/10
|
1917 (2019)
|
Israel Acosta Aroche
|
The film is pure spectacle and nothing more. [Full Review in Spanish]
EDIT
Posted Jan 22, 2020
|
29
|
8/10
|
The Two Popes (2019)
|
Israel Acosta Aroche
|
A good film that not only parishioners will like. [Full review in Spanish]
EDIT
Posted Dec 6, 2019
|
30
|
9/10
|
Marriage Story (2019)
|
Iván Belmont
|
The script is very intelligent in terms of the presentation of its protagonists. [Full review in Spanish]
EDIT
Posted Dec 5, 2019
|
31
|
6.5/10
|
The Dead Don't Die (2019)
|
Andres Uro
|
The problem is that integrating so many characters ends up turning the plot into a real disaster. [Full review in Spanish]
EDIT
Posted Dec 2, 2019
|
32
|
8.5/10
|
I Lost My Body (2019)
|
Jose Luis Ayala Ramirez
|
The final result of I Lost my Body is fascinating in all its parts: its outstanding animation, the maturity of its script or the performance on screen. [Full review in Spanish]
EDIT
Posted Dec 2, 2019
|
33
|
5.5/10
|
The Addams Family (2019)
|
Charly Díaz
|
An average production. [Full Review in Spanish]
EDIT
Posted Nov 25, 2019
|
34
|
7.5/10
|
Ford v Ferrari (2019)
|
Israel Acosta Aroche
|
An entertaining movie that doesn't let the dramatic touch be diluted among all the car races. [Full Review in Spanish]
EDIT
Posted Nov 25, 2019
|
35
|
7/10
|
Frozen II (2019)
|
Israel Acosta Aroche
|
Frozen II is a sequel that dignifies and manages to equal or even surpass its predecessor. [Full Review in Spanish]
EDIT
Posted Nov 25, 2019
|
36
|
10/10
|
The Irishman (2019)
|
Iván Belmont
|
The Irishman shows us once again the enormous talent and sensibility that Martin Scorsese possesses, which he has been perfecting throughout the years to the point of creating such a complex and gratifying movie. [Full Review in Spanish]
EDIT
Posted Nov 19, 2019
|
37
|
6/10
|
Missing Link (2019)
|
Israel Acosta Aroche
|
This shows that for Laika Studios Missing Link represents a setback in terms of plot, but ends up being saved by its creative and attractive animation. [Full Review in Spanish]
EDIT
Posted Nov 12, 2019
|
38
|
8/10
|
The Lighthouse (2019)
|
Iván Belmont
|
The Lighthouse is a fascinating work... a risky and unconventional project. [Full Review in Spanish]
EDIT
Posted Nov 11, 2019
|
39
|
8/10
|
The Art of Self-Defense (2019)
|
Iván Belmont
|
The Art of Self-Defense may be a dark comedy, but it is extremely intelligent when it comes to the subjects it addresses and represents on screen. [Full Review in Spanish]
EDIT
Posted Nov 11, 2019
|
40
|
7.5/10
|
Doctor Sleep (2019)
|
Rafael Rosales Santos
|
[Doctor Sleep] takes its time to give us a new and interesting story with fascinating characters. [Full Review in Spanish]
EDIT
Posted Nov 8, 2019
|
41
|
6/10
|
Zombieland: Double Tap (2019)
|
Rafael Rosales Santos
|
Zombieland: Double Tap is more of the same... It doesn't take a risk or surprise you. [Full Review in Spanish]
EDIT
Posted Nov 4, 2019
|
42
|
7.5/10
|
Downton Abbey (2019)
|
Israel Acosta Aroche
|
Downton Abbey doesn't feel unnecessary, but it's rather an homage to and a reminder of a bygone era. [Full Review in Spanish]
EDIT
Posted Nov 4, 2019
|
43
|
6.5/10
|
Terminator: Dark Fate (2019)
|
Rafael Rosales Santos
|
Terminator: Dark Fate is an unnecessary sequel, failing to reach the standards promised and to give a definitive ending to the franchise. [Full Review in Spanish]
EDIT
Posted Nov 1, 2019
|
44
|
7/10
|
Hustlers (2019)
|
Rafael Rosales Santos
|
Jennifer Lopez and Constance Wu have an interesting chemistry that manages to perfectly communicate the relationship between teacher and student. [Full Review in Spanish]
EDIT
Posted Oct 31, 2019
|
45
|
7.5/10
|
I'm No Longer Here (2019)
|
Rafael Rosales Santos
|
A very human story about the struggle to defend identity at all costs. [Full Review in Spanish]
EDIT
Posted Oct 30, 2019
|
46
|
7/10
|
The Guardian of Memory (2019)
|
Rafael Rosales Santos
|
Despite its flaws, this is a powerful documentary that condemns an existing problem that is there and that many of us ignore or don't know at all. [Full Review in Spanish]
EDIT
Posted Oct 30, 2019
|
47
|
7.5/10
|
The Souvenir (2019)
|
Iván Belmont
|
The film possesses a narrative simplicity that conveys an atmosphere full of melancholy. [Full Review in Spanish]
EDIT
Posted Oct 29, 2019
|
48
|
6.5/10
|
Esto no es Berlín (2019)
|
Iván Belmont
|
Despite its flaws, this is Hari Sama's best film to date. [Full Review in Spanish]
EDIT
Posted Oct 29, 2019
|
49
|
7/10
|
Workforce (2019)
|
Iván Belmont
|
A convincing portrait of how fantasies are unsustainable in our cruel and pessimistic world. [Full Review in Spanish]
EDIT
Posted Oct 28, 2019
|
50
|
7/10
|
()
|
Iván Belmont
|
The elements of magic realism turn Sanctorum into a complete cinematic experience because the combination of visual and sound elements are truly overwhelming. [Full Review in Spanish]
EDIT
Posted Oct 28, 2019
|